Zur Startseite gehen
0,00 €*
Cover: 9780199280179 | Themes in the Philosophy of Music | Stephen Davies | Taschenbuch
Dekorationsartikel gehören nicht zum Leistungsumfang.
Themes in the Philosophy of Music
Taschenbuch von Stephen Davies
Sprache: Englisch

78,55 €*

inkl. MwSt.

Versandkostenfrei per Post / DHL

Lieferzeit 1-2 Wochen

Kategorien:
Beschreibung
Representing Stephen Davies's best shorter writings, these essays outline developments within the philosophy of music over the last two decades, and summarize the state of play at the beginning of a new century. Including two new and previously unpublished pieces, they address both perennial questions and contemporary controversies, such as that over the 'authentic performance' movement, and the impact of modern technology on the presentation and reception of musical works. Rather than attempting to reduce musical works to a single type, Davies recognizes a great variety of kinds, and a complementary range of possibilities for their rendition.
Representing Stephen Davies's best shorter writings, these essays outline developments within the philosophy of music over the last two decades, and summarize the state of play at the beginning of a new century. Including two new and previously unpublished pieces, they address both perennial questions and contemporary controversies, such as that over the 'authentic performance' movement, and the impact of modern technology on the presentation and reception of musical works. Rather than attempting to reduce musical works to a single type, Davies recognizes a great variety of kinds, and a complementary range of possibilities for their rendition.
Über den Autor
Dr. Steve Davies is the Head of Education at the Institute of Economic Affairs (IEA) in London. Previously he was program officer at the Institute for Humane Studies (IHS) at George Mason University in Virginia. He joined IHS from the UK where he was Senior Lecturer in the Department of History and Economic History at Manchester Metropolitan University. He has also been a Visiting Scholar at the Social Philosophy and Policy Center at Bowling Green State University, Ohio.

An historian, he graduated from St Andrews University in Scotland in 1976 and gained his PhD from the same institution in 1984. He has authored several books, including Empiricism and History (Palgrave Macmillan, 2003) and was co-editor with Nigel Ashford of The Dictionary of Conservative and Libertarian Thought (Routledge, 1991).
Inhaltsverzeichnis
  • Introduction

  • ONTOLOGY

  • 1: John Cage's 4'33. Is it Music?

  • 2: Ontologies of Musical Works

  • 3: Transcription, Authenticity, and Performance

  • 4: The Ontology of Musical Works and the Authenticity of their Performances

  • PERFORMANCE

  • 5: Authenticity in Musical Performance

  • 6: So, You Want to Sing with the Beatles? Too Late!

  • 7: What is the Sound of One Piano Plummeting?

  • EXPRESSION

  • 8: The Expression of Emotion in Music

  • 9: Is Music a Language of the Emotions?

  • 10: Contra the Hypothetical Persona in Music

  • 11: Philosophical Perspectives on Music's Expressiveness

  • APPRECIATION

  • 12: The Evaluation of Music

  • 13: Musical Understandings and Musical Kinds

  • 14: Attributing Significance to Unobvious Musical Relationships

  • 15: The Multiple Interpretability of Musical Works

Details
Erscheinungsjahr: 2005
Genre: Musik
Rubrik: Kunst & Musik
Thema: Musikgeschichte
Medium: Taschenbuch
Seiten: 292
ISBN-13: 9780199280179
ISBN-10: 0199280177
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Davies, Stephen
Hersteller: OUP Oxford
Maße: 234 x 156 x 16 mm
Von/Mit: Stephen Davies
Erscheinungsdatum: 05.05.2005
Gewicht: 0,447 kg
preigu-id: 108632459
Über den Autor
Dr. Steve Davies is the Head of Education at the Institute of Economic Affairs (IEA) in London. Previously he was program officer at the Institute for Humane Studies (IHS) at George Mason University in Virginia. He joined IHS from the UK where he was Senior Lecturer in the Department of History and Economic History at Manchester Metropolitan University. He has also been a Visiting Scholar at the Social Philosophy and Policy Center at Bowling Green State University, Ohio.

An historian, he graduated from St Andrews University in Scotland in 1976 and gained his PhD from the same institution in 1984. He has authored several books, including Empiricism and History (Palgrave Macmillan, 2003) and was co-editor with Nigel Ashford of The Dictionary of Conservative and Libertarian Thought (Routledge, 1991).
Inhaltsverzeichnis
  • Introduction

  • ONTOLOGY

  • 1: John Cage's 4'33. Is it Music?

  • 2: Ontologies of Musical Works

  • 3: Transcription, Authenticity, and Performance

  • 4: The Ontology of Musical Works and the Authenticity of their Performances

  • PERFORMANCE

  • 5: Authenticity in Musical Performance

  • 6: So, You Want to Sing with the Beatles? Too Late!

  • 7: What is the Sound of One Piano Plummeting?

  • EXPRESSION

  • 8: The Expression of Emotion in Music

  • 9: Is Music a Language of the Emotions?

  • 10: Contra the Hypothetical Persona in Music

  • 11: Philosophical Perspectives on Music's Expressiveness

  • APPRECIATION

  • 12: The Evaluation of Music

  • 13: Musical Understandings and Musical Kinds

  • 14: Attributing Significance to Unobvious Musical Relationships

  • 15: The Multiple Interpretability of Musical Works

Details
Erscheinungsjahr: 2005
Genre: Musik
Rubrik: Kunst & Musik
Thema: Musikgeschichte
Medium: Taschenbuch
Seiten: 292
ISBN-13: 9780199280179
ISBN-10: 0199280177
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Davies, Stephen
Hersteller: OUP Oxford
Maße: 234 x 156 x 16 mm
Von/Mit: Stephen Davies
Erscheinungsdatum: 05.05.2005
Gewicht: 0,447 kg
preigu-id: 108632459
Warnhinweis

Ähnliche Produkte

Diese Website verwendet Cookies, um eine bestmögliche Erfahrung bieten zu können. Mehr Informationen ...