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Drawn together in productive disagreement, the essays in this collection explore the relationship of photography to resource extraction and capital accumulation, from 1492 to the postcolonial; the camera's potential to make visible critical understandings of capitalist production and society, especially economies of class and desire; and propose ways that the camera and the image can be used to build cultural and political counterpublics from which a democratic struggle against capitalism might emerge.
With essays by Ariella Aïsha Azoulay, Siobhan Angus, Kajri Jain, Walter Benn Michaels, T. J. Clark, John Paul Ricco, Blake Stimson, Chris Stolarski, Tong Lam, and Jacob Emery.
Drawn together in productive disagreement, the essays in this collection explore the relationship of photography to resource extraction and capital accumulation, from 1492 to the postcolonial; the camera's potential to make visible critical understandings of capitalist production and society, especially economies of class and desire; and propose ways that the camera and the image can be used to build cultural and political counterpublics from which a democratic struggle against capitalism might emerge.
With essays by Ariella Aïsha Azoulay, Siobhan Angus, Kajri Jain, Walter Benn Michaels, T. J. Clark, John Paul Ricco, Blake Stimson, Chris Stolarski, Tong Lam, and Jacob Emery.
Daniel James is the Bernardo Mendel Chair in Latin American History at Indiana University, and the author of Resistance and Integration: Peronism and the Argentine Working Class, 1946–1976 and Doña María’s Story: Life, History, Memory, and Political Identity, and co-editor of The Gendered Worlds of Latin American Women Workers: From Household and Factory to the Union Hall and Ballot Box. He is the recipient of a Guggenheim fellowship and before taking up the Mendel Chair at Indiana University, he taught at Yale University and Duke University.
| Erscheinungsjahr: | 2021 |
|---|---|
| Genre: | Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Fotografie |
| Medium: | Taschenbuch |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9781839760808 |
| ISBN-10: | 183976080X |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: |
Coleman, Kevin
James, Daniel |
| Hersteller: | Verso |
| Maße: | 230 x 149 x 24 mm |
| Von/Mit: | Kevin Coleman (u. a.) |
| Erscheinungsdatum: | 11.05.2021 |
| Gewicht: | 0,398 kg |
Daniel James is the Bernardo Mendel Chair in Latin American History at Indiana University, and the author of Resistance and Integration: Peronism and the Argentine Working Class, 1946–1976 and Doña María’s Story: Life, History, Memory, and Political Identity, and co-editor of The Gendered Worlds of Latin American Women Workers: From Household and Factory to the Union Hall and Ballot Box. He is the recipient of a Guggenheim fellowship and before taking up the Mendel Chair at Indiana University, he taught at Yale University and Duke University.
| Erscheinungsjahr: | 2021 |
|---|---|
| Genre: | Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Fotografie |
| Medium: | Taschenbuch |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9781839760808 |
| ISBN-10: | 183976080X |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: |
Coleman, Kevin
James, Daniel |
| Hersteller: | Verso |
| Maße: | 230 x 149 x 24 mm |
| Von/Mit: | Kevin Coleman (u. a.) |
| Erscheinungsdatum: | 11.05.2021 |
| Gewicht: | 0,398 kg |
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