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Feminist Worldmaking and the Moving Image
Taschenbuch von Erika Balsom (u. a.)
Sprache: Englisch

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Beschreibung
Intersectional, intergenerational, and international perspectives on nonfiction filmmaking by women, generously illustrated, with film stills and other images.

This book offers intersectional, intergenerational, and international perspectives on nonfiction film- and videomaking by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit major figures, contexts, and debates across a polycentric, global geography. They explore how the moving image has been a crucial terrain of feminist struggle—a way of not only picturing the world but remaking it.

The contributors consider key decolonial filmmakers, including Trinh T. Minh-ha and Sarah Maldoror; explore collectively produced films with ties to women’s liberation movements in different countries; and investigate the cinematic expressions of tensions and alliances between feminism and anti-imperialist struggles. They grapple with the need for a broader more inclusive definition of the term “feminism”; meditate on the figure of the grandmother; reflect on realist aesthetics; and ask what a feminist film historiography might look like.

The book, generously illustrated with film stills and other images, many in color, offers ten original texts, two conversations, and eight short essays composed in response to historical texts written by filmmakers. The historical texts, half of which are published in English for the first time, appear alongside the essays.

Contributors
Helena Amiradżibi, Madeleine Bernstorff, Teresa Castro, Counter Encounters (Laura Huertas Millán, Onyeka Igwe, Rachael Rakes), Ayanna Dozier, Forough Farrokhzad, Safi Faye, Devika Girish, Elena Gorfinkel, Haneda Sumiko, Shai Heredia, Juliet Jacques, Sarah Keller, Nzingha Kendall, Julia Lesage, Beatrice Loayza, Janaína Oliveira, Lakshmi Padmanabhan, Yasmina Price, Elizabeth Ramírez-Soto, Pooja Rangan, Lis Rhodes, Sara Saljoughi, Rasha Salti, Isabel Seguí, Chick Strand, Monika Talarczyk, Trinh T. Minh-ha, Françoise Vergès, Claudia von Alemann, Mitsuyo Wada-Marciano, Shilyh Warren, Giovanna Zapperi
Intersectional, intergenerational, and international perspectives on nonfiction filmmaking by women, generously illustrated, with film stills and other images.

This book offers intersectional, intergenerational, and international perspectives on nonfiction film- and videomaking by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit major figures, contexts, and debates across a polycentric, global geography. They explore how the moving image has been a crucial terrain of feminist struggle—a way of not only picturing the world but remaking it.

The contributors consider key decolonial filmmakers, including Trinh T. Minh-ha and Sarah Maldoror; explore collectively produced films with ties to women’s liberation movements in different countries; and investigate the cinematic expressions of tensions and alliances between feminism and anti-imperialist struggles. They grapple with the need for a broader more inclusive definition of the term “feminism”; meditate on the figure of the grandmother; reflect on realist aesthetics; and ask what a feminist film historiography might look like.

The book, generously illustrated with film stills and other images, many in color, offers ten original texts, two conversations, and eight short essays composed in response to historical texts written by filmmakers. The historical texts, half of which are published in English for the first time, appear alongside the essays.

Contributors
Helena Amiradżibi, Madeleine Bernstorff, Teresa Castro, Counter Encounters (Laura Huertas Millán, Onyeka Igwe, Rachael Rakes), Ayanna Dozier, Forough Farrokhzad, Safi Faye, Devika Girish, Elena Gorfinkel, Haneda Sumiko, Shai Heredia, Juliet Jacques, Sarah Keller, Nzingha Kendall, Julia Lesage, Beatrice Loayza, Janaína Oliveira, Lakshmi Padmanabhan, Yasmina Price, Elizabeth Ramírez-Soto, Pooja Rangan, Lis Rhodes, Sara Saljoughi, Rasha Salti, Isabel Seguí, Chick Strand, Monika Talarczyk, Trinh T. Minh-ha, Françoise Vergès, Claudia von Alemann, Mitsuyo Wada-Marciano, Shilyh Warren, Giovanna Zapperi
Über den Autor
Erika Balsom is Reader in Film Studies at King’s College London and the author of four books, including TEN SKIES and After Uniqueness: A History of Film and Video Art in Circulation.

Hila Peleg is Associate Curator at the Haus der Kulturen der Welt (HKW), Berlin and was formerly Artistic Director of the Berlin Documentary Forum.

Balsom and Peleg are coeditors of Documentary Across Disciplines (HKW/MIT Press).
Details
Erscheinungsjahr: 2022
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Theater & Film
Medium: Taschenbuch
Seiten: 512
Inhalt: Einband - flex.(Paperback)
ISBN-13: 9780262544528
ISBN-10: 0262544520
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Balsom, Erika
Peleg, Hila
Redaktion: Balsom, Erika
Peleg, Hila
Hersteller: The MIT Press
Abbildungen: 400
Maße: 241 x 169 x 33 mm
Von/Mit: Erika Balsom (u. a.)
Erscheinungsdatum: 27.09.2022
Gewicht: 0,976 kg
preigu-id: 120966982
Über den Autor
Erika Balsom is Reader in Film Studies at King’s College London and the author of four books, including TEN SKIES and After Uniqueness: A History of Film and Video Art in Circulation.

Hila Peleg is Associate Curator at the Haus der Kulturen der Welt (HKW), Berlin and was formerly Artistic Director of the Berlin Documentary Forum.

Balsom and Peleg are coeditors of Documentary Across Disciplines (HKW/MIT Press).
Details
Erscheinungsjahr: 2022
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Theater & Film
Medium: Taschenbuch
Seiten: 512
Inhalt: Einband - flex.(Paperback)
ISBN-13: 9780262544528
ISBN-10: 0262544520
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Balsom, Erika
Peleg, Hila
Redaktion: Balsom, Erika
Peleg, Hila
Hersteller: The MIT Press
Abbildungen: 400
Maße: 241 x 169 x 33 mm
Von/Mit: Erika Balsom (u. a.)
Erscheinungsdatum: 27.09.2022
Gewicht: 0,976 kg
preigu-id: 120966982
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