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Beschreibung
Gilles Deleuze represents the most widely referenced theorist of cinema today. And yet, even the most rudimentary pillars of his thought remain mysterious to most students (and even many scholars) of film studies.
From one of the foremost theorists following Deleuze in the world today, Deleuze andLola Montèsoffers a detailed explication of Gilles Deleuze's writings on film - from his books Cinema 1: The Movement-Image(1983) and Cinema 2: The Time-Image (1985). Building on this foundation, Rushton provides an interpretation of Max Ophuls's classic film Lola Montès as an example of how Deleuzian film theory can function in the practice of film interpretation.
From one of the foremost theorists following Deleuze in the world today, Deleuze andLola Montèsoffers a detailed explication of Gilles Deleuze's writings on film - from his books Cinema 1: The Movement-Image(1983) and Cinema 2: The Time-Image (1985). Building on this foundation, Rushton provides an interpretation of Max Ophuls's classic film Lola Montès as an example of how Deleuzian film theory can function in the practice of film interpretation.
Gilles Deleuze represents the most widely referenced theorist of cinema today. And yet, even the most rudimentary pillars of his thought remain mysterious to most students (and even many scholars) of film studies.
From one of the foremost theorists following Deleuze in the world today, Deleuze andLola Montèsoffers a detailed explication of Gilles Deleuze's writings on film - from his books Cinema 1: The Movement-Image(1983) and Cinema 2: The Time-Image (1985). Building on this foundation, Rushton provides an interpretation of Max Ophuls's classic film Lola Montès as an example of how Deleuzian film theory can function in the practice of film interpretation.
From one of the foremost theorists following Deleuze in the world today, Deleuze andLola Montèsoffers a detailed explication of Gilles Deleuze's writings on film - from his books Cinema 1: The Movement-Image(1983) and Cinema 2: The Time-Image (1985). Building on this foundation, Rushton provides an interpretation of Max Ophuls's classic film Lola Montès as an example of how Deleuzian film theory can function in the practice of film interpretation.
Über den Autor
Richard Rushton is Senior Lecturer in Film at Lancaster University, UK. He is author of Cinema After Deleuze(2012), The Reality of Film (2011), The Politics of Hollywood Cinema(2012), and What is Film Theory?(co-written with Gary Bettinson, 2010).
Zusammenfassung
Offers an original, detailed, Deleuzian analysis of Max Ophuls's Lola Montès (1955)
Inhaltsverzeichnis
Introduction
Section 1: Deleuze's Cinema: Movement, Time, Memory, and Subjectivity
Section 2: The Time-Image and Lola Montès
Conclusion
Further Reading
Bibliography
Details
| Erscheinungsjahr: | 2020 |
|---|---|
| Genre: | Importe, Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Fotografie |
| Medium: | Taschenbuch |
| Reihe: | Film Theory in Practice |
| ISBN-13: | 9781501345753 |
| ISBN-10: | 1501345753 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Rushton, Richard |
| Hersteller: |
Bloomsbury Academic
Film Theory in Practice |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 198 x 129 x 11 mm |
| Von/Mit: | Richard Rushton |
| Erscheinungsdatum: | 10.12.2020 |
| Gewicht: | 0,217 kg |