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Time in Indian Music is the first major study of rhythm, metre, and form in North Indian rag, or classical, music. Martin Clayton presents a theoretical model for the organization of time in this repertory, a model which is related explicitly to other spheres of Indian thought and culture as well as to current ideas on musical time in alternative repertoriesnullincluding that of Western music. This theoretical model is elucidated and illustrated with reference to many musical examples drawn from authentic recorded performances. These examples clarify key Indian musicological concepts such as tal (metre), lay (tempo or rhythm), and laykari (rhythmic variation).
More generally, the volume addresses the implications of performance practice for the organization of rhythm and metre. Written in a clear and accessible style and illustrated with 102 music examples and diagrams, it will appeal to anyone interested in Indian aesthetic forms and the study of musical time.
More generally, the volume addresses the implications of performance practice for the organization of rhythm and metre. Written in a clear and accessible style and illustrated with 102 music examples and diagrams, it will appeal to anyone interested in Indian aesthetic forms and the study of musical time.
Time in Indian Music is the first major study of rhythm, metre, and form in North Indian rag, or classical, music. Martin Clayton presents a theoretical model for the organization of time in this repertory, a model which is related explicitly to other spheres of Indian thought and culture as well as to current ideas on musical time in alternative repertoriesnullincluding that of Western music. This theoretical model is elucidated and illustrated with reference to many musical examples drawn from authentic recorded performances. These examples clarify key Indian musicological concepts such as tal (metre), lay (tempo or rhythm), and laykari (rhythmic variation).
More generally, the volume addresses the implications of performance practice for the organization of rhythm and metre. Written in a clear and accessible style and illustrated with 102 music examples and diagrams, it will appeal to anyone interested in Indian aesthetic forms and the study of musical time.
More generally, the volume addresses the implications of performance practice for the organization of rhythm and metre. Written in a clear and accessible style and illustrated with 102 music examples and diagrams, it will appeal to anyone interested in Indian aesthetic forms and the study of musical time.
Über den Autor
Martin Clayton is Senior Lecturer in Ethnomusicology at the Open University.
Inhaltsverzeichnis
- Acknowledgements
- List of Tables
- List of Examples
- List of Audio Examples on CD
- Note on Orthography
- Note on Music Notations
- 1: Introduction
- 2: Theoretical Perspectives I: Rhythmic Organization in Indian Cultural Perspective
- 3: Theoretical Perspectives II: General Theories of Rhythm and Metre
- 4: Tal Theory as a Model of Rhythmic Organization
- 5: Tal in Practice: Quantitative, Qualitative, and Cyclic Functions
- 6: Lay Tempo and Rhythmic Density
- 7: Performance Practice and Rhythm in Hindustani Music: Introduction
- 8: The Bandis
- 9: Development Techniques and Process
- 10: Laykari Rhythmic Variation
- 11: A Case Study in Rhythmic Analysis: Instrumentals Gats in the Repertoire of Deepak Choudhury
- 12: North Indian Rhythmic Organization in Cross-Cultural Perspective
- Glossary
- Bibliography
- Discography
- Index
Details
Erscheinungsjahr: | 2008 |
---|---|
Genre: | Importe, Musik |
Rubrik: | Kunst & Musik |
Thema: | Musiktheorie & Musiklehre |
Medium: | Taschenbuch |
ISBN-13: | 9780195339680 |
ISBN-10: | 0195339681 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: |
Martin, Clayton
Clayton, Martin |
Hersteller: | Oxford University Press |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 234 x 156 x 14 mm |
Von/Mit: | Clayton Martin (u. a.) |
Erscheinungsdatum: | 15.08.2008 |
Gewicht: | 0,389 kg |
Über den Autor
Martin Clayton is Senior Lecturer in Ethnomusicology at the Open University.
Inhaltsverzeichnis
- Acknowledgements
- List of Tables
- List of Examples
- List of Audio Examples on CD
- Note on Orthography
- Note on Music Notations
- 1: Introduction
- 2: Theoretical Perspectives I: Rhythmic Organization in Indian Cultural Perspective
- 3: Theoretical Perspectives II: General Theories of Rhythm and Metre
- 4: Tal Theory as a Model of Rhythmic Organization
- 5: Tal in Practice: Quantitative, Qualitative, and Cyclic Functions
- 6: Lay Tempo and Rhythmic Density
- 7: Performance Practice and Rhythm in Hindustani Music: Introduction
- 8: The Bandis
- 9: Development Techniques and Process
- 10: Laykari Rhythmic Variation
- 11: A Case Study in Rhythmic Analysis: Instrumentals Gats in the Repertoire of Deepak Choudhury
- 12: North Indian Rhythmic Organization in Cross-Cultural Perspective
- Glossary
- Bibliography
- Discography
- Index
Details
Erscheinungsjahr: | 2008 |
---|---|
Genre: | Importe, Musik |
Rubrik: | Kunst & Musik |
Thema: | Musiktheorie & Musiklehre |
Medium: | Taschenbuch |
ISBN-13: | 9780195339680 |
ISBN-10: | 0195339681 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: |
Martin, Clayton
Clayton, Martin |
Hersteller: | Oxford University Press |
Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 234 x 156 x 14 mm |
Von/Mit: | Clayton Martin (u. a.) |
Erscheinungsdatum: | 15.08.2008 |
Gewicht: | 0,389 kg |
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