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Beschreibung
Writing from a working-class perspective, Janet Zandy links labor and art to challenge the unnamed class biases in systems of art curation, categorization and expertise. Zandy orchestrates the voices of nine artists – Käthe Kollwitz and Elizabeth Catlett, Ruth Asawa and Marilyn Anderson, Milton Rogovin and Jens S. Jensen, Mark Rogovin and muralism, Ralph Fasanella, and Raymond Mason – whose work aligns with the histories and living conditions of working-class people. These paired portraits open larger conversations about class and artistic formation, intent, and accessibility. Zandy presents a model for writing about art in an inclusive, theoretically informed, and creatively constructed way. Art, as Zandy shows, is not a rare fruit to be plucked by the chosen few. Art is a human necessity and crucial for the sustenance of democracy.
Ambitious and original, Working-Class Girls Don't Become Artists rewrites art history from a working-class perspective.
Ambitious and original, Working-Class Girls Don't Become Artists rewrites art history from a working-class perspective.
Writing from a working-class perspective, Janet Zandy links labor and art to challenge the unnamed class biases in systems of art curation, categorization and expertise. Zandy orchestrates the voices of nine artists – Käthe Kollwitz and Elizabeth Catlett, Ruth Asawa and Marilyn Anderson, Milton Rogovin and Jens S. Jensen, Mark Rogovin and muralism, Ralph Fasanella, and Raymond Mason – whose work aligns with the histories and living conditions of working-class people. These paired portraits open larger conversations about class and artistic formation, intent, and accessibility. Zandy presents a model for writing about art in an inclusive, theoretically informed, and creatively constructed way. Art, as Zandy shows, is not a rare fruit to be plucked by the chosen few. Art is a human necessity and crucial for the sustenance of democracy.
Ambitious and original, Working-Class Girls Don't Become Artists rewrites art history from a working-class perspective.
Ambitious and original, Working-Class Girls Don't Become Artists rewrites art history from a working-class perspective.
Über den Autor
Janet Zandy is a visual artist and professor emerita of English at the Rochester Institute of Technology. Her books include Unfinished Stories: The Narrative Photography of Hansel Mieth and Marion Palfi and Hands: Physical Labor, Class, and Cultural Work.
Details
| Erscheinungsjahr: | 2026 |
|---|---|
| Genre: | Importe, Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Allgemeine Kunst |
| Medium: | Taschenbuch |
| ISBN-13: | 9780252089398 |
| ISBN-10: | 0252089391 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Zandy, Janet |
| Hersteller: | University of Illinois Press |
| Verantwortliche Person für die EU: | Mare Nostrum Group B.V., Doelen 72, ?-4831 GR Breda, gpsr@mare-nostrum.co.uk |
| Maße: | 250 x 175 x 17 mm |
| Von/Mit: | Janet Zandy |
| Erscheinungsdatum: | 15.07.2026 |
| Gewicht: | 0,504 kg |