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Beschreibung
Working with Actors provides the key to unlocking the honest, dynamic performance every actor has within them. It offers a well-articulated formulation of the Meisner Technique easy for directors and actors to use within a working context.
Through setting out an accessible training programme for practitioners working across stage and screen, this book establishes a clear-cut route to building a three-dimensional character in an organic, non-intellectual fashion, based squarely on the character's objectives.
Few books in this field venture out of the training studio, while in this book - alongside offering an intense and concentrated Meisner training programme - the focus is more on the 'pay-off': the collaborative act of developing the role and how that plays out in rehearsal and performance.
Beyond that, the books uniquely offers:
> a new modality for script reading, analysis and rehearsal through which the character is born in relation to other characters;
> a prioritisation of the key skills for coming alive in the moment - listening and putting one's attention wholly on the other character/actor;
> a historical perspective on how Meisner's methods have evolved and why they provide the basis of truthful acting;
> for directors, a format for analysis of the complete work based on Stanislavskian principles;
> for actors, complementary methods, such as Uta Hagen's 'endowment', to enhance the 'reality of doing'
Through setting out an accessible training programme for practitioners working across stage and screen, this book establishes a clear-cut route to building a three-dimensional character in an organic, non-intellectual fashion, based squarely on the character's objectives.
Few books in this field venture out of the training studio, while in this book - alongside offering an intense and concentrated Meisner training programme - the focus is more on the 'pay-off': the collaborative act of developing the role and how that plays out in rehearsal and performance.
Beyond that, the books uniquely offers:
> a new modality for script reading, analysis and rehearsal through which the character is born in relation to other characters;
> a prioritisation of the key skills for coming alive in the moment - listening and putting one's attention wholly on the other character/actor;
> a historical perspective on how Meisner's methods have evolved and why they provide the basis of truthful acting;
> for directors, a format for analysis of the complete work based on Stanislavskian principles;
> for actors, complementary methods, such as Uta Hagen's 'endowment', to enhance the 'reality of doing'
Working with Actors provides the key to unlocking the honest, dynamic performance every actor has within them. It offers a well-articulated formulation of the Meisner Technique easy for directors and actors to use within a working context.
Through setting out an accessible training programme for practitioners working across stage and screen, this book establishes a clear-cut route to building a three-dimensional character in an organic, non-intellectual fashion, based squarely on the character's objectives.
Few books in this field venture out of the training studio, while in this book - alongside offering an intense and concentrated Meisner training programme - the focus is more on the 'pay-off': the collaborative act of developing the role and how that plays out in rehearsal and performance.
Beyond that, the books uniquely offers:
> a new modality for script reading, analysis and rehearsal through which the character is born in relation to other characters;
> a prioritisation of the key skills for coming alive in the moment - listening and putting one's attention wholly on the other character/actor;
> a historical perspective on how Meisner's methods have evolved and why they provide the basis of truthful acting;
> for directors, a format for analysis of the complete work based on Stanislavskian principles;
> for actors, complementary methods, such as Uta Hagen's 'endowment', to enhance the 'reality of doing'
Through setting out an accessible training programme for practitioners working across stage and screen, this book establishes a clear-cut route to building a three-dimensional character in an organic, non-intellectual fashion, based squarely on the character's objectives.
Few books in this field venture out of the training studio, while in this book - alongside offering an intense and concentrated Meisner training programme - the focus is more on the 'pay-off': the collaborative act of developing the role and how that plays out in rehearsal and performance.
Beyond that, the books uniquely offers:
> a new modality for script reading, analysis and rehearsal through which the character is born in relation to other characters;
> a prioritisation of the key skills for coming alive in the moment - listening and putting one's attention wholly on the other character/actor;
> a historical perspective on how Meisner's methods have evolved and why they provide the basis of truthful acting;
> for directors, a format for analysis of the complete work based on Stanislavskian principles;
> for actors, complementary methods, such as Uta Hagen's 'endowment', to enhance the 'reality of doing'
Über den Autor
Stephen Bayly
Zusammenfassung
Meisner was lesser-known than his contemporaries in terms of style, so sharing and distilling his techniques is helpful and needed
Inhaltsverzeichnis
CONTENTS
PART ONE: TECHNIQUE
1. INTRODUCTION
2. SIMPLE TECHNIQUE PERFECTLY
3. FEAR
4. WORKING 'WITH'
5. ACTING IS DOING
6. LISTENING
7. BEYOND LANGUAGE
8. THE PINCH AND THE OUCH
9. IMAGINARY CIRCUMSTANCES
[...]'S THAT KNOCKING?
[...] SAD GLAD
[...] SUCH THING AS A MONOLOGUE
13.TAKING IT PERSONALLY
[...]'S JUST AN ILLUSION
[...] SEARCH OF THE CHARACTER
16.A DIRECTOR PREPARES
17.MAPPING OUT REHEARSALS
18.TAKING SIDES
19.LAUNCHING THE CANOE
[...] NITTY-GRITTY
21.APPLYING THE 'AS-IF'
22.DIGGING DEEPER
23.STRIVING FOR THE SUMMIT
[...] REAL WORLD
PART TWO: PERSPECTIVES
[...]'S LOVE GOT TO DO WITH IT?
26.PSYCHOPHYSIOLOGICAL MECHANISMS
[...] NOT BEATS
28.INDICATING
29.LIQUIFIED TROUBLE
[...] THE ACTOR NOT THE CHARACTER
31.UNBLOCKING THE WRITER
32.EVERYONE CAN ACT
33.FAKING IT
[...] CASE AGAINST ACTIONING
35.SUBTEXT
36.SILENCE IS GOLDEN
[...]
[...] THAN MEETS THE EYE
[...] CASE FOR REALISM
GLOSSARY
INDEX
PART ONE: TECHNIQUE
1. INTRODUCTION
2. SIMPLE TECHNIQUE PERFECTLY
3. FEAR
4. WORKING 'WITH'
5. ACTING IS DOING
6. LISTENING
7. BEYOND LANGUAGE
8. THE PINCH AND THE OUCH
9. IMAGINARY CIRCUMSTANCES
[...]'S THAT KNOCKING?
[...] SAD GLAD
[...] SUCH THING AS A MONOLOGUE
13.TAKING IT PERSONALLY
[...]'S JUST AN ILLUSION
[...] SEARCH OF THE CHARACTER
16.A DIRECTOR PREPARES
17.MAPPING OUT REHEARSALS
18.TAKING SIDES
19.LAUNCHING THE CANOE
[...] NITTY-GRITTY
21.APPLYING THE 'AS-IF'
22.DIGGING DEEPER
23.STRIVING FOR THE SUMMIT
[...] REAL WORLD
PART TWO: PERSPECTIVES
[...]'S LOVE GOT TO DO WITH IT?
26.PSYCHOPHYSIOLOGICAL MECHANISMS
[...] NOT BEATS
28.INDICATING
29.LIQUIFIED TROUBLE
[...] THE ACTOR NOT THE CHARACTER
31.UNBLOCKING THE WRITER
32.EVERYONE CAN ACT
33.FAKING IT
[...] CASE AGAINST ACTIONING
35.SUBTEXT
36.SILENCE IS GOLDEN
[...]
[...] THAN MEETS THE EYE
[...] CASE FOR REALISM
GLOSSARY
INDEX
Details
Erscheinungsjahr: | 2023 |
---|---|
Genre: | Kunst |
Rubrik: | Kunst & Musik |
Thema: | Theater & Film |
Medium: | Taschenbuch |
ISBN-13: | 9781350295285 |
ISBN-10: | 1350295280 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Bayly, Stephen |
Hersteller: | Bloomsbury Publishing PLC |
Maße: | 156 x 234 x 16 mm |
Von/Mit: | Stephen Bayly |
Erscheinungsdatum: | 28.12.2023 |
Gewicht: | 0,376 kg |
Über den Autor
Stephen Bayly
Zusammenfassung
Meisner was lesser-known than his contemporaries in terms of style, so sharing and distilling his techniques is helpful and needed
Inhaltsverzeichnis
CONTENTS
PART ONE: TECHNIQUE
1. INTRODUCTION
2. SIMPLE TECHNIQUE PERFECTLY
3. FEAR
4. WORKING 'WITH'
5. ACTING IS DOING
6. LISTENING
7. BEYOND LANGUAGE
8. THE PINCH AND THE OUCH
9. IMAGINARY CIRCUMSTANCES
[...]'S THAT KNOCKING?
[...] SAD GLAD
[...] SUCH THING AS A MONOLOGUE
13.TAKING IT PERSONALLY
[...]'S JUST AN ILLUSION
[...] SEARCH OF THE CHARACTER
16.A DIRECTOR PREPARES
17.MAPPING OUT REHEARSALS
18.TAKING SIDES
19.LAUNCHING THE CANOE
[...] NITTY-GRITTY
21.APPLYING THE 'AS-IF'
22.DIGGING DEEPER
23.STRIVING FOR THE SUMMIT
[...] REAL WORLD
PART TWO: PERSPECTIVES
[...]'S LOVE GOT TO DO WITH IT?
26.PSYCHOPHYSIOLOGICAL MECHANISMS
[...] NOT BEATS
28.INDICATING
29.LIQUIFIED TROUBLE
[...] THE ACTOR NOT THE CHARACTER
31.UNBLOCKING THE WRITER
32.EVERYONE CAN ACT
33.FAKING IT
[...] CASE AGAINST ACTIONING
35.SUBTEXT
36.SILENCE IS GOLDEN
[...]
[...] THAN MEETS THE EYE
[...] CASE FOR REALISM
GLOSSARY
INDEX
PART ONE: TECHNIQUE
1. INTRODUCTION
2. SIMPLE TECHNIQUE PERFECTLY
3. FEAR
4. WORKING 'WITH'
5. ACTING IS DOING
6. LISTENING
7. BEYOND LANGUAGE
8. THE PINCH AND THE OUCH
9. IMAGINARY CIRCUMSTANCES
[...]'S THAT KNOCKING?
[...] SAD GLAD
[...] SUCH THING AS A MONOLOGUE
13.TAKING IT PERSONALLY
[...]'S JUST AN ILLUSION
[...] SEARCH OF THE CHARACTER
16.A DIRECTOR PREPARES
17.MAPPING OUT REHEARSALS
18.TAKING SIDES
19.LAUNCHING THE CANOE
[...] NITTY-GRITTY
21.APPLYING THE 'AS-IF'
22.DIGGING DEEPER
23.STRIVING FOR THE SUMMIT
[...] REAL WORLD
PART TWO: PERSPECTIVES
[...]'S LOVE GOT TO DO WITH IT?
26.PSYCHOPHYSIOLOGICAL MECHANISMS
[...] NOT BEATS
28.INDICATING
29.LIQUIFIED TROUBLE
[...] THE ACTOR NOT THE CHARACTER
31.UNBLOCKING THE WRITER
32.EVERYONE CAN ACT
33.FAKING IT
[...] CASE AGAINST ACTIONING
35.SUBTEXT
36.SILENCE IS GOLDEN
[...]
[...] THAN MEETS THE EYE
[...] CASE FOR REALISM
GLOSSARY
INDEX
Details
Erscheinungsjahr: | 2023 |
---|---|
Genre: | Kunst |
Rubrik: | Kunst & Musik |
Thema: | Theater & Film |
Medium: | Taschenbuch |
ISBN-13: | 9781350295285 |
ISBN-10: | 1350295280 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Bayly, Stephen |
Hersteller: | Bloomsbury Publishing PLC |
Maße: | 156 x 234 x 16 mm |
Von/Mit: | Stephen Bayly |
Erscheinungsdatum: | 28.12.2023 |
Gewicht: | 0,376 kg |
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