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Beschreibung
This imposing volume is the fruit of the artist Werner Schmidt's decades-long immersion in the preeminent literary monument of the twentieth century: James Joyce's Ulysses.

What began as a personal reader's voyage now attains definite form in an eloquently colorful, interdisciplinary and polyphonic tribute-a work between literary study, theory of color, visual art, and reflection on language.

In the book's first part, Schmidt analyzes and visualizes the use of colors in Ulysses in unique chromatic diagrams and coded color stripes that were literally painted on the walls in exhibitions. They are complemented by a series of photographs taken in Dublin, the novel's setting, and accompanied by probing meditations on literary and linguistic facets and aspects of politics and the history of religion in the Joycean universe.

The second part gathers the voices of twenty renowned Joyce scholars, who, in five thematically organized chapters, share their perspectives on the color, texture, structure, and effect of Ulysses.

A feast for all who revere Joyce-and a gift of anyone who would not just read but truly wrap their mind around literature in its boldest and most luminous incarnation.
This imposing volume is the fruit of the artist Werner Schmidt's decades-long immersion in the preeminent literary monument of the twentieth century: James Joyce's Ulysses.

What began as a personal reader's voyage now attains definite form in an eloquently colorful, interdisciplinary and polyphonic tribute-a work between literary study, theory of color, visual art, and reflection on language.

In the book's first part, Schmidt analyzes and visualizes the use of colors in Ulysses in unique chromatic diagrams and coded color stripes that were literally painted on the walls in exhibitions. They are complemented by a series of photographs taken in Dublin, the novel's setting, and accompanied by probing meditations on literary and linguistic facets and aspects of politics and the history of religion in the Joycean universe.

The second part gathers the voices of twenty renowned Joyce scholars, who, in five thematically organized chapters, share their perspectives on the color, texture, structure, and effect of Ulysses.

A feast for all who revere Joyce-and a gift of anyone who would not just read but truly wrap their mind around literature in its boldest and most luminous incarnation.
Über den Autor
Dorothée Bauerle-Willert (1951-2022) was President of the International Artists' Committee (IKG). She studied art history and literature and wrote her doctorate on Aby Warburg's picture atlas Mnemosyne. She chaired the IKG for many years. Toni Hildebrandt (Dr.), born 1984, received his doctorate from the University of Basel in 2014. Since 2014, he has been a research assistant at the Department of Modern and Contemporary Art History at the Institute of Art History at the University of Bern. From 2013 to 2017 he was a resident fellow and postdoc at the Istituto Svizzero in Rome. His dissertation "Entwurf und Entgrenzung. Contradispositives of Drawing" was awarded the Wolfgang Ratjen Prize 2018. Ursula Zeller is a German art historian and museum director. Ursula Zeller conceives and organises exhibitions and symposia on the topics of art and art education, art exchange and biennials, among others for the Goethe-Institut. She publishes articles on contemporary art and is the editor or co-editor of catalogues and anthologies. Originally from Northern California, Keith Williams spent most of his life in Texas. He is an art professor and a professional artist who has earned a Bachelor of Fine Arts with honors from Southern Methodist University in 2001 with an emphasis on drawing, painting and printmaking. From 2001 to 2003, he was a resident artist in sculpture at SMU. In 2006, he earned a Masters of Fine Arts degree with honors with an emphasis on drawing and painting. Graduated in Foreign Languages and Literature (artistic and literary track) in Milan and in Italian language, literature and culture at the Institute of Italian Studies at USI (Alma Bacciarini Prize). She gained her PhD at USI (summa cum laude). She held a post-doctoral fellowship from the Swiss National Science Foundation (SNSF) at the Kunsthistorisches Institut in Florenz (KHI, Max-Planck-Institut). She has worked, inter alia, on the poetic production of Charles Olson, on Lalla Romano's photo-texts. Susanne Peter is a Senior Art Directorin / Projektmanagement Creation bei Scholz & Friends. Florian Arnold is a German philosopher and design theorist. Arnold teaches at the Stuttgart State Academy of Art and Design and is head of the editorial team at Philosophische Rundschau. Dr Saskia C. Quené is a research assistant at the Institute of Art History at the University of Tübingen. Dieter Ronte is a German art historian. He was a museum director in Vienna, Hanover and Bonn. He war born in 1962 and edited the combat journal Platforum, a literary-maritime-philosophical journal for explicit lyricism, faltering but high-profile polemic, poetry, translations, drawings and fields of knowledge. Jurate Levina is an Associate Professor and Researcher in literature and methodology of literary research, esp. phenomenology and hermeneutics of literature, and High Modernism Michael Deckard is a professor of philosophy and program coordinator for philosophy at Lenoir-Rhyne University. He has taught courses in historical and environmental aesthetics, ethics, social and political philosophy, philosophy of religion, hermeneutics and phenomenology, applied ethics (particularly medical ethics and the ethics of war and peace) and Native American philosophy. Dirk Teuber is an art historian. Heinz Brüggemann, born in Bevern/Weserbergland in 1943, studied history, literature, philosophy and sociology in Göttingen and Frankfurt am Main. After gaining his doctorate at the University of Bremen, he qualified as a professor of modern German literature in 1978. Brüggemann has been retired since 2008. Otto Jägersberg is a German writer and filmmaker who lives in Baden-Baden. Shane Walshe is a editor at the English Department. He studied English and German at the National University of Ireland, Galway and received his PhD in English Linguistics from the University of Bamberg, Germany. He has taught at the universities of Bamberg, Bern and
Details
Erscheinungsjahr: 2025
Genre: Geisteswissenschaften, Kunst, Musik
Rubrik: Kunst & Musik
Thema: Bildende Kunst
Medium: Buch
Inhalt: 328 S.
ISBN-13: 9783969122426
ISBN-10: 3969122422
Sprache: Deutsch
Einband: Gebunden
Autor: Teuber, Dirk
Arnold, Florian
Bauerle-Willert, Dorothée
Bindervoet, Erik
Brüggemann, Heinz
Brüssermann, Jakob
Deckard, Michael
Hayes, Christa-Maria Lerm
Hildebrandt, Toni
Jägersberg, Otto
Levina, Jurate
Peters, Susanne
Poetsch, Christoph
Quené, Saskia C.
Ronte, Dieter
Schmidt, Werner
Senn, Fritz
Tescari, Vega
Walshe, Shane
Weigel, Andreas
Williams, Keith
Zeller, Ursula
Hersteller: Dr. Cantz'sche Verlagsges
Dr. Cantz?sche Verlagsgesellschaft mbH & Co. KG
Verantwortliche Person für die EU: DCV Dr. Cantz'sche Verlagsgesellschaft, Prinz-Eugen-Str. 17a, D-13347 Berlin, h.baumgarten@dcv-books.com
Maße: 277 x 208 x 29 mm
Von/Mit: Dirk Teuber (u. a.)
Erscheinungsdatum: 13.06.2025
Gewicht: 1,48 kg
Artikel-ID: 133485767

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