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Beschreibung
translating love meditates on the possibility that not only is love a fundamental aspect of translation - after all, what even compels one to do something like that, particularly in this day and age where such endeavours barely count in accounting ledgers, hardly register as productive, are often even frowned upon as indulgent - and that there is no love without translation (as all attempts to connect to another entail, or even are, moments of reading), but that translation - being the most sensitive of readings, in which one is opening oneself to the possibility of the text, the possibility of another - and love, whilst not quite the same thing, are potentially inseparable from each other. Which also means translation, even when done out of love, while attempting to have as much care for the text, for another, as possible, always also runs the risk of transforming the text: changing it in ways that might fundamentally alter it, for better or worse.
Where the translator is always also potentially a traitor. Whom (s)he betrays though - the text, herself, the other, their relation - that, that might be the question.
Though, as my dear friend Neil Murphy once told me, 'reading literature with your head is always a mistake'.
So, instead of attempting to rationalise a text - and by extension, reign it in, make it safe, tame it - perhaps all we can do is to open ourselves to a work.
And listen.
And hope that, as Berlin might sing - along with all the risks that it might just - 'take my breath away'
Where the translator is always also potentially a traitor. Whom (s)he betrays though - the text, herself, the other, their relation - that, that might be the question.
Though, as my dear friend Neil Murphy once told me, 'reading literature with your head is always a mistake'.
So, instead of attempting to rationalise a text - and by extension, reign it in, make it safe, tame it - perhaps all we can do is to open ourselves to a work.
And listen.
And hope that, as Berlin might sing - along with all the risks that it might just - 'take my breath away'
translating love meditates on the possibility that not only is love a fundamental aspect of translation - after all, what even compels one to do something like that, particularly in this day and age where such endeavours barely count in accounting ledgers, hardly register as productive, are often even frowned upon as indulgent - and that there is no love without translation (as all attempts to connect to another entail, or even are, moments of reading), but that translation - being the most sensitive of readings, in which one is opening oneself to the possibility of the text, the possibility of another - and love, whilst not quite the same thing, are potentially inseparable from each other. Which also means translation, even when done out of love, while attempting to have as much care for the text, for another, as possible, always also runs the risk of transforming the text: changing it in ways that might fundamentally alter it, for better or worse.
Where the translator is always also potentially a traitor. Whom (s)he betrays though - the text, herself, the other, their relation - that, that might be the question.
Though, as my dear friend Neil Murphy once told me, 'reading literature with your head is always a mistake'.
So, instead of attempting to rationalise a text - and by extension, reign it in, make it safe, tame it - perhaps all we can do is to open ourselves to a work.
And listen.
And hope that, as Berlin might sing - along with all the risks that it might just - 'take my breath away'
Where the translator is always also potentially a traitor. Whom (s)he betrays though - the text, herself, the other, their relation - that, that might be the question.
Though, as my dear friend Neil Murphy once told me, 'reading literature with your head is always a mistake'.
So, instead of attempting to rationalise a text - and by extension, reign it in, make it safe, tame it - perhaps all we can do is to open ourselves to a work.
And listen.
And hope that, as Berlin might sing - along with all the risks that it might just - 'take my breath away'
Über den Autor
Jeremy Fernando reads, writes, and makes [...] works in the intersections of literature, philosophy, and art; and his, more than thirty, books include Reading Blindly, Living with Art, Writing Death, in fidelity, Tómate un paseo por el lado oscuro del camino, resisting art, Writing Skin, A Ghost Never Dies, The feather of Ma'at, I wish we were lovers, and Jeremy Fernando by Jeremy Fernando. His writing has also been featured in magazines and journals such as Arte al Límite, Berfrois, CTheory, Cenobio, Electra Magazine, Entropy, Full Bleed, Poiesis, Philosophy World Democracy, Queen Mob's Teahouse, Qui Parle, RIC Journal, Testo e Senso, TimeOut, and Voice & Verse Poetry Magazine, amongst others; and has been translated into the Brazilian-Portuguese, French, German, Italian, Japanese, Korean, Serbian, Spanish, and Turkish. Exploring other media has led him to film, music, performance-readings, and the visual arts; and his work has been exhibited in Seoul, Vienna, Hong Kong, Lisbon, and Singapore. He has been invited to read at the Akademie der Künste in Berlin in September 2016; and to deliver a series of performance-readings at the 2018, 2020, and 2022 editions of the Bienal de la Imagen en Movimiento in Buenos Aires, the latter at which he also curated a filmic omnibus entitled reading dreaming malaya. He is the general editor of Delere Press; curates the thematic magazine One Imperative; is the Jean Baudrillard Fellow at The European Graduate School; co-creator of the private dining experience, People Table Tales; and the writer-in-residence at Appetite, the sensorial laboratory exploring the cross-roads of food, music, and art.
Details
| Erscheinungsjahr: | 2026 |
|---|---|
| Genre: | Allgemeine Lexika, Importe |
| Rubrik: | Literaturwissenschaft |
| Medium: | Taschenbuch |
| ISBN-13: | 9789819470709 |
| ISBN-10: | 9819470706 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: |
Fernando, Jeremy
Chong, Sara |
| Hersteller: | Delere Press |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 178 x 127 x 7 mm |
| Von/Mit: | Jeremy Fernando (u. a.) |
| Erscheinungsdatum: | 22.09.2026 |
| Gewicht: | 0,135 kg |