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The discussion extends to the role, which classification plays for the creative construction of musical compositions. Our examples include references to classical compositions, such as Beethoven¿s sonatas, and some of the author¿s own compositions of classical and jazz styles.
We also discuss software that enables the application of classification to musical creativity.
The volume is addressed to an audience that would apply classification to programming and creative musical construction.
The discussion extends to the role, which classification plays for the creative construction of musical compositions. Our examples include references to classical compositions, such as Beethoven¿s sonatas, and some of the author¿s own compositions of classical and jazz styles.
We also discuss software that enables the application of classification to musical creativity.
The volume is addressed to an audience that would apply classification to programming and creative musical construction.
Guerino Mazzola qualified as a professor in mathematics and in computational science at the University of Zürich. Visiting professor at the ENS in Paris in 2005. Since 2007 professor at the School of Music, University of Minnesota. He developed a Mathematical Music Theory and music software presto and Rubato. 2007-2021 he was the president of the Societyfor Mathematics and Computation in Music. He has published 33 books and 150 papers, 27 jazz CDs, two DVDs, and a classical sonata. His most important book is "The Topos of Music", about mathematical music, performance, and gesture theory.
Part I Initial Orientation.- 1 The Basic Problem of Classification.- Part II General Formal Concepts.- 2 Ontology, Oniontology, and Creativity.- 3 Formal Representation of Musical Structures.- 4 Denotators over General Categories.- 5 Composition Denotators and Classification.- 6 Gestural Denotators: A First Overview.- 7 The Escher Theorem for Compositions and Gestures.- Part III Local Classification.- 8 Local Composition and Gesture Classification.- 9 Classification of Chords.- 10 Motif Classes.- 11 Third Chain Classes.- 12 Harmony through Third Chains.- 13 Counterpoint Worlds.- 14 Strong Interval Dichotomies.- 15 Microtonal Contrapuntal Theories.- 16 Dodecaphonic Rows.- Part IV Global Classification.- 17 Global Composition and Gesture Classification.- 18 The Classification Theorem for Global Compositions.- 19 The Classification Problem of Global Gestures.- 20 Singular Homology of Hypergestures.- 21 Local Gestures, Structures of Knots, and Local Gestures as Local Compositions.- Part V Classification and Creativity.- 22 Gestural Interpretation and Future Developments.- Part VI References, Index.- 23 Classification Lists.
| Erscheinungsjahr: | 2024 |
|---|---|
| Fachbereich: | Wahrscheinlichkeitstheorie |
| Genre: | Mathematik, Medizin, Naturwissenschaften, Technik |
| Rubrik: | Naturwissenschaften & Technik |
| Medium: | Taschenbuch |
| Reihe: | Computational Music Science |
| Inhalt: |
xii
160 S. 8 s/w Illustr. 25 farbige Illustr. 160 p. 33 illus. 25 illus. in color. |
| ISBN-13: | 9783031301858 |
| ISBN-10: | 3031301854 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: |
Zheng, Linshujie
Mazzola, Guerino |
| Hersteller: |
Springer
Springer International Publishing Springer International Publishing AG Computational Music Science |
| Verantwortliche Person für die EU: | Springer Verlag GmbH, Tiergartenstr. 17, D-69121 Heidelberg, juergen.hartmann@springer.com |
| Maße: | 235 x 155 x 10 mm |
| Von/Mit: | Linshujie Zheng (u. a.) |
| Erscheinungsdatum: | 01.06.2024 |
| Gewicht: | 0,271 kg |