John Ruskin was born in London in 1819, of Scottish descent. His father was a succesful wine-merchant and art lover; his mother a strict Evangelical whose religious instruction affected him deeply. He entered Christ Church, Oxford, in 1836 and graduated in 1842. In 1843, the first of the five volumes of Modern Painters was published, a work written in defense of J.M.W. Turner. The other volumes survey the main traditions of European painting from Giotto to the nineteenth century. Ruskin was also passionately interested in Gothic architecture and published two books on the subject before the completion of Modern Painters: The Seven Lamps of Architecture (1849) and the three volumes of The Stones of Venice in 1851 and 1853. He married Effie Gray in 1848, but seven years later the marriage was annulled on grounds of non-consummation. In 1858 he met Rose la Toche, a girl of nine, with whom he fell in love and became increasingly obsessed, and in that year he finally lost his Evangelical faith. In 1860, disillusioned with a society in which poverty was rampant and the poor exploited, he began the first of four essays attacking the science of Political Economy. They were published in book form in 1862, uner the title, Unto this Last. This was followed in 1863 by Munera Pulveris, which puts forward some positive proposals for economic change and reform. In 1869 he became the first Slade Professor of Fine Art at Oxford and in 1871 began writing Fors Clavigera, a series of open letters which draw connections between diverse subjects. He also took part in many practical projects, many of which he directed by way of his Utopian pressure-group, the Guild of St. George. When Rose la Touche died insanse in 1875, however, he began to show signs of mental disturbance and suffered the first of seven mental breakdowns in 1878. In 1885 he began publishing his autobiography, Praeterita. This moving and lyrical book was brought to a premature conclusion by his last and most violent breakdown in 1889. He lived on, withdrawn and inactive, until 1900.

Edited with an Introduction and Notes by Clive Wilmer

Introduction
Chronology
Further Reading
The King of the Golden River
From The Stones of Venice, Volume II
The Nature of Gothic
From The Two Paths
The Work of Iron, in Nature, Art, and Policy
From Modern Painters, Volume V
The Two Boyhoods
Unto This Last
Preface
Essay I: The Roots of Honour
Essay II: The Veins of Wealth
Essay III: Qui Judicatis Terram
Essay IV: Ad Valorem
From The Crown of Wild Olive
Traffic
From Sesame and Lilies
Of Kings' TreasuriesFrom Fors Clavigera
Letter 7: Charitas
Letter 10: The Baron's Gate
Notes