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Beschreibung
On the occasion of his 70th birthday, the Staatliche Kunstsammlungen Dresden and the Museum Folkwang in Essen are dedicating a major double exhibition to William Kentridge, who works in an interdisciplinary manner. Works from four decades will be shown: early graphic series on apartheid and its end, but also drawings and films from the famous series "Drawings for Projection" (1989-2020), in which Kentridge addresses the history of his hometown of Johannesburg. The importance of the procession in his work is reflected in the monumental video installation "More Sweetly play the Dance" (2015) and the large-format woodcut series "Triumphs and Laments" (2016-2019).

Particularly important in Kentridge's work is his artistic examination of colonialism, but also of social utopias and their failure using the example of Soviet socialism. Recent works from the context of 'The Great Yes, The Great No' (2024), a chamber opera created in cooperation with the 'Centre for the Less Good Idea' in Johannesburg, founded by Kentridge, once again show the enormous artistic range of his artistic work.
On the occasion of his 70th birthday, the Staatliche Kunstsammlungen Dresden and the Museum Folkwang in Essen are dedicating a major double exhibition to William Kentridge, who works in an interdisciplinary manner. Works from four decades will be shown: early graphic series on apartheid and its end, but also drawings and films from the famous series "Drawings for Projection" (1989-2020), in which Kentridge addresses the history of his hometown of Johannesburg. The importance of the procession in his work is reflected in the monumental video installation "More Sweetly play the Dance" (2015) and the large-format woodcut series "Triumphs and Laments" (2016-2019).

Particularly important in Kentridge's work is his artistic examination of colonialism, but also of social utopias and their failure using the example of Soviet socialism. Recent works from the context of 'The Great Yes, The Great No' (2024), a chamber opera created in cooperation with the 'Centre for the Less Good Idea' in Johannesburg, founded by Kentridge, once again show the enormous artistic range of his artistic work.
Über den Autor
William Kentridge, born in Johannesburg in 1955, is one of South Africa's most important contemporary artists. He works with and between the media of painting, writing, film, performance, and music, as well as with collaborative formats, to create an art that relates to politics, science, literature, and history, while leaving room for contradictions and uncertainty. Kentridge's work has been exhibited in museums, galleries, theaters and opera houses worldwide since the 1990s and is also owned by many major museums. He holds honorary doctorates from several universities, including Yale and the University of London. He has been awarded the Kyoto Prize (2010), the Princess of Asturias Prize (2017) and the Praemium Imperiale (2019), among others. Steidl has published Domestic Scenes (2022), Prints and Posters, Catalogue Raisonné Vol. 1 (2022) and Carlton Centre Games Arcade (2025).
Details
Erscheinungsjahr: 2025
Genre: Geisteswissenschaften, Kunst, Musik
Rubrik: Kunst & Musik
Medium: Buch
Inhalt: 304 S.
ISBN-13: 9783969994757
ISBN-10: 3969994756
Sprache: Englisch
Einband: Gebunden
Autor: Kentridge, William
Redaktion: Museum Folkwang Essen
Staatliche Kunstsammlungen Dresden
Herausgeber: Museum Folkwang Essen/Staatliche Kunstsammlungen Dresden
Hersteller: Steidl GmbH & Co.OHG
Steidl GmbH & Co. OHG
Verantwortliche Person für die EU: Steidl Verlag, Düstere Str. 4, D-37073 Göttingen, mwegener@steidl.de
Maße: 288 x 253 x 33 mm
Von/Mit: Museum Folkwang Essen (u. a.)
Erscheinungsdatum: 23.10.2025
Gewicht: 1,57 kg
Artikel-ID: 134003174

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