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Cover: 9788417656041 | What Images Really Tell Us: Visual Rhetoric in Art, Graphic Design,...
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What Images Really Tell Us
Visual Rhetoric in Art, Graphic Design, and Advertising
Taschenbuch von Massimo Mariani
Sprache: Englisch

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Beschreibung
This book is a comprehensive discussion on the power and meaning of images.
This book is a comprehensive discussion on the power and meaning of images.
Über den Autor
Massimo Mariani, a graduate in painting at the Accademia di Brera, has exhibited in numerous galleries in Italy and abroad. He has published books in Italian on such diverse topics as Freud and the subconscious, the representation of the feminine, detective stories and poetry.
Inhaltsverzeichnis

INTRODUCTION: POETRY AND IMAGE

PART 1

THE TALE

THE IMAGES

A LOOK AT PARTS OF SPEECH.
Nouns. Adjectives. Verbs. Direct objects.

RHETORIC AS VERBO-VISUAL ARTICULATION

CATALOGUE OF THE MAIN RHETORICAL FIGURES OF SPEECH

Metaphor. Metonymy. Synecdoche. Anastrophe. Syndeton. Hyperbole. Onomatopoeia. Pleonasm. Ekphrasis. Ellipsis. From collage to post-production an aside on surrealism and computers. Antiphrasis. Irony. An Election Entertainment. Canvassing for Votes. The Polling. Chairing the Member.

RECOGNITION AND RESEMBLANCE FOR THREE VOICES

METALEPSIS: FROM THE VERBAL TO THE VISUAL

Verbal examples. Visual examples.

MOSES AND THE INSURANCE COMPANY.

THE CHARACTER GESTURE.

CHARAKTERANALYSE AND THE ICONOLOGY OF CESARE RIPA

PART II

RHETORICAL ARTICULATION APPLIED TO NARRATION

THE GIALLO AND THE NOIR: TWO MODELS OF RHETORICAL NARRATION

The plot of the giallo. The plot of the noir. Two points of view.

VERBO-VISUAL MODELS OF RHETORICAL FIGURES

Seeing the ending. Closed ending. Open ending. Circular ending. Finding ideas and forms for a narrative plot. The visual, the verbal and the secret explained by Ernest Hemingway. Examples of analogy.

THE EMPORIUM OF IDEAS

News, preferably about vicious crime. Conversations with friends or girlfriends, preferably nasty. Television, preferably trash. Character, preferably a bad one. The visible and hidden images of a plot.

THE RHETORIC OF THE CHARACTER

The character is introduced. The nature and the tone of the character. Dramatis persona and character. Well-rounded character. Blurred character. Linear character. Contrasted character. Static character. Dynamic character.
THE RHETORIC OF CONFLICT
Contrast and conflict in noir. Three examples of noir (visual and verbal).

THE SETTING AS A COLLECTION OF ELEMENTS HOSTING THE ACTION.

The environment and the scene. A harmonic environment. A disharmonic environment. A harmonic and disharmonic environment together. The typified scene as opposed to the typical scene. The Cliffhanger. The Frame and the Dramatis Persona. The sublime vision. The disturbing vision.

DEFECTIVENESS AS A DEROGATION FROM ICASTIC REPRESENTATION

Metonymy: beyond the name. Antonomasia: against the name. Similitude: relative greatness. Antithesis: turning against. Reticence: omission, passing over in silence. Asyndeton: no connection. Metaphor: moving beyond, outside. Preterition: going beyond. Periphrasis: going around. Prosopopoeia: personification in excess. Hypotyposis: under effigy. Synecdoche: taking together. Exclamation: enunciating out loud. Hyperbole: simply exaggerating. Apostrophe: an action and its reversal. Oxymoron: the juxtaposition of opposites.

CONCLUSION.

BIBLIOGRAPHY.

Details
Erscheinungsjahr: 2019
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Allgemeine Kunst
Medium: Taschenbuch
Seiten: 288
Inhalt: 270 S.
Ca. 500 S/W und farbige Abbildungen
ISBN-13: 9788417656041
ISBN-10: 8417656049
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Mariani, Massimo
Besonderheit: Unsere Aufsteiger
Hersteller: Hoaki Books
HOAKI BOOKS S.L.
Maße: 246 x 172 x 21 mm
Von/Mit: Massimo Mariani
Erscheinungsdatum: 15.10.2019
Gewicht: 0,767 kg
preigu-id: 115569218
Über den Autor
Massimo Mariani, a graduate in painting at the Accademia di Brera, has exhibited in numerous galleries in Italy and abroad. He has published books in Italian on such diverse topics as Freud and the subconscious, the representation of the feminine, detective stories and poetry.
Inhaltsverzeichnis

INTRODUCTION: POETRY AND IMAGE

PART 1

THE TALE

THE IMAGES

A LOOK AT PARTS OF SPEECH.
Nouns. Adjectives. Verbs. Direct objects.

RHETORIC AS VERBO-VISUAL ARTICULATION

CATALOGUE OF THE MAIN RHETORICAL FIGURES OF SPEECH

Metaphor. Metonymy. Synecdoche. Anastrophe. Syndeton. Hyperbole. Onomatopoeia. Pleonasm. Ekphrasis. Ellipsis. From collage to post-production an aside on surrealism and computers. Antiphrasis. Irony. An Election Entertainment. Canvassing for Votes. The Polling. Chairing the Member.

RECOGNITION AND RESEMBLANCE FOR THREE VOICES

METALEPSIS: FROM THE VERBAL TO THE VISUAL

Verbal examples. Visual examples.

MOSES AND THE INSURANCE COMPANY.

THE CHARACTER GESTURE.

CHARAKTERANALYSE AND THE ICONOLOGY OF CESARE RIPA

PART II

RHETORICAL ARTICULATION APPLIED TO NARRATION

THE GIALLO AND THE NOIR: TWO MODELS OF RHETORICAL NARRATION

The plot of the giallo. The plot of the noir. Two points of view.

VERBO-VISUAL MODELS OF RHETORICAL FIGURES

Seeing the ending. Closed ending. Open ending. Circular ending. Finding ideas and forms for a narrative plot. The visual, the verbal and the secret explained by Ernest Hemingway. Examples of analogy.

THE EMPORIUM OF IDEAS

News, preferably about vicious crime. Conversations with friends or girlfriends, preferably nasty. Television, preferably trash. Character, preferably a bad one. The visible and hidden images of a plot.

THE RHETORIC OF THE CHARACTER

The character is introduced. The nature and the tone of the character. Dramatis persona and character. Well-rounded character. Blurred character. Linear character. Contrasted character. Static character. Dynamic character.
THE RHETORIC OF CONFLICT
Contrast and conflict in noir. Three examples of noir (visual and verbal).

THE SETTING AS A COLLECTION OF ELEMENTS HOSTING THE ACTION.

The environment and the scene. A harmonic environment. A disharmonic environment. A harmonic and disharmonic environment together. The typified scene as opposed to the typical scene. The Cliffhanger. The Frame and the Dramatis Persona. The sublime vision. The disturbing vision.

DEFECTIVENESS AS A DEROGATION FROM ICASTIC REPRESENTATION

Metonymy: beyond the name. Antonomasia: against the name. Similitude: relative greatness. Antithesis: turning against. Reticence: omission, passing over in silence. Asyndeton: no connection. Metaphor: moving beyond, outside. Preterition: going beyond. Periphrasis: going around. Prosopopoeia: personification in excess. Hypotyposis: under effigy. Synecdoche: taking together. Exclamation: enunciating out loud. Hyperbole: simply exaggerating. Apostrophe: an action and its reversal. Oxymoron: the juxtaposition of opposites.

CONCLUSION.

BIBLIOGRAPHY.

Details
Erscheinungsjahr: 2019
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Allgemeine Kunst
Medium: Taschenbuch
Seiten: 288
Inhalt: 270 S.
Ca. 500 S/W und farbige Abbildungen
ISBN-13: 9788417656041
ISBN-10: 8417656049
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Mariani, Massimo
Besonderheit: Unsere Aufsteiger
Hersteller: Hoaki Books
HOAKI BOOKS S.L.
Maße: 246 x 172 x 21 mm
Von/Mit: Massimo Mariani
Erscheinungsdatum: 15.10.2019
Gewicht: 0,767 kg
preigu-id: 115569218
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