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for my wild how to stop apologizing and I am still learning than woman I am more wolf Some days What a gift poetry has?like these six lines by Nikita Gill?to say what we feel in a way that seems universally true yet deeply personal. And how clearly and meaningfully it speaks to adolescent readers, addressing so many of the complex emotions and changes they're experiencing. Created and compiled just for young women by Diana Whitney, former longtime poetry columnist for the San Francisco Chronicle, How to Be Real is filled with work by a wide range of female poets who are honest, unafraid, and so wonderfully skillful at addressing the big feelings of coming-of-age?aloneness, longing, doubt, fear, sadness, anger, a need for approval, and an attitude that pretends none of it matters. But also joy, hope, celebration, solace, and all the good things poetry brings, including humor (see "Questions to Ask Google?). The cast of 70 poets is extraordinary: bestselling authors like Maya Angelou, Elizabeth Acevedo, Sharon Olds, Joy Harjo, Lucille Clifton, Naomi Shihab Nye, and Mary Oliver; our new national Youth Poet Laureate, Amanda Gorman, Instagram-famous poets including Kate Baer, Melody Lee, and Andrea Gibson; poets who are LGBTQ, poets of diverse racial and cultural backgrounds, poets who sing of the body that breaks free of conventional ideas of beauty. Illustrated in full color with the work of three female artists?Kate Mockford, Stephanie Singleton, and Christina Gonzalez?How to Be Real is a treasury of wisdom, compassion, and understanding, a collection to read again and again, and a perfect gift for daughters, granddaughters, or any young woman in your life.
for my wild how to stop apologizing and I am still learning than woman I am more wolf Some days What a gift poetry has?like these six lines by Nikita Gill?to say what we feel in a way that seems universally true yet deeply personal. And how clearly and meaningfully it speaks to adolescent readers, addressing so many of the complex emotions and changes they're experiencing. Created and compiled just for young women by Diana Whitney, former longtime poetry columnist for the San Francisco Chronicle, How to Be Real is filled with work by a wide range of female poets who are honest, unafraid, and so wonderfully skillful at addressing the big feelings of coming-of-age?aloneness, longing, doubt, fear, sadness, anger, a need for approval, and an attitude that pretends none of it matters. But also joy, hope, celebration, solace, and all the good things poetry brings, including humor (see "Questions to Ask Google?). The cast of 70 poets is extraordinary: bestselling authors like Maya Angelou, Elizabeth Acevedo, Sharon Olds, Joy Harjo, Lucille Clifton, Naomi Shihab Nye, and Mary Oliver; our new national Youth Poet Laureate, Amanda Gorman, Instagram-famous poets including Kate Baer, Melody Lee, and Andrea Gibson; poets who are LGBTQ, poets of diverse racial and cultural backgrounds, poets who sing of the body that breaks free of conventional ideas of beauty. Illustrated in full color with the work of three female artists?Kate Mockford, Stephanie Singleton, and Christina Gonzalez?How to Be Real is a treasury of wisdom, compassion, and understanding, a collection to read again and again, and a perfect gift for daughters, granddaughters, or any young woman in your life.
Über den Autor
Diana Whitney writes across genres with a focus on feminism, motherhood, and sexuality. Her first book, Wanting It, became an indie bestseller in poetry. Her essays have appeared in the New York Times, Glamour, the Washington Post, and many more. A feminist activist in her Vermont hometown and beyond, Diana works as an editor and a yoga teacher. [...]
Inhaltsverzeichnis
HOW TO BE REAL: Poets and poems
Aria Aber, “Self Portrait as Wounded Doe of Artemis.”
Elizabeth Acevedo, “Night Before First Day of School.”
Kim Addonizio, “‘What Do Women Want?’”
Maya Angelou, "Phenomenal Woman"
Margaret Atwood, “Flying Inside Your Own Body”
Angélica María Aguilera, “in critique of modesty.”
Leslie Marie Aguilar, “Event Horizon.”
Kate Baer, “For My Daughter on a Bad Day.”
Blythe Baird, “When the Fat Girl Gets Skinny.”
S. Erin Batiste, “Questions Asked to Me When I Was Ten.”
Tamiko Beyer, “And if by invisibility.”
Sheila Black, “What You Mourn.”
Paige Buffington, “Away From Home.”
Holly Burdorff, “Song to Elise.”
Stephanie Burt, “Final Exam Stephanie”
Marci Calabretta Cancio-Bello, “Origin/Adoption.”
Kayleb Rae Candrilli, “On Crescents & Transitions & Waning.”
Leila Chatti, “Confession”
Franny Choi, “Solitude”
Lucille Clifton, “Homage to My Hips.”
Dominique Christina, “The Period Poem.”
Natalie Diaz, “Why I Hate Raisins”
Amy Dryansky, "Lost & Found."
Denise Duhamel, “I’ve Been Known.”
Safia Elhillo, “Ode to Gossips.”
Joshua Jennifer Espinoza, “Flowers #3.”
Tarfia Faizullah, “Self-Portrait as Mango”
M. J. Fievre, “I Will Practice Self-Talk.”
Andrea Gibson, “No Filter.”
Nikita Gill, “Wolf and Woman.”
Wendy Guerra, “Playing Hide and Seek.”
Joy Harjo, “For Keeps.”
Rage Hezekiah, “On Anger.”
JP Howard, “What to Say to a Friend Who Wants to Give Up.”
Marie Howe, “Practicing.”
Laura Kasischke, “Bike Ride With Older Boys.”
Sarah Kay, “On the Discomfort of Being in the Same Room as the Boy You Like.”
Jane Kenyon, “Insomnia”
Joy Ladin, “Survival Guide.”
Dorianne Laux, “Fast Gas”
Melody Lee, “Growing Up.”
Ada Limon, “How to Triumph Like a Girl.”
Lynn Melnick, “Landscape With Clinic and Oracle.”
Mary Meriam, “The Mockers.”
Naomi Shihab Nye, “The Rider”
Sharon Olds, "I Go Back to May 1937."
Mary Oliver, “Wild Geese.”
Sara Peters, “Rehearsal.”
Alison Prine, “Rearview Mirror: February.”
Fariha Róisín, “self-portraiture.”
Alison C. Rollins, “Skinning Ghosts Alive”
Sahar Romani, “The Year I Tell my Parents I am a Homosexual.”
Natalie Scenters-Zapico, “Sonnet for a Dollar”
Brenda Shaughnessy, excerpt from “Is There Something I Should Know”
Evie Shockley, “coming of age.”
Elizabeth Spires, “Questions for Google.”
Maya Stein, “dancing with my mother at a cousin’s bat mitzvah.”
Melissa Stein, “Harder”
Bianca Stone, “Ones Who Got Away With It.”
Talin Tahajian, “With pretty legs.”
Michelle Tea, “Oh God.”
Clara Bush Vadala, “she plays hockey on a boys’ team.”
July Westhale, “Love Arrived May Find Us Someplace Else.”
Diana Whitney, “Wanting It.”
Rachel Wiley, “But They Say I Will Not Make It.”
Crystal Williams, “Night Bloom.”
Aria Aber, “Self Portrait as Wounded Doe of Artemis.”
Elizabeth Acevedo, “Night Before First Day of School.”
Kim Addonizio, “‘What Do Women Want?’”
Maya Angelou, "Phenomenal Woman"
Margaret Atwood, “Flying Inside Your Own Body”
Angélica María Aguilera, “in critique of modesty.”
Leslie Marie Aguilar, “Event Horizon.”
Kate Baer, “For My Daughter on a Bad Day.”
Blythe Baird, “When the Fat Girl Gets Skinny.”
S. Erin Batiste, “Questions Asked to Me When I Was Ten.”
Tamiko Beyer, “And if by invisibility.”
Sheila Black, “What You Mourn.”
Paige Buffington, “Away From Home.”
Holly Burdorff, “Song to Elise.”
Stephanie Burt, “Final Exam Stephanie”
Marci Calabretta Cancio-Bello, “Origin/Adoption.”
Kayleb Rae Candrilli, “On Crescents & Transitions & Waning.”
Leila Chatti, “Confession”
Franny Choi, “Solitude”
Lucille Clifton, “Homage to My Hips.”
Dominique Christina, “The Period Poem.”
Natalie Diaz, “Why I Hate Raisins”
Amy Dryansky, "Lost & Found."
Denise Duhamel, “I’ve Been Known.”
Safia Elhillo, “Ode to Gossips.”
Joshua Jennifer Espinoza, “Flowers #3.”
Tarfia Faizullah, “Self-Portrait as Mango”
M. J. Fievre, “I Will Practice Self-Talk.”
Andrea Gibson, “No Filter.”
Nikita Gill, “Wolf and Woman.”
Wendy Guerra, “Playing Hide and Seek.”
Joy Harjo, “For Keeps.”
Rage Hezekiah, “On Anger.”
JP Howard, “What to Say to a Friend Who Wants to Give Up.”
Marie Howe, “Practicing.”
Laura Kasischke, “Bike Ride With Older Boys.”
Sarah Kay, “On the Discomfort of Being in the Same Room as the Boy You Like.”
Jane Kenyon, “Insomnia”
Joy Ladin, “Survival Guide.”
Dorianne Laux, “Fast Gas”
Melody Lee, “Growing Up.”
Ada Limon, “How to Triumph Like a Girl.”
Lynn Melnick, “Landscape With Clinic and Oracle.”
Mary Meriam, “The Mockers.”
Naomi Shihab Nye, “The Rider”
Sharon Olds, "I Go Back to May 1937."
Mary Oliver, “Wild Geese.”
Sara Peters, “Rehearsal.”
Alison Prine, “Rearview Mirror: February.”
Fariha Róisín, “self-portraiture.”
Alison C. Rollins, “Skinning Ghosts Alive”
Sahar Romani, “The Year I Tell my Parents I am a Homosexual.”
Natalie Scenters-Zapico, “Sonnet for a Dollar”
Brenda Shaughnessy, excerpt from “Is There Something I Should Know”
Evie Shockley, “coming of age.”
Elizabeth Spires, “Questions for Google.”
Maya Stein, “dancing with my mother at a cousin’s bat mitzvah.”
Melissa Stein, “Harder”
Bianca Stone, “Ones Who Got Away With It.”
Talin Tahajian, “With pretty legs.”
Michelle Tea, “Oh God.”
Clara Bush Vadala, “she plays hockey on a boys’ team.”
July Westhale, “Love Arrived May Find Us Someplace Else.”
Diana Whitney, “Wanting It.”
Rachel Wiley, “But They Say I Will Not Make It.”
Crystal Williams, “Night Bloom.”
Details
| Empfohlen (bis): | 18 |
|---|---|
| Empfohlen (von): | 12 |
| Erscheinungsjahr: | 2021 |
| Genre: | Romane & Erzählungen |
| Rubrik: | Kinder & Jugend |
| Medium: | Taschenbuch |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9781523510993 |
| ISBN-10: | 1523510994 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Whitney, Diana |
| Redaktion: | Whitney, Diana |
| Illustrator: |
Gonzalez, Cristina
Mockford, Kate Singleton, Stephanie |
| Hersteller: | Workman Publishing |
| Maße: | 208 x 142 x 20 mm |
| Von/Mit: | Diana Whitney |
| Erscheinungsdatum: | 30.03.2021 |
| Gewicht: | 0,34 kg |
Über den Autor
Diana Whitney writes across genres with a focus on feminism, motherhood, and sexuality. Her first book, Wanting It, became an indie bestseller in poetry. Her essays have appeared in the New York Times, Glamour, the Washington Post, and many more. A feminist activist in her Vermont hometown and beyond, Diana works as an editor and a yoga teacher. [...]
Inhaltsverzeichnis
HOW TO BE REAL: Poets and poems
Aria Aber, “Self Portrait as Wounded Doe of Artemis.”
Elizabeth Acevedo, “Night Before First Day of School.”
Kim Addonizio, “‘What Do Women Want?’”
Maya Angelou, "Phenomenal Woman"
Margaret Atwood, “Flying Inside Your Own Body”
Angélica María Aguilera, “in critique of modesty.”
Leslie Marie Aguilar, “Event Horizon.”
Kate Baer, “For My Daughter on a Bad Day.”
Blythe Baird, “When the Fat Girl Gets Skinny.”
S. Erin Batiste, “Questions Asked to Me When I Was Ten.”
Tamiko Beyer, “And if by invisibility.”
Sheila Black, “What You Mourn.”
Paige Buffington, “Away From Home.”
Holly Burdorff, “Song to Elise.”
Stephanie Burt, “Final Exam Stephanie”
Marci Calabretta Cancio-Bello, “Origin/Adoption.”
Kayleb Rae Candrilli, “On Crescents & Transitions & Waning.”
Leila Chatti, “Confession”
Franny Choi, “Solitude”
Lucille Clifton, “Homage to My Hips.”
Dominique Christina, “The Period Poem.”
Natalie Diaz, “Why I Hate Raisins”
Amy Dryansky, "Lost & Found."
Denise Duhamel, “I’ve Been Known.”
Safia Elhillo, “Ode to Gossips.”
Joshua Jennifer Espinoza, “Flowers #3.”
Tarfia Faizullah, “Self-Portrait as Mango”
M. J. Fievre, “I Will Practice Self-Talk.”
Andrea Gibson, “No Filter.”
Nikita Gill, “Wolf and Woman.”
Wendy Guerra, “Playing Hide and Seek.”
Joy Harjo, “For Keeps.”
Rage Hezekiah, “On Anger.”
JP Howard, “What to Say to a Friend Who Wants to Give Up.”
Marie Howe, “Practicing.”
Laura Kasischke, “Bike Ride With Older Boys.”
Sarah Kay, “On the Discomfort of Being in the Same Room as the Boy You Like.”
Jane Kenyon, “Insomnia”
Joy Ladin, “Survival Guide.”
Dorianne Laux, “Fast Gas”
Melody Lee, “Growing Up.”
Ada Limon, “How to Triumph Like a Girl.”
Lynn Melnick, “Landscape With Clinic and Oracle.”
Mary Meriam, “The Mockers.”
Naomi Shihab Nye, “The Rider”
Sharon Olds, "I Go Back to May 1937."
Mary Oliver, “Wild Geese.”
Sara Peters, “Rehearsal.”
Alison Prine, “Rearview Mirror: February.”
Fariha Róisín, “self-portraiture.”
Alison C. Rollins, “Skinning Ghosts Alive”
Sahar Romani, “The Year I Tell my Parents I am a Homosexual.”
Natalie Scenters-Zapico, “Sonnet for a Dollar”
Brenda Shaughnessy, excerpt from “Is There Something I Should Know”
Evie Shockley, “coming of age.”
Elizabeth Spires, “Questions for Google.”
Maya Stein, “dancing with my mother at a cousin’s bat mitzvah.”
Melissa Stein, “Harder”
Bianca Stone, “Ones Who Got Away With It.”
Talin Tahajian, “With pretty legs.”
Michelle Tea, “Oh God.”
Clara Bush Vadala, “she plays hockey on a boys’ team.”
July Westhale, “Love Arrived May Find Us Someplace Else.”
Diana Whitney, “Wanting It.”
Rachel Wiley, “But They Say I Will Not Make It.”
Crystal Williams, “Night Bloom.”
Aria Aber, “Self Portrait as Wounded Doe of Artemis.”
Elizabeth Acevedo, “Night Before First Day of School.”
Kim Addonizio, “‘What Do Women Want?’”
Maya Angelou, "Phenomenal Woman"
Margaret Atwood, “Flying Inside Your Own Body”
Angélica María Aguilera, “in critique of modesty.”
Leslie Marie Aguilar, “Event Horizon.”
Kate Baer, “For My Daughter on a Bad Day.”
Blythe Baird, “When the Fat Girl Gets Skinny.”
S. Erin Batiste, “Questions Asked to Me When I Was Ten.”
Tamiko Beyer, “And if by invisibility.”
Sheila Black, “What You Mourn.”
Paige Buffington, “Away From Home.”
Holly Burdorff, “Song to Elise.”
Stephanie Burt, “Final Exam Stephanie”
Marci Calabretta Cancio-Bello, “Origin/Adoption.”
Kayleb Rae Candrilli, “On Crescents & Transitions & Waning.”
Leila Chatti, “Confession”
Franny Choi, “Solitude”
Lucille Clifton, “Homage to My Hips.”
Dominique Christina, “The Period Poem.”
Natalie Diaz, “Why I Hate Raisins”
Amy Dryansky, "Lost & Found."
Denise Duhamel, “I’ve Been Known.”
Safia Elhillo, “Ode to Gossips.”
Joshua Jennifer Espinoza, “Flowers #3.”
Tarfia Faizullah, “Self-Portrait as Mango”
M. J. Fievre, “I Will Practice Self-Talk.”
Andrea Gibson, “No Filter.”
Nikita Gill, “Wolf and Woman.”
Wendy Guerra, “Playing Hide and Seek.”
Joy Harjo, “For Keeps.”
Rage Hezekiah, “On Anger.”
JP Howard, “What to Say to a Friend Who Wants to Give Up.”
Marie Howe, “Practicing.”
Laura Kasischke, “Bike Ride With Older Boys.”
Sarah Kay, “On the Discomfort of Being in the Same Room as the Boy You Like.”
Jane Kenyon, “Insomnia”
Joy Ladin, “Survival Guide.”
Dorianne Laux, “Fast Gas”
Melody Lee, “Growing Up.”
Ada Limon, “How to Triumph Like a Girl.”
Lynn Melnick, “Landscape With Clinic and Oracle.”
Mary Meriam, “The Mockers.”
Naomi Shihab Nye, “The Rider”
Sharon Olds, "I Go Back to May 1937."
Mary Oliver, “Wild Geese.”
Sara Peters, “Rehearsal.”
Alison Prine, “Rearview Mirror: February.”
Fariha Róisín, “self-portraiture.”
Alison C. Rollins, “Skinning Ghosts Alive”
Sahar Romani, “The Year I Tell my Parents I am a Homosexual.”
Natalie Scenters-Zapico, “Sonnet for a Dollar”
Brenda Shaughnessy, excerpt from “Is There Something I Should Know”
Evie Shockley, “coming of age.”
Elizabeth Spires, “Questions for Google.”
Maya Stein, “dancing with my mother at a cousin’s bat mitzvah.”
Melissa Stein, “Harder”
Bianca Stone, “Ones Who Got Away With It.”
Talin Tahajian, “With pretty legs.”
Michelle Tea, “Oh God.”
Clara Bush Vadala, “she plays hockey on a boys’ team.”
July Westhale, “Love Arrived May Find Us Someplace Else.”
Diana Whitney, “Wanting It.”
Rachel Wiley, “But They Say I Will Not Make It.”
Crystal Williams, “Night Bloom.”
Details
| Empfohlen (bis): | 18 |
|---|---|
| Empfohlen (von): | 12 |
| Erscheinungsjahr: | 2021 |
| Genre: | Romane & Erzählungen |
| Rubrik: | Kinder & Jugend |
| Medium: | Taschenbuch |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9781523510993 |
| ISBN-10: | 1523510994 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Whitney, Diana |
| Redaktion: | Whitney, Diana |
| Illustrator: |
Gonzalez, Cristina
Mockford, Kate Singleton, Stephanie |
| Hersteller: | Workman Publishing |
| Maße: | 208 x 142 x 20 mm |
| Von/Mit: | Diana Whitney |
| Erscheinungsdatum: | 30.03.2021 |
| Gewicht: | 0,34 kg |
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