Zum Hauptinhalt springen Zur Suche springen Zur Hauptnavigation springen
Dekorationsartikel gehören nicht zum Leistungsumfang.
Critical Terms for Art History, Second Edition
Sprache: Englisch

49,35 €*

inkl. MwSt.

Versandkostenfrei per Post / DHL

Lieferzeit 1-2 Wochen

Produkt Anzahl: Gib den gewünschten Wert ein oder benutze die Schaltflächen um die Anzahl zu erhöhen oder zu reduzieren.
Kategorien:
Beschreibung
"Art" has always been contested terrain, whether the object in question is a medieval tapestry or Duchamp's "Fountain." But questions about the categories of "art" and "art history" acquired increased urgency during the 1970s, when new developments in critical theory and other intellectual projects dramatically transformed the discipline. The first edition of "Critical Terms for Art History" both mapped and contributed to those transformations, offering a spirited reassessment of the field's methods and [...] history as a field has kept pace with debates over globalization and other social and political issues in recent years, making a second edition of this book not just timely, but crucial. Like its predecessor, this new edition consists of essays that cover a wide variety of "loaded" terms in the history of art, from "sign" to "meaning," "ritual" to "commodity." Each essay explains and comments on a single term, discussing the issues the term raises and putting the term into practice as an interpretive framework for a specific work of art. For example, Richard Shiff discusses "Originality" in Vija Celmins's "To Fix the Image in Memory," a work made of eleven pairs of stones, each consisting of one "original" stone and one painted bronze replica. In addition to the twenty-two original essays, this edition includes nine new ones--"performance," "style," "memory/monument," "body," "beauty," "ugliness," "identity," "visual culture/visual studies," and "social history of art"--as well as new introductory material. All help expand the book's scope while retaining its central goal of stimulating discussion of theoretical issues in art history and making that discussion accessibleto both beginning students and senior scholars.Contributors: Mark Antliff, Nina Athanassoglou-Kallmyer, Stephen Bann, Homi K. Bhabha, Suzanne Preston Blier, Michael Camille, David Carrier, Craig Clunas, Whitney Davis, Jas Elsner, Ivan Gaskell, Ann Gibson, Charles Harrison,
"Art" has always been contested terrain, whether the object in question is a medieval tapestry or Duchamp's "Fountain." But questions about the categories of "art" and "art history" acquired increased urgency during the 1970s, when new developments in critical theory and other intellectual projects dramatically transformed the discipline. The first edition of "Critical Terms for Art History" both mapped and contributed to those transformations, offering a spirited reassessment of the field's methods and [...] history as a field has kept pace with debates over globalization and other social and political issues in recent years, making a second edition of this book not just timely, but crucial. Like its predecessor, this new edition consists of essays that cover a wide variety of "loaded" terms in the history of art, from "sign" to "meaning," "ritual" to "commodity." Each essay explains and comments on a single term, discussing the issues the term raises and putting the term into practice as an interpretive framework for a specific work of art. For example, Richard Shiff discusses "Originality" in Vija Celmins's "To Fix the Image in Memory," a work made of eleven pairs of stones, each consisting of one "original" stone and one painted bronze replica. In addition to the twenty-two original essays, this edition includes nine new ones--"performance," "style," "memory/monument," "body," "beauty," "ugliness," "identity," "visual culture/visual studies," and "social history of art"--as well as new introductory material. All help expand the book's scope while retaining its central goal of stimulating discussion of theoretical issues in art history and making that discussion accessibleto both beginning students and senior scholars.Contributors: Mark Antliff, Nina Athanassoglou-Kallmyer, Stephen Bann, Homi K. Bhabha, Suzanne Preston Blier, Michael Camille, David Carrier, Craig Clunas, Whitney Davis, Jas Elsner, Ivan Gaskell, Ann Gibson, Charles Harrison,
Details
Erscheinungsjahr: 2003
Reihe: Critical Terms
Inhalt: Einband - flex.(Paperback)
ISBN-13: 9780226571683
ISBN-10: 0226571688
Sprache: Englisch
Autor: Robert S. Nelson
Richard Shiff
Redaktion: Nelson, Robert S.
Shiff, Richard
Auflage: 2 Revised edition
Hersteller: KNV Besorgung
Verantwortliche Person für die EU: preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de
Abbildungen: 28 halftones
Maße: 238 x 168 x 29 mm
Von/Mit: Robert S. Nelson (u. a.)
Erscheinungsdatum: 01.05.2003
Gewicht: 0,872 kg
Artikel-ID: 102410220
Details
Erscheinungsjahr: 2003
Reihe: Critical Terms
Inhalt: Einband - flex.(Paperback)
ISBN-13: 9780226571683
ISBN-10: 0226571688
Sprache: Englisch
Autor: Robert S. Nelson
Richard Shiff
Redaktion: Nelson, Robert S.
Shiff, Richard
Auflage: 2 Revised edition
Hersteller: KNV Besorgung
Verantwortliche Person für die EU: preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de
Abbildungen: 28 halftones
Maße: 238 x 168 x 29 mm
Von/Mit: Robert S. Nelson (u. a.)
Erscheinungsdatum: 01.05.2003
Gewicht: 0,872 kg
Artikel-ID: 102410220
Sicherheitshinweis

Ähnliche Produkte

Ähnliche Produkte