Catherine Wynne is Senior Lecturer in English at the University of Hull, UK. She is the author of Bram Stoker, Dracula, and the Victorian Gothic Stage (2013) and the editor of Bram Stoker: Reviews, Reminiscences, Essays and Fiction, 2 volumes (2012). In 2012, she organized the Bram Stoker Centenary Conference at the University of Hull and at Whitby to mark the centenary of Stoker's death.

Introduction: Catherine Wynne
1. On the origins of the Gothic Novel: From Old Norse to Otranto; Martin Arnold
2. Wollstonecraft's Wrongs of Woman to Stoker's Dracula: You've Come a Long Way Baby, or Have You?; Bettina Tate Pedersen
3. Stoker, Poe, and American Gothic in 'The Squaw'; Kevin Corstorphine
4. Bram Stoker and Gothic Transylvania; Marius-Mircea Cri?an
5. 'Labours of Their Own': Property, Blood, and the Szgany in Dracula; Abby Bardi
6. Invasions Real and Imagined: Stoker's Gothic Narratives; Carol A. Senf
7. 'Gay motes that people the sunbeams': Dust, Death and Degeneration in Dracula; Victoria Samantha Dawson
8. The Imprint of the Mother: Bram Stoker's 'The Squaw and The Jewel of Seven Stars; Sara Williams
9. 'Empire of the Air': Ireland, Aerial Warfare and Futurist Gothic; Luke Gibbons
10. Bram Stoker, Ellen Terry, Pamela Colman Smith and the Art of Devilry; Katharine Cockin
11. 'Beyond Hommy-Beg': Hall Caine's Place in Dracula; Richard Storer
12. The Du Mauriers and Stoker: Gothic Transformations of Whitby and Cornwall; Catherine Wynne
13. The Un-Death of the Author: The Fictional Afterlife of Bram Stoker; William Hughes
14. Gallants, Ghosts, & Gargoyles: Illustrating the Gothic Tale; Jef Murray