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Christina Gutekunst and John Gillett unite their depth of experience in voice training and acting to create an integrated and comprehensive approach informed by Stanislavski and his successors - the acting approach widely taught to actors in drama schools throughout the world.
This updated edition contains: a new chapter on vocal embodiment of actions, new findings from neuroscience supporting the approach, more exercises, warm-up routines for training, rehearsal and performance, and a completely new glossary of terms.
The authors create a step-by-step guide to explore how voice can:
- Respond to our thoughts, senses, feelings, imagination and will
- Fully express language in content and form
- Communicate imaginary circumstances and human experience
- Transform to adapt to different roles
- Connect to a variety of audiences and spaces
Featuring 55 illustrations by German artist, Dany Heck, Voice into Acting is an essential manual for the actor seeking full vocal identity in characterization, and for the voice teacher open to new techniques or an alternative approach to harmonize with the actor's process.
Christina Gutekunst and John Gillett unite their depth of experience in voice training and acting to create an integrated and comprehensive approach informed by Stanislavski and his successors - the acting approach widely taught to actors in drama schools throughout the world.
This updated edition contains: a new chapter on vocal embodiment of actions, new findings from neuroscience supporting the approach, more exercises, warm-up routines for training, rehearsal and performance, and a completely new glossary of terms.
The authors create a step-by-step guide to explore how voice can:
- Respond to our thoughts, senses, feelings, imagination and will
- Fully express language in content and form
- Communicate imaginary circumstances and human experience
- Transform to adapt to different roles
- Connect to a variety of audiences and spaces
Featuring 55 illustrations by German artist, Dany Heck, Voice into Acting is an essential manual for the actor seeking full vocal identity in characterization, and for the voice teacher open to new techniques or an alternative approach to harmonize with the actor's process.
Christina trained as an actor in Germany and Britain, and then gained her Post Graduate diploma and MA in voice studies at the Royal Central School of Speech and Drama. She has taught voice in numerous acting schools, has worked on voice-overs as actor and director and co-ran two theatre companies. She has also coached on productions for TV and theatre.
.
Introduction
Part I: Laying the Foundations
1. The Organic Acting Approach and the Voice
2. The Organic Acting Approach and the Brain
Part II: The Essential Vocal Six - And Integrating Acting into Voice
3. Alignment: Backbone of the Action
4. Breath: The Great Creative Connector
5. Centred Onset of Sound: The Vocal Identity of the Actor
6. Pitch Range: The Music of Meaning
7. Resonance: Vibrating the Experience
8. Articulation: Shaping Thought and Action
Part III: Integrating Voice into the Organic Acting Process
9. Interval: Receiving and Responding
10. Awareness, Ease and Focus
11: The Action: Given Circumstances, Interaction and Objectives
12. Vocal Embodiment of Actions
13. Seeing, Sensing and Feeling
14. Character and Voice
15. The Actor in the Space
Part IV: Integrating Voice in Rehearsal and Performance: Putting It All Together
16. Meeting the Play and the Character
17. From Impulse to Action
18. From Action to Form
Conclusion
Glossary
Selected Bibliography
Index
| Erscheinungsjahr: | 2021 |
|---|---|
| Genre: | Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Theater & Film |
| Medium: | Taschenbuch |
| Seiten: | 328 |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9781350064911 |
| ISBN-10: | 1350064912 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: |
Gutekunst, Christina
Gillett, John |
| Hersteller: | Bloomsbury Publishing PLC |
| Maße: | 247 x 193 x 20 mm |
| Von/Mit: | Christina Gutekunst (u. a.) |
| Erscheinungsdatum: | 11.02.2021 |
| Gewicht: | 0,663 kg |
Christina trained as an actor in Germany and Britain, and then gained her Post Graduate diploma and MA in voice studies at the Royal Central School of Speech and Drama. She has taught voice in numerous acting schools, has worked on voice-overs as actor and director and co-ran two theatre companies. She has also coached on productions for TV and theatre.
.
Introduction
Part I: Laying the Foundations
1. The Organic Acting Approach and the Voice
2. The Organic Acting Approach and the Brain
Part II: The Essential Vocal Six - And Integrating Acting into Voice
3. Alignment: Backbone of the Action
4. Breath: The Great Creative Connector
5. Centred Onset of Sound: The Vocal Identity of the Actor
6. Pitch Range: The Music of Meaning
7. Resonance: Vibrating the Experience
8. Articulation: Shaping Thought and Action
Part III: Integrating Voice into the Organic Acting Process
9. Interval: Receiving and Responding
10. Awareness, Ease and Focus
11: The Action: Given Circumstances, Interaction and Objectives
12. Vocal Embodiment of Actions
13. Seeing, Sensing and Feeling
14. Character and Voice
15. The Actor in the Space
Part IV: Integrating Voice in Rehearsal and Performance: Putting It All Together
16. Meeting the Play and the Character
17. From Impulse to Action
18. From Action to Form
Conclusion
Glossary
Selected Bibliography
Index
| Erscheinungsjahr: | 2021 |
|---|---|
| Genre: | Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Theater & Film |
| Medium: | Taschenbuch |
| Seiten: | 328 |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9781350064911 |
| ISBN-10: | 1350064912 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: |
Gutekunst, Christina
Gillett, John |
| Hersteller: | Bloomsbury Publishing PLC |
| Maße: | 247 x 193 x 20 mm |
| Von/Mit: | Christina Gutekunst (u. a.) |
| Erscheinungsdatum: | 11.02.2021 |
| Gewicht: | 0,663 kg |
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