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Traumatic Realism
The Demands of Holocaust Representation
Taschenbuch von Michael Rothberg
Sprache: Englisch

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Beschreibung
Analyzes the impact of historical trauma on contemporary culture. How to approach the Holocaust and its relationship to late twentieth-century society? While some stress the impossibility of comprehending this event, others attempt representations in forms as different as the nonfiction novel (and Hollywood blockbuster) Schindler's List, the documentary Shoah, and the comic book Maus. This problem is at the center of Michael Rothberg's book, a focused account of the psychic, intellectual, and cultural aftermath of the Holocaust. Drawing on a wide range of texts, Michael Rothberg puts forth an overarching framework for understanding representations of the Holocaust. Through close readings of such writers and thinkers as Theodor Adorno, Maurice Blanchot, Ruth Klüger, Charlotte Delbo, Art Spiegelman, and Philip Roth and an examination of films by Steven Spielberg and Claude Lanzmann, Rothberg demonstrates how the Holocaust as a traumatic event makes three fundamental demands on representation: a demand for documentation, a demand for reflection on the limits of representation, and a demand for engagement with the public sphere and commodity culture. As it establishes new grounding for Holocaust studies, his book provides a new understanding of realism, modernism, and postmodernism as responses to the demands of history.
Analyzes the impact of historical trauma on contemporary culture. How to approach the Holocaust and its relationship to late twentieth-century society? While some stress the impossibility of comprehending this event, others attempt representations in forms as different as the nonfiction novel (and Hollywood blockbuster) Schindler's List, the documentary Shoah, and the comic book Maus. This problem is at the center of Michael Rothberg's book, a focused account of the psychic, intellectual, and cultural aftermath of the Holocaust. Drawing on a wide range of texts, Michael Rothberg puts forth an overarching framework for understanding representations of the Holocaust. Through close readings of such writers and thinkers as Theodor Adorno, Maurice Blanchot, Ruth Klüger, Charlotte Delbo, Art Spiegelman, and Philip Roth and an examination of films by Steven Spielberg and Claude Lanzmann, Rothberg demonstrates how the Holocaust as a traumatic event makes three fundamental demands on representation: a demand for documentation, a demand for reflection on the limits of representation, and a demand for engagement with the public sphere and commodity culture. As it establishes new grounding for Holocaust studies, his book provides a new understanding of realism, modernism, and postmodernism as responses to the demands of history.
Über den Autor

Michael Rothberg is assistant professor of English at the University of Miami.

Details
Medium: Taschenbuch
Seiten: 336
Inhalt: Kartoniert / Broschiert
ISBN-13: 9780816634590
ISBN-10: 0816634599
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Rothberg, Michael
Besonderheit: Unsere Aufsteiger
Hersteller: University of Minnesota Press
Maße: 226 x 150 x 17 mm
Von/Mit: Michael Rothberg
Erscheinungsdatum: 10.08.2000
Gewicht: 0,449 kg
preigu-id: 108183535
Über den Autor

Michael Rothberg is assistant professor of English at the University of Miami.

Details
Medium: Taschenbuch
Seiten: 336
Inhalt: Kartoniert / Broschiert
ISBN-13: 9780816634590
ISBN-10: 0816634599
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Rothberg, Michael
Besonderheit: Unsere Aufsteiger
Hersteller: University of Minnesota Press
Maße: 226 x 150 x 17 mm
Von/Mit: Michael Rothberg
Erscheinungsdatum: 10.08.2000
Gewicht: 0,449 kg
preigu-id: 108183535
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