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Beschreibung
"Undoing is just as much a democratic right as doing."---Gordon Matta-Clark This revealing book looks at the groundbreaking work of Gordon Matta-Clark (1943-1978), whose socially conscious practice blurred the boundaries between contemporary art and architecture. After completing a degree in architecture at Cornell University, Matta-Clark returned to his home city of New York. There he employed the term "anarchitecture," combining "anarchy" and "architecture," to describe the site-specific works he initially realized in the South Bronx. The borough's many abandoned buildings, the result of economic decline and middle-class flight, served as Matta-Clark's raw material. His series Cuts dissected these structures, performing an anatomical study of the ravaged urban landscape. Moving from New York to Paris with Conical Intersect, a piece that became emblematic of artistic protest, Matta-Clark applied this same method to a pair of 17th-century row houses slated for demolition as a result of the Centre Pompidou's construction. This compelling volume grounds Matta-Clark's practice against the framework of architectural and urban history, stressing his pioneering activist-inspired approach, as well as his contribution to the nascent fields of social practice and relational aesthetics. Published in association with The Bronx Museum of the Arts

Exhibition Schedule:

Bronx Museum of the Arts
(11/08/17-04/08/18)

Jeu de Paume, Paris
(06/04/18-09/23/18)

Kumu Kunstimuuseum, Tallinn, Estonia
(03/01/19-08/04/19)

Rose Art Museum, Waltham, MA
(09/12/19-12/15/2019)

"Undoing is just as much a democratic right as doing."---Gordon Matta-Clark This revealing book looks at the groundbreaking work of Gordon Matta-Clark (1943-1978), whose socially conscious practice blurred the boundaries between contemporary art and architecture. After completing a degree in architecture at Cornell University, Matta-Clark returned to his home city of New York. There he employed the term "anarchitecture," combining "anarchy" and "architecture," to describe the site-specific works he initially realized in the South Bronx. The borough's many abandoned buildings, the result of economic decline and middle-class flight, served as Matta-Clark's raw material. His series Cuts dissected these structures, performing an anatomical study of the ravaged urban landscape. Moving from New York to Paris with Conical Intersect, a piece that became emblematic of artistic protest, Matta-Clark applied this same method to a pair of 17th-century row houses slated for demolition as a result of the Centre Pompidou's construction. This compelling volume grounds Matta-Clark's practice against the framework of architectural and urban history, stressing his pioneering activist-inspired approach, as well as his contribution to the nascent fields of social practice and relational aesthetics. Published in association with The Bronx Museum of the Arts

Exhibition Schedule:

Bronx Museum of the Arts
(11/08/17-04/08/18)

Jeu de Paume, Paris
(06/04/18-09/23/18)

Kumu Kunstimuuseum, Tallinn, Estonia
(03/01/19-08/04/19)

Rose Art Museum, Waltham, MA
(09/12/19-12/15/2019)

Über den Autor
Antonio Sergio Bessa is director of curatorial and education programs at the Bronx Museum of the Arts. Jessamyn Fiore is a New York-based curator and co-director of the Estate of Gordon Matta-Clark.
Details
Erscheinungsjahr: 2017
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Kunstgeschichte
Medium: Buch
Inhalt: Einband - fest (Hardcover)
ISBN-13: 9780300230437
ISBN-10: 0300230435
Sprache: Englisch
Einband: Gebunden
Autor: Bessa, Antonio Sergio
Fiore, Jessamyn
Hersteller: Yale University Press
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 261 x 200 x 20 mm
Von/Mit: Antonio Sergio Bessa (u. a.)
Erscheinungsdatum: 21.11.2017
Gewicht: 0,923 kg
Artikel-ID: 108826878