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Vanessa Bell (1879-1961) has been known as the still, quiet centre around which the Bloomsbury Group revolved,. She was renowned for her beauty, her complex romantic entanglements and, later, her domestic gravitas - and as the sister of Virginia Woolf. But Bell was also one of the most advanced British artists of her time, with her own distinctive vision, boldly interpreting new ideas about art which were brewing in France and beyond.
This publication beautifully showcases Bell's pioneering oil paintings, photographs, ceramics, fabrics, decorative screens and works on paper in a revelatory affirmation of her vibrant and wide-ranging talent. Including more than 180 colour plates, Vanessa Bell is a definitive record of Bell's accomplishments. The book is enhanced with photography of Charleston, the Sussex farmhouse that she occupied with creative flair alongside Duncan Grant and the rest of her unconventional family.
With sections devoted to portraiture, landscape, still life, design, domestic scenes and female subjects, the book gathers together a rich chorus of voices - from renowned Bloomsbury scholars to emerging experts - delivering a fresh view of an intrepid modern artist seen clearly on her own terms at last.
Vanessa Bell (1879-1961) has been known as the still, quiet centre around which the Bloomsbury Group revolved,. She was renowned for her beauty, her complex romantic entanglements and, later, her domestic gravitas - and as the sister of Virginia Woolf. But Bell was also one of the most advanced British artists of her time, with her own distinctive vision, boldly interpreting new ideas about art which were brewing in France and beyond.
This publication beautifully showcases Bell's pioneering oil paintings, photographs, ceramics, fabrics, decorative screens and works on paper in a revelatory affirmation of her vibrant and wide-ranging talent. Including more than 180 colour plates, Vanessa Bell is a definitive record of Bell's accomplishments. The book is enhanced with photography of Charleston, the Sussex farmhouse that she occupied with creative flair alongside Duncan Grant and the rest of her unconventional family.
With sections devoted to portraiture, landscape, still life, design, domestic scenes and female subjects, the book gathers together a rich chorus of voices - from renowned Bloomsbury scholars to emerging experts - delivering a fresh view of an intrepid modern artist seen clearly on her own terms at last.
Ian AC Dejardin is Executive Director of the McMichael Canadian Art Collection. He has previously curated the Painting Canada series: Tom Thomson and the Group of Seven (2011) and From the Forest to the Sea (as above) with Sarah Milroy.
Preface - Ian A.C. DejardinSome Rough Eloquence - Sarah Milroy
Between London and Paris - Hana Leaper
Catalogue
Among Friends
Vanessa, Virginia and the Modern Portrait - Frances Spalding
Design and Experimentation
A Moment in Abstraction - Grace Brockington
Still Life
Love, Actually - Regina Marler
At Home
Domestic Modernism - Christopher Reed
Landscape
The First Winter - Darren Clarke
Blue & Green - Virginia Woolf
Landscapes Near and Far - Julian Bell
Pictures of Women
A Conversation - Corin Sworn
Vanessa Bell's Late Self-Portraits - Richard Shone
Legacy Photographs by Patti Smith
Scholarly Debts and Personal Thanks - Sarah Milroy
List of Works
Photo Credits
Contributors
| Erscheinungsjahr: | 2017 |
|---|---|
| Genre: | Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Kunstgeschichte |
| Medium: | Taschenbuch |
| Seiten: | 208 |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9781781300510 |
| ISBN-10: | 1781300518 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: |
Milroy, Sarah
Dejardin, Ian A. C. |
| Redaktion: |
Dejardin, Ian A. C.
Milroy, Sarah |
| Hersteller: | Philip Wilson Publishers Ltd |
| Maße: | 279 x 240 x 22 mm |
| Von/Mit: | Ian A. C. Dejardin (u. a.) |
| Erscheinungsdatum: | 30.01.2017 |
| Gewicht: | 1,135 kg |
Ian AC Dejardin is Executive Director of the McMichael Canadian Art Collection. He has previously curated the Painting Canada series: Tom Thomson and the Group of Seven (2011) and From the Forest to the Sea (as above) with Sarah Milroy.
Preface - Ian A.C. DejardinSome Rough Eloquence - Sarah Milroy
Between London and Paris - Hana Leaper
Catalogue
Among Friends
Vanessa, Virginia and the Modern Portrait - Frances Spalding
Design and Experimentation
A Moment in Abstraction - Grace Brockington
Still Life
Love, Actually - Regina Marler
At Home
Domestic Modernism - Christopher Reed
Landscape
The First Winter - Darren Clarke
Blue & Green - Virginia Woolf
Landscapes Near and Far - Julian Bell
Pictures of Women
A Conversation - Corin Sworn
Vanessa Bell's Late Self-Portraits - Richard Shone
Legacy Photographs by Patti Smith
Scholarly Debts and Personal Thanks - Sarah Milroy
List of Works
Photo Credits
Contributors
| Erscheinungsjahr: | 2017 |
|---|---|
| Genre: | Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Kunstgeschichte |
| Medium: | Taschenbuch |
| Seiten: | 208 |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9781781300510 |
| ISBN-10: | 1781300518 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: |
Milroy, Sarah
Dejardin, Ian A. C. |
| Redaktion: |
Dejardin, Ian A. C.
Milroy, Sarah |
| Hersteller: | Philip Wilson Publishers Ltd |
| Maße: | 279 x 240 x 22 mm |
| Von/Mit: | Ian A. C. Dejardin (u. a.) |
| Erscheinungsdatum: | 30.01.2017 |
| Gewicht: | 1,135 kg |
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