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A Cultural History of Theatre in Antiquity
Taschenbuch von Martin Revermann
Sprache: Englisch

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Beschreibung
Theatre was at the very heart of culture in Graeco-Roman civilizations and its influence permeated across social and class boundaries. The theatrical genres of tragedy, comedy, satyr play, mime and pantomime operate in Antiquity alongside the conception of theatre as both an entertainment for the masses and a vehicle for intellectual, political and artistic expression. Drawing together contributions from scholars in classics and theatre studies, this volume uniquely examines the Greek and Roman cultural spheres in conjunction with one another rather than in isolation.

Each chapter takes a different theme as its focus: institutional frameworks; social functions; sexuality and gender; the environment of theatre; circulation; interpretations; communities of production; repertoire and genres; technologies of performance; and knowledge transmission.
Theatre was at the very heart of culture in Graeco-Roman civilizations and its influence permeated across social and class boundaries. The theatrical genres of tragedy, comedy, satyr play, mime and pantomime operate in Antiquity alongside the conception of theatre as both an entertainment for the masses and a vehicle for intellectual, political and artistic expression. Drawing together contributions from scholars in classics and theatre studies, this volume uniquely examines the Greek and Roman cultural spheres in conjunction with one another rather than in isolation.

Each chapter takes a different theme as its focus: institutional frameworks; social functions; sexuality and gender; the environment of theatre; circulation; interpretations; communities of production; repertoire and genres; technologies of performance; and knowledge transmission.
Über den Autor
Martin Revermann is Associate Professor of Classics and Theatre Studies at the University of Toronto at Mississauga, Canada.
Zusammenfassung
Structured so that readers can trace key themes and developments across periods from antiquity to the present
Inhaltsverzeichnis
List of Illustrations

Notes on Contributors

Series Preface

Introduction: Cultural History and the Theatres of Antiquity
Martin Revermann, University of Toronto, Canada

1 Institutional Frameworks: Enabling the Theatrical Event
Martin Revermann, University of Toronto, Canada

2 Social functions? Making the Case for a Functionless Theatre
Sean Gurd, University of Missouri, USA

3 Sexuality and Gender: Off-Stage and Centre-Stage
Ian Ruffell, University of Glasgow, UK

4 The Environment of Theatre: Experiencing Place in the Ancient World
David Wiles, University of Exeter, UK

5 Circulation: Theatre as Mobile Political, Economic and Cultural Capital
Patrick Hadley, University of Utah, USA

6 Interpretations: the Stage and its Interpretive Communities
Martin Revermann, University of Toronto, Canada

7 Communities of Production: Pied Pipers and How to Pay Them; or, the Variegated Finance of Ancient Theatre
Jane Lightfoot, University of Oxford, UK

8 Genres: Drama and Its Many Unhappy Returns
Donald Sells, University of Michigan, USA

9 Technologies of Performance: Machines, Props, Dramaturgy
Peter von Möllendorff, Justus-Liebig University Giessen, Germany
(translated from German by Martin Revermann)

10 Knowledge Transmission: Ancient Archives and Repertoires
Johanna Hanink, Brown University, USA

Notes
Bibliography
Index
Details
Erscheinungsjahr: 2022
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Kunstgeschichte
Medium: Taschenbuch
Inhalt: Kartoniert / Broschiert
ISBN-13: 9781350277571
ISBN-10: 1350277576
Sprache: Englisch
Einband: Kartoniert / Broschiert
Redaktion: Revermann, Martin
Hersteller: Bloomsbury Publishing PLC
Maße: 170 x 244 x 18 mm
Von/Mit: Martin Revermann
Erscheinungsdatum: 13.01.2022
Gewicht: 0,532 kg
Artikel-ID: 120355652
Über den Autor
Martin Revermann is Associate Professor of Classics and Theatre Studies at the University of Toronto at Mississauga, Canada.
Zusammenfassung
Structured so that readers can trace key themes and developments across periods from antiquity to the present
Inhaltsverzeichnis
List of Illustrations

Notes on Contributors

Series Preface

Introduction: Cultural History and the Theatres of Antiquity
Martin Revermann, University of Toronto, Canada

1 Institutional Frameworks: Enabling the Theatrical Event
Martin Revermann, University of Toronto, Canada

2 Social functions? Making the Case for a Functionless Theatre
Sean Gurd, University of Missouri, USA

3 Sexuality and Gender: Off-Stage and Centre-Stage
Ian Ruffell, University of Glasgow, UK

4 The Environment of Theatre: Experiencing Place in the Ancient World
David Wiles, University of Exeter, UK

5 Circulation: Theatre as Mobile Political, Economic and Cultural Capital
Patrick Hadley, University of Utah, USA

6 Interpretations: the Stage and its Interpretive Communities
Martin Revermann, University of Toronto, Canada

7 Communities of Production: Pied Pipers and How to Pay Them; or, the Variegated Finance of Ancient Theatre
Jane Lightfoot, University of Oxford, UK

8 Genres: Drama and Its Many Unhappy Returns
Donald Sells, University of Michigan, USA

9 Technologies of Performance: Machines, Props, Dramaturgy
Peter von Möllendorff, Justus-Liebig University Giessen, Germany
(translated from German by Martin Revermann)

10 Knowledge Transmission: Ancient Archives and Repertoires
Johanna Hanink, Brown University, USA

Notes
Bibliography
Index
Details
Erscheinungsjahr: 2022
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Kunstgeschichte
Medium: Taschenbuch
Inhalt: Kartoniert / Broschiert
ISBN-13: 9781350277571
ISBN-10: 1350277576
Sprache: Englisch
Einband: Kartoniert / Broschiert
Redaktion: Revermann, Martin
Hersteller: Bloomsbury Publishing PLC
Maße: 170 x 244 x 18 mm
Von/Mit: Martin Revermann
Erscheinungsdatum: 13.01.2022
Gewicht: 0,532 kg
Artikel-ID: 120355652
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