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Anders Engberg-Pedersen is Associate Professor of Comparative Literature at the University of Southern Denmark. He holds a PhD from Harvard University in Comparative Literature and from Humboldt Universität in German Literature. He is the author of Empire of Chance: The Napoleonic Wars and the Disorder of Things and editor of Literature and Cartography: Theories, Histories, Genres.
Kathrin Maurer is Associate Professor of German Literature at the University of Southern Denmark. She holds a PhD from Columbia University in German Literature and has also worked as an Assistant Professor at the University of Arizona. She is the author of Visualizing the Past: The Power of the Image in German Historicism.
Preface (W.J.T Mitchell)
Introduction (Anders Engberg-Pedersen and Kathrin Maurer)
Part I: Equivocal Emotions
1. Cropped Vision: Photography and Complicity in Women's World War II Memoirs (Elisabeth Krimmer)
2. Horsemeat with Cucumber Salad: Laughing at the Images of War in Alexander Kluge's Films (Andrea Schütte)
3. Max Beckmann's Revenants and Ernst Jünger's Drones: Vision and Coolness in the Interwar Period (Christine Kanz)
Part II: Emotional Technologies
4. Flat Emotions: Maps and Wargames as Emotional Technologies (Anders Engberg-Pedersen)
5. The Paradox of Total Immersion: Watching War in Nineteenth-Century Panoramas (Kathrin Maurer)
6. Post-Traumatic Stress Disorder in Drone Operators: Relying on Uncertainty in Omer Fast's 5,000 Feet is the Best (2011) (Svea Braeunert)
7. Towards a Poor Cinema: The Performativity of Mobile Cameras in New Image Wars (Katarzyna Ruchel-Stockmans)
Part III: Building Emotional Communities
8. Visualizing Community: A Look at World War II Propaganda Films (Hermann Kappelhoff)
9. From Warrior Heroes to Vulnerable Boys: Debunking "Soldierly Masculinity" in Tim Hetherington's Infidel Photos (Thomas Ærvold Bjerre)
10. Visualizing War in the Museum: Experiential Spaces, Emotions, and Memory Politics (Stephan Jaeger)
11. War in the Age of Anti-Social Media (Jan Mieszkowski)
Erscheinungsjahr: | 2019 |
---|---|
Genre: | Importe, Kunst |
Rubrik: | Kunst & Musik |
Medium: | Taschenbuch |
Inhalt: | Einband - flex.(Paperback) |
ISBN-13: | 9780367322731 |
ISBN-10: | 0367322730 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Redaktion: |
Engberg-Pedersen, Anders
Maurer, Kathrin |
Hersteller: | Routledge |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 246 x 174 x 13 mm |
Von/Mit: | Anders Engberg-Pedersen (u. a.) |
Erscheinungsdatum: | 07.05.2019 |
Gewicht: | 0,422 kg |
Anders Engberg-Pedersen is Associate Professor of Comparative Literature at the University of Southern Denmark. He holds a PhD from Harvard University in Comparative Literature and from Humboldt Universität in German Literature. He is the author of Empire of Chance: The Napoleonic Wars and the Disorder of Things and editor of Literature and Cartography: Theories, Histories, Genres.
Kathrin Maurer is Associate Professor of German Literature at the University of Southern Denmark. She holds a PhD from Columbia University in German Literature and has also worked as an Assistant Professor at the University of Arizona. She is the author of Visualizing the Past: The Power of the Image in German Historicism.
Preface (W.J.T Mitchell)
Introduction (Anders Engberg-Pedersen and Kathrin Maurer)
Part I: Equivocal Emotions
1. Cropped Vision: Photography and Complicity in Women's World War II Memoirs (Elisabeth Krimmer)
2. Horsemeat with Cucumber Salad: Laughing at the Images of War in Alexander Kluge's Films (Andrea Schütte)
3. Max Beckmann's Revenants and Ernst Jünger's Drones: Vision and Coolness in the Interwar Period (Christine Kanz)
Part II: Emotional Technologies
4. Flat Emotions: Maps and Wargames as Emotional Technologies (Anders Engberg-Pedersen)
5. The Paradox of Total Immersion: Watching War in Nineteenth-Century Panoramas (Kathrin Maurer)
6. Post-Traumatic Stress Disorder in Drone Operators: Relying on Uncertainty in Omer Fast's 5,000 Feet is the Best (2011) (Svea Braeunert)
7. Towards a Poor Cinema: The Performativity of Mobile Cameras in New Image Wars (Katarzyna Ruchel-Stockmans)
Part III: Building Emotional Communities
8. Visualizing Community: A Look at World War II Propaganda Films (Hermann Kappelhoff)
9. From Warrior Heroes to Vulnerable Boys: Debunking "Soldierly Masculinity" in Tim Hetherington's Infidel Photos (Thomas Ærvold Bjerre)
10. Visualizing War in the Museum: Experiential Spaces, Emotions, and Memory Politics (Stephan Jaeger)
11. War in the Age of Anti-Social Media (Jan Mieszkowski)
Erscheinungsjahr: | 2019 |
---|---|
Genre: | Importe, Kunst |
Rubrik: | Kunst & Musik |
Medium: | Taschenbuch |
Inhalt: | Einband - flex.(Paperback) |
ISBN-13: | 9780367322731 |
ISBN-10: | 0367322730 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Redaktion: |
Engberg-Pedersen, Anders
Maurer, Kathrin |
Hersteller: | Routledge |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 246 x 174 x 13 mm |
Von/Mit: | Anders Engberg-Pedersen (u. a.) |
Erscheinungsdatum: | 07.05.2019 |
Gewicht: | 0,422 kg |