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A Treatise On Painting: Faithfully Translated From The Original Italian, And Now First Digested Under Proper Heads, By John Francis Rigaud, Esq. To Which Is Prefixed A New Life Of The Author, Drawn Up From Authentic Materials Till Now Inaccessible, By John Sidney, Hawkins This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature.
In an attempt to preserve, improve and recreate the original content, we have worked towards:
1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions.
2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work.
We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!
In an attempt to preserve, improve and recreate the original content, we have worked towards:
1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions.
2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work.
We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!
A Treatise On Painting: Faithfully Translated From The Original Italian, And Now First Digested Under Proper Heads, By John Francis Rigaud, Esq. To Which Is Prefixed A New Life Of The Author, Drawn Up From Authentic Materials Till Now Inaccessible, By John Sidney, Hawkins This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature.
In an attempt to preserve, improve and recreate the original content, we have worked towards:
1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions.
2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work.
We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!
In an attempt to preserve, improve and recreate the original content, we have worked towards:
1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions.
2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work.
We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!
Über den Autor
Leonardo di ser Piero da Vinci was an Italian polymath of the High Renaissance who worked as a painter, draftsman, engineer, scientist, theorist, sculptor, and architect. He lived from 15 April 1452 to 2 May 1519. He gained notoriety for his notebooks, in which he produced sketches and notes on a variety of topics, including anatomy, astronomy, botany, painting, and paleontology, even though his popularity primarily stemmed from his accomplishments as a painter. Only his younger contemporary, Michelangelo, has made a greater impact to following generations of painters than Leonardo, who is widely recognized as a genius and the embodiment of the Renaissance humanist ideal. One of the finest artists in art history, Leonardo is frequently considered as the father of the High Renaissance. He produced important discoveries in optics, tribology, hydrodynamics, geology, and civil engineering, but he never published his findings, therefore they had little to no immediate impact on subsequent science.
Details
Erscheinungsjahr: | 2019 |
---|---|
Genre: | Importe, Kunst |
Rubrik: | Kunst & Musik |
Thema: | Allgemeine Kunst |
Medium: | Taschenbuch |
Titelzusatz: | Faithfully Translated From The Original Italian, And Now First Digested Under Proper Heads, By John Francis Rigaud, Esq. To Which Is Prefixed A New Life Of The Author, Drawn Up From Authentic Materials Till Now Inaccessible, By Joh |
Inhalt: | Kartoniert / Broschiert |
ISBN-13: | 9789389539233 |
ISBN-10: | 9389539234 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Da Vinci, Leonardo |
Hersteller: | Lector House |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 234 x 156 x 14 mm |
Von/Mit: | Leonardo Da Vinci |
Erscheinungsdatum: | 20.11.2019 |
Gewicht: | 0,402 kg |
Über den Autor
Leonardo di ser Piero da Vinci was an Italian polymath of the High Renaissance who worked as a painter, draftsman, engineer, scientist, theorist, sculptor, and architect. He lived from 15 April 1452 to 2 May 1519. He gained notoriety for his notebooks, in which he produced sketches and notes on a variety of topics, including anatomy, astronomy, botany, painting, and paleontology, even though his popularity primarily stemmed from his accomplishments as a painter. Only his younger contemporary, Michelangelo, has made a greater impact to following generations of painters than Leonardo, who is widely recognized as a genius and the embodiment of the Renaissance humanist ideal. One of the finest artists in art history, Leonardo is frequently considered as the father of the High Renaissance. He produced important discoveries in optics, tribology, hydrodynamics, geology, and civil engineering, but he never published his findings, therefore they had little to no immediate impact on subsequent science.
Details
Erscheinungsjahr: | 2019 |
---|---|
Genre: | Importe, Kunst |
Rubrik: | Kunst & Musik |
Thema: | Allgemeine Kunst |
Medium: | Taschenbuch |
Titelzusatz: | Faithfully Translated From The Original Italian, And Now First Digested Under Proper Heads, By John Francis Rigaud, Esq. To Which Is Prefixed A New Life Of The Author, Drawn Up From Authentic Materials Till Now Inaccessible, By Joh |
Inhalt: | Kartoniert / Broschiert |
ISBN-13: | 9789389539233 |
ISBN-10: | 9389539234 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Da Vinci, Leonardo |
Hersteller: | Lector House |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 234 x 156 x 14 mm |
Von/Mit: | Leonardo Da Vinci |
Erscheinungsdatum: | 20.11.2019 |
Gewicht: | 0,402 kg |
Sicherheitshinweis