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Brandscapes
Architecture in the Experience Economy
Taschenbuch von Anna Klingmann
Sprache: Englisch

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Beschreibung
Architecture as imprint, as brand, as the new media of transformation—of places, communities, corporations, and people.

In the twenty-first century, we must learn to look at cities not as skylines but as brandscapes and at buildings not as objects but as advertisements and destinations. In the experience economy, experience itself has become the product: we're no longer consuming objects but sensations, even lifestyles. In the new environment of brandscapes, buildings are not about where we work and live but who we imagine ourselves to be. In Brandscapes, Anna Klingmann looks critically at the controversial practice of branding by examining its benefits, and considering the damage it may do.

Klingmann argues that architecture can use the concepts and methods of branding—not as a quick-and-easy selling tool for architects but as a strategic tool for economic and cultural transformation. Branding in architecture means the expression of identity, whether of an enterprise or a city; New York, Bilbao, and Shanghai have used architecture to enhance their images, generate economic growth, and elevate their positions in the global village. Klingmann looks at different kinds of brandscaping today, from Disneyland, Las Vegas, and Times Square—prototypes and case studies in branding—to Prada's superstar-architect-designed shopping epicenters and the banalities of Niketown.

But beyond outlining the status quo, Klingmann also alerts us to the dangers of brandscapes. By favoring the creation of signature buildings over more comprehensive urban interventions and by severing their identity from the complexity of the social fabric, Klingmann argues, today's brandscapes have, in many cases, resulted in a culture of the copy. As experiences become more and more commodified, and the global landscape progressively more homogenized, it falls to architects to infuse an ever more aseptic landscape with meaningful transformations.

How can architects use branding as a means to differentiate places from the inside out—and not, as current development practices seem to dictate, from the outside in? When architecture brings together ecology, economics, and social well-being to help people and places regain self-sufficiency, writes Klingmann, it can be a catalyst for cultural and economic transformation.

Architecture as imprint, as brand, as the new media of transformation—of places, communities, corporations, and people.

In the twenty-first century, we must learn to look at cities not as skylines but as brandscapes and at buildings not as objects but as advertisements and destinations. In the experience economy, experience itself has become the product: we're no longer consuming objects but sensations, even lifestyles. In the new environment of brandscapes, buildings are not about where we work and live but who we imagine ourselves to be. In Brandscapes, Anna Klingmann looks critically at the controversial practice of branding by examining its benefits, and considering the damage it may do.

Klingmann argues that architecture can use the concepts and methods of branding—not as a quick-and-easy selling tool for architects but as a strategic tool for economic and cultural transformation. Branding in architecture means the expression of identity, whether of an enterprise or a city; New York, Bilbao, and Shanghai have used architecture to enhance their images, generate economic growth, and elevate their positions in the global village. Klingmann looks at different kinds of brandscaping today, from Disneyland, Las Vegas, and Times Square—prototypes and case studies in branding—to Prada's superstar-architect-designed shopping epicenters and the banalities of Niketown.

But beyond outlining the status quo, Klingmann also alerts us to the dangers of brandscapes. By favoring the creation of signature buildings over more comprehensive urban interventions and by severing their identity from the complexity of the social fabric, Klingmann argues, today's brandscapes have, in many cases, resulted in a culture of the copy. As experiences become more and more commodified, and the global landscape progressively more homogenized, it falls to architects to infuse an ever more aseptic landscape with meaningful transformations.

How can architects use branding as a means to differentiate places from the inside out—and not, as current development practices seem to dictate, from the outside in? When architecture brings together ecology, economics, and social well-being to help people and places regain self-sufficiency, writes Klingmann, it can be a catalyst for cultural and economic transformation.

Über den Autor
Anna Klingmann
Details
Empfohlen (von): 22
Erscheinungsjahr: 2010
Genre: Importe
Medium: Taschenbuch
Inhalt: Einband - flex.(Paperback)
ISBN-13: 9780262515030
ISBN-10: 0262515032
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Klingmann, Anna
Hersteller: MIT Press Ltd
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Abbildungen: 100 b 200 Illustrations
Maße: 221 x 176 x 28 mm
Von/Mit: Anna Klingmann
Erscheinungsdatum: 24.09.2010
Gewicht: 1,026 kg
Artikel-ID: 121209961
Über den Autor
Anna Klingmann
Details
Empfohlen (von): 22
Erscheinungsjahr: 2010
Genre: Importe
Medium: Taschenbuch
Inhalt: Einband - flex.(Paperback)
ISBN-13: 9780262515030
ISBN-10: 0262515032
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Klingmann, Anna
Hersteller: MIT Press Ltd
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Abbildungen: 100 b 200 Illustrations
Maße: 221 x 176 x 28 mm
Von/Mit: Anna Klingmann
Erscheinungsdatum: 24.09.2010
Gewicht: 1,026 kg
Artikel-ID: 121209961
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