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Beyond Dolby (Stereo)
Cinema in the Digital Sound Age
Taschenbuch von Mark Kerins
Sprache: Englisch

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Beschreibung
Since digital surround sound technology first appeared in cinemas 20 years ago, it has spread from theaters to homes and from movies to television, music, and video games. Yet even as 5.1 has become the standard for audiovisual media, its impact has gone unexamined. Drawing on works from the past two decades, as well as dozens of interviews with sound designers, mixers, and editors, Mark Kerins uncovers how 5.1 surround has affected not just sound design, but cinematography and editing as well. Beyond Dolby (Stereo) includes detailed analyses of Fight Club, The Matrix, Hairspray, Disturbia, The Rock, Saving Private Ryan, and Joy Ride, among other films, to illustrate the value of a truly audiovisual approach to cinema studies.
Since digital surround sound technology first appeared in cinemas 20 years ago, it has spread from theaters to homes and from movies to television, music, and video games. Yet even as 5.1 has become the standard for audiovisual media, its impact has gone unexamined. Drawing on works from the past two decades, as well as dozens of interviews with sound designers, mixers, and editors, Mark Kerins uncovers how 5.1 surround has affected not just sound design, but cinematography and editing as well. Beyond Dolby (Stereo) includes detailed analyses of Fight Club, The Matrix, Hairspray, Disturbia, The Rock, Saving Private Ryan, and Joy Ride, among other films, to illustrate the value of a truly audiovisual approach to cinema studies.
Über den Autor
Mark Kerins
Inhaltsverzeichnis

Contents

Acknowledgments

Introduction

Part 1. Production and Style

1. Cinema's Hidden Multi-channel History and the Origins of Digital Surround

2. The Sound of 5.1: Aural Aesthetics

3. The Look of 5.1: Visual Aesthetics

4. Decoding the Digital Surround Style

5. Using the Digital Surround Style

Part 2. Analysis

6. Studying Multi-channel Soundtracks

7. Studying Image/Sound Interactions

Part 3. Theory

8. Body and Voice

9. Apparatus Theory

10. The Real and the Symbolic

Conclusion: Media and Media Studies in the Digital Surround Age

Appendix A: Timeline of Common Sound Exhibition Formats

Appendix B: Film Sound Personnel Cited

Notes

Bibliography

Filmography

Index

Details
Empfohlen (von): 22
Erscheinungsjahr: 2010
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Theater & Film
Medium: Taschenbuch
Seiten: 392
Inhalt: Kartoniert / Broschiert
ISBN-13: 9780253222527
ISBN-10: 0253222524
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Kerins, Mark
Hersteller: Indiana University Press
Abbildungen: 35 b&w illus.
Maße: 229 x 152 x 21 mm
Von/Mit: Mark Kerins
Erscheinungsdatum: 23.11.2010
Gewicht: 0,566 kg
preigu-id: 101096322
Über den Autor
Mark Kerins
Inhaltsverzeichnis

Contents

Acknowledgments

Introduction

Part 1. Production and Style

1. Cinema's Hidden Multi-channel History and the Origins of Digital Surround

2. The Sound of 5.1: Aural Aesthetics

3. The Look of 5.1: Visual Aesthetics

4. Decoding the Digital Surround Style

5. Using the Digital Surround Style

Part 2. Analysis

6. Studying Multi-channel Soundtracks

7. Studying Image/Sound Interactions

Part 3. Theory

8. Body and Voice

9. Apparatus Theory

10. The Real and the Symbolic

Conclusion: Media and Media Studies in the Digital Surround Age

Appendix A: Timeline of Common Sound Exhibition Formats

Appendix B: Film Sound Personnel Cited

Notes

Bibliography

Filmography

Index

Details
Empfohlen (von): 22
Erscheinungsjahr: 2010
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Theater & Film
Medium: Taschenbuch
Seiten: 392
Inhalt: Kartoniert / Broschiert
ISBN-13: 9780253222527
ISBN-10: 0253222524
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Kerins, Mark
Hersteller: Indiana University Press
Abbildungen: 35 b&w illus.
Maße: 229 x 152 x 21 mm
Von/Mit: Mark Kerins
Erscheinungsdatum: 23.11.2010
Gewicht: 0,566 kg
preigu-id: 101096322
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