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Beschreibung
Making audible what is usually inaudible, rendering sound visible in an unusual way, and facilitating a spatial experience of sound-this is what constitutes the pioneering work that makes Alvin Lucier one of the most important representatives of American music in the second half of the twentieth century. The stated aim of the study at hand is the detailed historical and theoretical exploration of Alvin Lucier's work, with particular focus on his decidedly reflexive experimental aesthetics. The research is thus based on two essential methodological approaches: on the one hand, a musicological study of the genesis of Lucier's work, and on the other, an aesthetic analysis of the role of the real within Lucier's aesthetics.Lucier's experimental compositions are aesthetic reflections that are constantly making reference to the phenomenology of sound, as well as to the perception of perception itself. His aesthetic vision gravitated towards devising minimalist constellations and processes which, due to the withdrawal of the compositional subject, gave expression to an acoustic phenomenon and the unforeseeable idea inherent to it.
Making audible what is usually inaudible, rendering sound visible in an unusual way, and facilitating a spatial experience of sound-this is what constitutes the pioneering work that makes Alvin Lucier one of the most important representatives of American music in the second half of the twentieth century. The stated aim of the study at hand is the detailed historical and theoretical exploration of Alvin Lucier's work, with particular focus on his decidedly reflexive experimental aesthetics. The research is thus based on two essential methodological approaches: on the one hand, a musicological study of the genesis of Lucier's work, and on the other, an aesthetic analysis of the role of the real within Lucier's aesthetics.Lucier's experimental compositions are aesthetic reflections that are constantly making reference to the phenomenology of sound, as well as to the perception of perception itself. His aesthetic vision gravitated towards devising minimalist constellations and processes which, due to the withdrawal of the compositional subject, gave expression to an acoustic phenomenon and the unforeseeable idea inherent to it.
Details
Erscheinungsjahr: 2022
Genre: Geisteswissenschaften, Kunst, Musik
Rubrik: Kunst & Musik
Thema: Musikgeschichte
Medium: Taschenbuch
Inhalt: Kartoniert / Broschiert
ISBN-13: 9783955931391
ISBN-10: 3955931390
Sprache: Englisch
Ausstattung / Beilage: Großformatiges Paperback. Klappenbroschur
Autor: Rietbrock, Bernhard
Auflage: NED
Hersteller: Wolke Verlagsges.
Verantwortliche Person für die EU: preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de
Maße: 19 x 169 x 246 mm
Von/Mit: Bernhard Rietbrock
Erscheinungsdatum: 12.12.2022
Gewicht: 0,532 kg
Artikel-ID: 125856475

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