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The election of a suitable successor to a deceased patriarch of the Coptic Orthodox Church of Egypt always marks an important turning point in the everyday life of this oriental church. Since 1957, its head has been chosen by lot - an altar lot is drawn from the names of three previously duly elected candidates in order to determine the new Coptic Orthodox patriarch.
While the drawing of lots has been a regular feature of the election process since 1957, this selection method has historically been the exception to the rule. To date, only 7 of the 118 Coptic Orthodox patriarchs have been elected by drawing lots. Between the 8th and 13th centuries, there were only two. This is actually astonishing, as the Copts could basically refer to Acts 1:15 - 26 as a relevant precedent for the application of this selection method: After the death of the traitor Judas, a successor had to be found for him. The assembled disciples prayed about this and nominated two men, Joseph and Matthias, as suitable successors. Lots were then cast for them - the choice fell on Matthias, who was henceforth counted among the apostles.
According to the research programme of the Münster Collaborative Research Centre 1150 "Cultures of Decision-Making", drawing lots is considered an "extreme case of decision-making", which makes the application of this selection method extremely presuppositional. So why, in the few cases that have come down to us, did the Copts agree to select the head of their church by drawing lots? What historical and cultural conditions made the use of casting lots as a selection method possible in the first place? What considerations spoke in favour of drawing lots and against the use of other selection methods? And how did these considerations influence the technical-instrumental side as well as the symbolic-expressive side of the drawing of an altar lot used in the individual cases?
A systematic, historical-comparative analysis of the application of both the drawing of lots and other selection methods in the context of the election of the Coptic Orthodox patriarch was a desideratum that had not yet been realised. This study now fulfils this requirement for those patriarchs who were brought to office by drawing lots between the 8th and 13th centuries. Of course, this also includes the other selection methods that can be documented for the regulation of the succession of a deceased patriarch during this period.
While the drawing of lots has been a regular feature of the election process since 1957, this selection method has historically been the exception to the rule. To date, only 7 of the 118 Coptic Orthodox patriarchs have been elected by drawing lots. Between the 8th and 13th centuries, there were only two. This is actually astonishing, as the Copts could basically refer to Acts 1:15 - 26 as a relevant precedent for the application of this selection method: After the death of the traitor Judas, a successor had to be found for him. The assembled disciples prayed about this and nominated two men, Joseph and Matthias, as suitable successors. Lots were then cast for them - the choice fell on Matthias, who was henceforth counted among the apostles.
According to the research programme of the Münster Collaborative Research Centre 1150 "Cultures of Decision-Making", drawing lots is considered an "extreme case of decision-making", which makes the application of this selection method extremely presuppositional. So why, in the few cases that have come down to us, did the Copts agree to select the head of their church by drawing lots? What historical and cultural conditions made the use of casting lots as a selection method possible in the first place? What considerations spoke in favour of drawing lots and against the use of other selection methods? And how did these considerations influence the technical-instrumental side as well as the symbolic-expressive side of the drawing of an altar lot used in the individual cases?
A systematic, historical-comparative analysis of the application of both the drawing of lots and other selection methods in the context of the election of the Coptic Orthodox patriarch was a desideratum that had not yet been realised. This study now fulfils this requirement for those patriarchs who were brought to office by drawing lots between the 8th and 13th centuries. Of course, this also includes the other selection methods that can be documented for the regulation of the succession of a deceased patriarch during this period.
The election of a suitable successor to a deceased patriarch of the Coptic Orthodox Church of Egypt always marks an important turning point in the everyday life of this oriental church. Since 1957, its head has been chosen by lot - an altar lot is drawn from the names of three previously duly elected candidates in order to determine the new Coptic Orthodox patriarch.
While the drawing of lots has been a regular feature of the election process since 1957, this selection method has historically been the exception to the rule. To date, only 7 of the 118 Coptic Orthodox patriarchs have been elected by drawing lots. Between the 8th and 13th centuries, there were only two. This is actually astonishing, as the Copts could basically refer to Acts 1:15 - 26 as a relevant precedent for the application of this selection method: After the death of the traitor Judas, a successor had to be found for him. The assembled disciples prayed about this and nominated two men, Joseph and Matthias, as suitable successors. Lots were then cast for them - the choice fell on Matthias, who was henceforth counted among the apostles.
According to the research programme of the Münster Collaborative Research Centre 1150 "Cultures of Decision-Making", drawing lots is considered an "extreme case of decision-making", which makes the application of this selection method extremely presuppositional. So why, in the few cases that have come down to us, did the Copts agree to select the head of their church by drawing lots? What historical and cultural conditions made the use of casting lots as a selection method possible in the first place? What considerations spoke in favour of drawing lots and against the use of other selection methods? And how did these considerations influence the technical-instrumental side as well as the symbolic-expressive side of the drawing of an altar lot used in the individual cases?
A systematic, historical-comparative analysis of the application of both the drawing of lots and other selection methods in the context of the election of the Coptic Orthodox patriarch was a desideratum that had not yet been realised. This study now fulfils this requirement for those patriarchs who were brought to office by drawing lots between the 8th and 13th centuries. Of course, this also includes the other selection methods that can be documented for the regulation of the succession of a deceased patriarch during this period.
While the drawing of lots has been a regular feature of the election process since 1957, this selection method has historically been the exception to the rule. To date, only 7 of the 118 Coptic Orthodox patriarchs have been elected by drawing lots. Between the 8th and 13th centuries, there were only two. This is actually astonishing, as the Copts could basically refer to Acts 1:15 - 26 as a relevant precedent for the application of this selection method: After the death of the traitor Judas, a successor had to be found for him. The assembled disciples prayed about this and nominated two men, Joseph and Matthias, as suitable successors. Lots were then cast for them - the choice fell on Matthias, who was henceforth counted among the apostles.
According to the research programme of the Münster Collaborative Research Centre 1150 "Cultures of Decision-Making", drawing lots is considered an "extreme case of decision-making", which makes the application of this selection method extremely presuppositional. So why, in the few cases that have come down to us, did the Copts agree to select the head of their church by drawing lots? What historical and cultural conditions made the use of casting lots as a selection method possible in the first place? What considerations spoke in favour of drawing lots and against the use of other selection methods? And how did these considerations influence the technical-instrumental side as well as the symbolic-expressive side of the drawing of an altar lot used in the individual cases?
A systematic, historical-comparative analysis of the application of both the drawing of lots and other selection methods in the context of the election of the Coptic Orthodox patriarch was a desideratum that had not yet been realised. This study now fulfils this requirement for those patriarchs who were brought to office by drawing lots between the 8th and 13th centuries. Of course, this also includes the other selection methods that can be documented for the regulation of the succession of a deceased patriarch during this period.
Zusammenfassung
Fabian Erben, born on 30 August 1988, lives with his wife in the town of Unna in the eastern Ruhr region. "Die Wahl des koptisch-orthodoxen Patriarchen Ägyptens vom 8. bis zum 13. Jahrhundert durch das Los und andere Methoden" is his first major book publication and also his dissertation.
He studied History and German Studies at the Ruhr University Bochum (2009 - 2015). He then worked at the University of Münster from 2015 to 2019 as a research He worked as a research assistant at the Collaborative Research Centre 1150 "Cultures of Decision-Making". Finally, from 2020 to 2022, he worked as a scient. Volunteer at the LWL-Römermuseum in Haltern am See, where he was involved in the planning, conception and realisation of the special exhibition "Rome in Westphalia 2.0".
Fabian Erben is currently working as a personal assistant and supports a physically disabled person in his everyday life. At the same time, he is studying to become a secondary school teacher of German and history at Ruhr University Bochum.
He studied History and German Studies at the Ruhr University Bochum (2009 - 2015). He then worked at the University of Münster from 2015 to 2019 as a research He worked as a research assistant at the Collaborative Research Centre 1150 "Cultures of Decision-Making". Finally, from 2020 to 2022, he worked as a scient. Volunteer at the LWL-Römermuseum in Haltern am See, where he was involved in the planning, conception and realisation of the special exhibition "Rome in Westphalia 2.0".
Fabian Erben is currently working as a personal assistant and supports a physically disabled person in his everyday life. At the same time, he is studying to become a secondary school teacher of German and history at Ruhr University Bochum.
Details
| Erscheinungsjahr: | 2024 |
|---|---|
| Genre: | Geschichte |
| Jahrhundert: | Altertum |
| Rubrik: | Geisteswissenschaften |
| Medium: | Buch |
| ISBN-13: | 9783752005943 |
| ISBN-10: | 3752005947 |
| Sprache: | Deutsch |
| Herstellernummer: | 10594 |
| Einband: | Gebunden |
| Autor: | Erben, Fabian |
| Hersteller: |
Reichert
Reichert Verlag |
| Verantwortliche Person für die EU: | Heil, Margaret, Margaret Heil, Reichert, Anne-Frank-Str. 11, D-63762 Großostheim, margret-heil@gmx.de |
| Abbildungen: | 1 SW-Abb. |
| Maße: | 25 x 175 x 249 mm |
| Von/Mit: | Fabian Erben |
| Erscheinungsdatum: | 01.07.2024 |
| Gewicht: | 0,711 kg |