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From the celebrated author of feeld comes a formally commanding third collection, dexterously recounting the survival of a period suffused with mourning.
Jos Charles's poems communicate with one another as neurons do: sharp, charged, in language that predates language. "A scandal / three cartons red / in a hedge / in / each the thousand eye research of flies." With acute lyricism, she documents how a person endures seemingly relentless devastation-California wildfires, despotic legislation, housing insecurity-amid illusions of safety. "I wanted to believe," Charles declares, "a corner a print leaned to / a corner can save / a people." Still the house falls apart. Death visits and lingers. Belief proves, again and again, that belief alone is not enough.
Yet miraculously, one might still manage to seek-propelled by love, or hope, or sometimes only momentum-something better. There is a place where there are no futile longings, no persistent institutional threats to one's life. Poems might take us there; tenderness, too, as long as we can manage to keep moving. "A current / gives as much as it has," writes Charles-despite fire, despite loss.
Jos Charles's poems communicate with one another as neurons do: sharp, charged, in language that predates language. "A scandal / three cartons red / in a hedge / in / each the thousand eye research of flies." With acute lyricism, she documents how a person endures seemingly relentless devastation-California wildfires, despotic legislation, housing insecurity-amid illusions of safety. "I wanted to believe," Charles declares, "a corner a print leaned to / a corner can save / a people." Still the house falls apart. Death visits and lingers. Belief proves, again and again, that belief alone is not enough.
Yet miraculously, one might still manage to seek-propelled by love, or hope, or sometimes only momentum-something better. There is a place where there are no futile longings, no persistent institutional threats to one's life. Poems might take us there; tenderness, too, as long as we can manage to keep moving. "A current / gives as much as it has," writes Charles-despite fire, despite loss.
From the celebrated author of feeld comes a formally commanding third collection, dexterously recounting the survival of a period suffused with mourning.
Jos Charles's poems communicate with one another as neurons do: sharp, charged, in language that predates language. "A scandal / three cartons red / in a hedge / in / each the thousand eye research of flies." With acute lyricism, she documents how a person endures seemingly relentless devastation-California wildfires, despotic legislation, housing insecurity-amid illusions of safety. "I wanted to believe," Charles declares, "a corner a print leaned to / a corner can save / a people." Still the house falls apart. Death visits and lingers. Belief proves, again and again, that belief alone is not enough.
Yet miraculously, one might still manage to seek-propelled by love, or hope, or sometimes only momentum-something better. There is a place where there are no futile longings, no persistent institutional threats to one's life. Poems might take us there; tenderness, too, as long as we can manage to keep moving. "A current / gives as much as it has," writes Charles-despite fire, despite loss.
Jos Charles's poems communicate with one another as neurons do: sharp, charged, in language that predates language. "A scandal / three cartons red / in a hedge / in / each the thousand eye research of flies." With acute lyricism, she documents how a person endures seemingly relentless devastation-California wildfires, despotic legislation, housing insecurity-amid illusions of safety. "I wanted to believe," Charles declares, "a corner a print leaned to / a corner can save / a people." Still the house falls apart. Death visits and lingers. Belief proves, again and again, that belief alone is not enough.
Yet miraculously, one might still manage to seek-propelled by love, or hope, or sometimes only momentum-something better. There is a place where there are no futile longings, no persistent institutional threats to one's life. Poems might take us there; tenderness, too, as long as we can manage to keep moving. "A current / gives as much as it has," writes Charles-despite fire, despite loss.
Über den Autor
Jos Charles is is the author of feeld, a Pulitzer-finalist and winner of the 2017 National Poetry Series selected by Fady Joudah, and Safe Space. In 2016 she received the Ruth Lilly and Dorothy Sargent Rosenberg Fellowship through the Poetry Foundation. Jos Charles has an MFA from the University of Arizona. She is a PhD student at the University of California Irvine and currently resides in Long Beach, California.
Details
Erscheinungsjahr: | 2024 |
---|---|
Genre: | Lyrik & Dramatik |
Rubrik: | Belletristik |
Medium: | Taschenbuch |
ISBN-13: | 9781916938120 |
ISBN-10: | 1916938124 |
Sprache: | Englisch |
Ausstattung / Beilage: | Paperback |
Einband: | Kartoniert / Broschiert |
Autor: | Charles, Jos |
Hersteller: | Broken Sleep Books |
Maße: | 203 x 127 x 8 mm |
Von/Mit: | Jos Charles |
Erscheinungsdatum: | 30.04.2024 |
Gewicht: | 0,147 kg |
Über den Autor
Jos Charles is is the author of feeld, a Pulitzer-finalist and winner of the 2017 National Poetry Series selected by Fady Joudah, and Safe Space. In 2016 she received the Ruth Lilly and Dorothy Sargent Rosenberg Fellowship through the Poetry Foundation. Jos Charles has an MFA from the University of Arizona. She is a PhD student at the University of California Irvine and currently resides in Long Beach, California.
Details
Erscheinungsjahr: | 2024 |
---|---|
Genre: | Lyrik & Dramatik |
Rubrik: | Belletristik |
Medium: | Taschenbuch |
ISBN-13: | 9781916938120 |
ISBN-10: | 1916938124 |
Sprache: | Englisch |
Ausstattung / Beilage: | Paperback |
Einband: | Kartoniert / Broschiert |
Autor: | Charles, Jos |
Hersteller: | Broken Sleep Books |
Maße: | 203 x 127 x 8 mm |
Von/Mit: | Jos Charles |
Erscheinungsdatum: | 30.04.2024 |
Gewicht: | 0,147 kg |
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