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"Undoing is just as much a democratic right as doing."---Gordon Matta-Clark This revealing book looks at the groundbreaking work of Gordon Matta-Clark (1943-1978), whose socially conscious practice blurred the boundaries between contemporary art and architecture. After completing a degree in architecture at Cornell University, Matta-Clark returned to his home city of New York. There he employed the term "anarchitecture," combining "anarchy" and "architecture," to describe the site-specific works he initially realized in the South Bronx. The borough's many abandoned buildings, the result of economic decline and middle-class flight, served as Matta-Clark's raw material. His series Cuts dissected these structures, performing an anatomical study of the ravaged urban landscape. Moving from New York to Paris with Conical Intersect, a piece that became emblematic of artistic protest, Matta-Clark applied this same method to a pair of 17th-century row houses slated for demolition as a result of the Centre Pompidou's construction. This compelling volume grounds Matta-Clark's practice against the framework of architectural and urban history, stressing his pioneering activist-inspired approach, as well as his contribution to the nascent fields of social practice and relational aesthetics. Published in association with The Bronx Museum of the Arts
Exhibition Schedule:
Bronx Museum of the Arts
(11/08/17-04/08/18)
Jeu de Paume, Paris
(06/04/18-09/23/18)
Kumu Kunstimuuseum, Tallinn, Estonia
(03/01/19-08/04/19)
Rose Art Museum, Waltham, MA
(09/12/19-12/15/2019)
"Undoing is just as much a democratic right as doing."---Gordon Matta-Clark This revealing book looks at the groundbreaking work of Gordon Matta-Clark (1943-1978), whose socially conscious practice blurred the boundaries between contemporary art and architecture. After completing a degree in architecture at Cornell University, Matta-Clark returned to his home city of New York. There he employed the term "anarchitecture," combining "anarchy" and "architecture," to describe the site-specific works he initially realized in the South Bronx. The borough's many abandoned buildings, the result of economic decline and middle-class flight, served as Matta-Clark's raw material. His series Cuts dissected these structures, performing an anatomical study of the ravaged urban landscape. Moving from New York to Paris with Conical Intersect, a piece that became emblematic of artistic protest, Matta-Clark applied this same method to a pair of 17th-century row houses slated for demolition as a result of the Centre Pompidou's construction. This compelling volume grounds Matta-Clark's practice against the framework of architectural and urban history, stressing his pioneering activist-inspired approach, as well as his contribution to the nascent fields of social practice and relational aesthetics. Published in association with The Bronx Museum of the Arts
Exhibition Schedule:
Bronx Museum of the Arts
(11/08/17-04/08/18)
Jeu de Paume, Paris
(06/04/18-09/23/18)
Kumu Kunstimuuseum, Tallinn, Estonia
(03/01/19-08/04/19)
Rose Art Museum, Waltham, MA
(09/12/19-12/15/2019)
Über den Autor
Antonio Sergio Bessa is director of curatorial and education programs at the Bronx Museum of the Arts. Jessamyn Fiore is a New York-based curator and co-director of the Estate of Gordon Matta-Clark.
Details
| Erscheinungsjahr: | 2017 |
|---|---|
| Genre: | Importe, Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Kunstgeschichte |
| Medium: | Buch |
| Inhalt: | Einband - fest (Hardcover) |
| ISBN-13: | 9780300230437 |
| ISBN-10: | 0300230435 |
| Sprache: | Englisch |
| Einband: | Gebunden |
| Autor: |
Bessa, Antonio Sergio
Fiore, Jessamyn |
| Hersteller: | Yale University Press |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 261 x 200 x 20 mm |
| Von/Mit: | Antonio Sergio Bessa (u. a.) |
| Erscheinungsdatum: | 21.11.2017 |
| Gewicht: | 0,923 kg |