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Beschreibung
This core textbook provides a clear and accessible introduction to the key concepts of phenomenology in relation to theatre, showing how they shed light on the works of influential theatre-makers such as Brecht, Artaud, and Stanislavski. By placing these concepts in dialogue with theatre-makers, Johnston is able to demonstrate how philosophical ideas can be put to work in a theatrical context and how we can approach difficult theory from a practical perspective. Each chapter features exercises and topics for discussion to encourage readers to explore the ideas presented in more depth.
This is an excellent resource for undergraduate and postgraduate students of Theatre, Performance Studies, and Philosophy.
This is an excellent resource for undergraduate and postgraduate students of Theatre, Performance Studies, and Philosophy.
This core textbook provides a clear and accessible introduction to the key concepts of phenomenology in relation to theatre, showing how they shed light on the works of influential theatre-makers such as Brecht, Artaud, and Stanislavski. By placing these concepts in dialogue with theatre-makers, Johnston is able to demonstrate how philosophical ideas can be put to work in a theatrical context and how we can approach difficult theory from a practical perspective. Each chapter features exercises and topics for discussion to encourage readers to explore the ideas presented in more depth.
This is an excellent resource for undergraduate and postgraduate students of Theatre, Performance Studies, and Philosophy.
This is an excellent resource for undergraduate and postgraduate students of Theatre, Performance Studies, and Philosophy.
Über den Autor
Daniel Johnston is a Principal Lecturer in Performance for Stage & Screen at Sheffield Hallam University, UK.
Zusammenfassung
Primary: Undergraduate students of Theatre and Performance Studies; Undergraduate students of Drama and Philosophy
Secondary
Postgraduate students, lecturers and scholars of Theatre and Performance Studies; Postgraduate students, lecturers and scholars of Drama and Philosophy; Undergraduate and postgraduate students, lecturers and scholars of Applied Philosophy; Library sales
Postgraduate students, lecturers and scholars of Theatre and Performance Studies; Postgraduate students, lecturers and scholars of Drama and Philosophy; Undergraduate and postgraduate students, lecturers and scholars of Applied Philosophy; Library sales
Inhaltsverzeichnis
Acknowledgements
PART I
Introduction: Before the Curtain
1. Preparing the Part: Theatre and Philosophy
2. Setting the Stage: Phenomenology in Context
3. Revealing the Scene: Phenomenology in the Theatre
PART II
4. Stanislavski's Phenomenology of Being-in-the-World: Action and Involvement
5. Artaud's Phenomenology of Anxiety: Language and Being-Towards-Death
6. Brecht's Phenomenology of Being-with-Others: Authenticity and History
Conclusions: Lights Up on Manual Philosophy
Bibliography
Notes.
Details
| Erscheinungsjahr: | 2017 |
|---|---|
| Fachbereich: | Geisteswissenschaften allgemein |
| Genre: | Importe |
| Rubrik: | Geisteswissenschaften |
| Medium: | Taschenbuch |
| Inhalt: | Einband - flex.(Paperback) |
| ISBN-13: | 9781137530509 |
| ISBN-10: | 1137530502 |
| Sprache: | Englisch |
| Herstellernummer: | 978-1-137-53050-9 |
| Einband: | Kartoniert / Broschiert |
| Autor: | Johnston, Daniel |
| Hersteller: |
Bloomsbury 3PL
Red Globe Press Macmillan Education |
| Verantwortliche Person für die EU: | Macmillan Education, Tiergartenstr. 17, D-69121 Heidelberg, productsafety@springernature.com |
| Maße: | 210 x 148 x 12 mm |
| Von/Mit: | Daniel Johnston |
| Erscheinungsdatum: | 24.05.2017 |
| Gewicht: | 0,296 kg |