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Beschreibung
Paloma Checa-Gismero traces an archeology of contemporary art biennials to uncover the processes that prompted these exhibitions to become the global art world’s defining events at the end of the twentieth century.
Paloma Checa-Gismero traces an archeology of contemporary art biennials to uncover the processes that prompted these exhibitions to become the global art world’s defining events at the end of the twentieth century.
Über den Autor
Paloma Checa-Gismero is Assistant Professor of Art History at Swarthmore College.
Inhaltsverzeichnis
List of Illustrations ix
Acknowledgments xiii
Biennial Conversions at the Borders of Liberalism: An Introduction 1
Part 1. Anticolonial Collaboration in the Bienal de la Habana’s Early Iterations, Havana, 1984–1991 29
1. Polyphonic Internationalism 29
2. Curating the Third World 53
3. An Aesthetics of Production 72
Part 2. Cosmopolitan Dreams at the US-Mexico Borderlands in inSITE94 and INSITE97: San Diego and Tijuana, 1994–1997
4. Sovereignty Claims over the Borderlands 99
5. Fears of Provincialism and the Desire to Be Global 123
6. Globalizing Mexican Art 146
Part 3. Art for a Unified Europe: Manifesta 1, Rotterdam, 1996
7. Manifesta: Placenta Europa 173
8. Curating Conflict 193
9. The Art of Belonging 217
Epilogue 241
Notes 253
Bibliography 285
Index 301
Acknowledgments xiii
Biennial Conversions at the Borders of Liberalism: An Introduction 1
Part 1. Anticolonial Collaboration in the Bienal de la Habana’s Early Iterations, Havana, 1984–1991 29
1. Polyphonic Internationalism 29
2. Curating the Third World 53
3. An Aesthetics of Production 72
Part 2. Cosmopolitan Dreams at the US-Mexico Borderlands in inSITE94 and INSITE97: San Diego and Tijuana, 1994–1997
4. Sovereignty Claims over the Borderlands 99
5. Fears of Provincialism and the Desire to Be Global 123
6. Globalizing Mexican Art 146
Part 3. Art for a Unified Europe: Manifesta 1, Rotterdam, 1996
7. Manifesta: Placenta Europa 173
8. Curating Conflict 193
9. The Art of Belonging 217
Epilogue 241
Notes 253
Bibliography 285
Index 301
Details
Erscheinungsjahr: | 2024 |
---|---|
Genre: | Importe, Kunst |
Rubrik: | Kunst & Musik |
Thema: | Kunstgeschichte |
Medium: | Taschenbuch |
Inhalt: | Einband - flex.(Paperback) |
ISBN-13: | 9781478030515 |
ISBN-10: | 1478030518 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Checa-Gismero, Paloma |
Hersteller: | Duke University Press |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 228 x 154 x 20 mm |
Von/Mit: | Paloma Checa-Gismero |
Erscheinungsdatum: | 06.08.2024 |
Gewicht: | 0,549 kg |
Über den Autor
Paloma Checa-Gismero is Assistant Professor of Art History at Swarthmore College.
Inhaltsverzeichnis
List of Illustrations ix
Acknowledgments xiii
Biennial Conversions at the Borders of Liberalism: An Introduction 1
Part 1. Anticolonial Collaboration in the Bienal de la Habana’s Early Iterations, Havana, 1984–1991 29
1. Polyphonic Internationalism 29
2. Curating the Third World 53
3. An Aesthetics of Production 72
Part 2. Cosmopolitan Dreams at the US-Mexico Borderlands in inSITE94 and INSITE97: San Diego and Tijuana, 1994–1997
4. Sovereignty Claims over the Borderlands 99
5. Fears of Provincialism and the Desire to Be Global 123
6. Globalizing Mexican Art 146
Part 3. Art for a Unified Europe: Manifesta 1, Rotterdam, 1996
7. Manifesta: Placenta Europa 173
8. Curating Conflict 193
9. The Art of Belonging 217
Epilogue 241
Notes 253
Bibliography 285
Index 301
Acknowledgments xiii
Biennial Conversions at the Borders of Liberalism: An Introduction 1
Part 1. Anticolonial Collaboration in the Bienal de la Habana’s Early Iterations, Havana, 1984–1991 29
1. Polyphonic Internationalism 29
2. Curating the Third World 53
3. An Aesthetics of Production 72
Part 2. Cosmopolitan Dreams at the US-Mexico Borderlands in inSITE94 and INSITE97: San Diego and Tijuana, 1994–1997
4. Sovereignty Claims over the Borderlands 99
5. Fears of Provincialism and the Desire to Be Global 123
6. Globalizing Mexican Art 146
Part 3. Art for a Unified Europe: Manifesta 1, Rotterdam, 1996
7. Manifesta: Placenta Europa 173
8. Curating Conflict 193
9. The Art of Belonging 217
Epilogue 241
Notes 253
Bibliography 285
Index 301
Details
Erscheinungsjahr: | 2024 |
---|---|
Genre: | Importe, Kunst |
Rubrik: | Kunst & Musik |
Thema: | Kunstgeschichte |
Medium: | Taschenbuch |
Inhalt: | Einband - flex.(Paperback) |
ISBN-13: | 9781478030515 |
ISBN-10: | 1478030518 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Checa-Gismero, Paloma |
Hersteller: | Duke University Press |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 228 x 154 x 20 mm |
Von/Mit: | Paloma Checa-Gismero |
Erscheinungsdatum: | 06.08.2024 |
Gewicht: | 0,549 kg |
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