Contemporary Sculpture and the Critique of...

Dekorationsartikel gehören nicht zum Leistungsumfang.

Sprache: Englisch

36,00 €

inkl. MwSt.

Versandkostenfrei per Post / DHL

Aktuell nicht verfügbar

Kategorien:

Beschreibung

In this book, Dan Adler addresses recent tendencies in contemporary art toward assemblage sculpture and how these works incorporate tainted materials - often things left on the side of the road, according to the logic and progress of the capitalist machine - and combine them in ways that allow each element to retain a degree of empirical specificity. Adler develops a range of aesthetic models through which these practices can be understood to function critically. Each chapter focuses on a single exhibition: Isa Genzken's "OIL" (German Pavilion, Venice Biennale, 2007), Geoffrey Farmer's midcareer survey (Musée d'art contemporain, Montréal, 2008), Rachel Harrison's "Consider the Lobster" (CCS Bard Hessel Museum of Art, 2009), and Liz Magor's "The Mouth and Other Storage Facilities" (Henry Art Gallery, Seattle, 2008).

Über den Autor

Dan Adler is Associate Professor of Modern and Contemporary Art History at York University in Toronto.

Inhaltsverzeichnis

Introduction 1. Rachel Harrison: "Consider the Lobster" 2. Isa Genzken: "OIL" 3. Geoffrey Farmer: "Me into Many" 4. Liz Magor: "The Mouth and Other Storage Facilities" Conclusion

Details

Erscheinungsjahr:	2020
Genre:	Importe , Kunst
Rubrik:	Kunst & Musik
Thema:	Kunstgeschichte
Medium:	Taschenbuch
Inhalt:	Einband - flex.(Paperback)
ISBN-13:	9780367516048
ISBN-10:	0367516047
Sprache:	Englisch
Einband:	Kartoniert / Broschiert
Autor:	Adler, Dan
Hersteller:	Routledge
Verantwortliche Person für die EU:	Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße:	210 x 148 x 8 mm
Von/Mit:	Dan Adler
Erscheinungsdatum:	30.06.2020
Gewicht:	0,197 kg