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Michael Betancourt is a theorist, historian, and artist concerned with digital technology and capitalist ideology. He is the author of The ____________ Manifesto, The History of Motion Graphics, Beyond Spatial Montage: Windowing, or, the Cinematic Displacement of Time, Motion, and Space, and The Critique of Digital Capitalism. He hasexhibited internationally, and his work has been translated into Chinese, French, Greek, Italian, Japanese, Persian, Portuguese, and Spanish, and published in journals such as CTheory, Semiotica, and Leonardo.
Introduction
1. Origins of 'Glitch' in The Stoppage
2. The Heritage of Materialist Media
3. Digital Misfunction and Materialist Approaches
4. Critical Engagements with Failure
Conclusion: Prospects
Glossary
Erscheinungsjahr: | 2019 |
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Genre: | Importe, Kunst |
Rubrik: | Kunst & Musik |
Thema: | Fotografie |
Medium: | Taschenbuch |
Inhalt: | Einband - flex.(Paperback) |
ISBN-13: | 9780367884246 |
ISBN-10: | 0367884240 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Betancourt, Michael |
Hersteller: | Routledge |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 216 x 140 x 8 mm |
Von/Mit: | Michael Betancourt |
Erscheinungsdatum: | 10.12.2019 |
Gewicht: | 0,201 kg |