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Through demonstrations of distinct forms of juxtaposition-across historical periods and geographical borders, across tribes and nations, across the Indigenous-settler binary, across genre and media-Allen reclaims aspects of the Indigenous archive from North America, Hawaii, Aotearoa New Zealand, and Australia that have been largely left out of the scholarly conversation. He engages systems of Indigenous aesthetics-such as the pictographic discourse of Plains Indian winter counts, the semiotics of Navajo weaving, and Maori carving traditions, as well as Indigenous technologies like large-scale North American earthworks and Polynesian ocean-voyaging waka-for the interpretation of contemporary Indigenous texts. The result is a provocative reorienting of the call for Native intellectual, artistic, and literary sovereignty that fully prioritizes the global Indigenous.
Through demonstrations of distinct forms of juxtaposition-across historical periods and geographical borders, across tribes and nations, across the Indigenous-settler binary, across genre and media-Allen reclaims aspects of the Indigenous archive from North America, Hawaii, Aotearoa New Zealand, and Australia that have been largely left out of the scholarly conversation. He engages systems of Indigenous aesthetics-such as the pictographic discourse of Plains Indian winter counts, the semiotics of Navajo weaving, and Maori carving traditions, as well as Indigenous technologies like large-scale North American earthworks and Polynesian ocean-voyaging waka-for the interpretation of contemporary Indigenous texts. The result is a provocative reorienting of the call for Native intellectual, artistic, and literary sovereignty that fully prioritizes the global Indigenous.
Acknowledgments
Introduction: Ands turn Comparative turn Trans-
Part I. Recovery/Interpretation
1. "Being" Indigenous "Now": Resettling "The Indian Today" within and beyond the U.S. 1960s
2. Unsettling the Spirit of '76: American Indians Anticipate the U.S. Bicentennial
Part II. Interpretation/Recovery
3. Pictographic, Woven, Carved: Engaging N. Scott Momaday's "Carnegie, Oklahoma, 1919" through Multiple Indigenous Aesthetics
4. Indigenous Languaging: Empathy and Translation across Alphabetic, Aural, and Visual Texts
5. Siting Earthworks, Navigating Waka: Patterns of Indigenous Settlement in Allison Hedge Coke's Blood Run and Robert Sullivan's Star Waka
Notes
Bibliography
Index
| Rubrik: | Literaturwissenschaft |
|---|---|
| Medium: | Taschenbuch |
| ISBN-13: | 9780816678198 |
| ISBN-10: | 0816678197 |
| Sprache: | Englisch |
| Autor: | Allen, Chadwick |
| Hersteller: | University of Minnesota Press |
| Verantwortliche Person für die EU: | Mare Nostrum Group B.V., Doelen 72, ?-4831 GR Breda, gpsr@mare-nostrum.co.uk |
| Maße: | 18 x 140 x 216 mm |
| Von/Mit: | Chadwick Allen |
| Erscheinungsdatum: | 03.10.2012 |
| Gewicht: | 0,426 kg |
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