Zum Hauptinhalt springen Zur Suche springen Zur Hauptnavigation springen
Beschreibung
This provocative book meets the supposedly 'live' practices of performance and the 'no-longer-live' historical past at their own dangerous crossroads. Focussing on the 'and' of the title, it addresses the tangled relations between the terms, practices, ideas, and aims embedded in these compatriot - but often oppositional - arts and acts of time.
This provocative book meets the supposedly 'live' practices of performance and the 'no-longer-live' historical past at their own dangerous crossroads. Focussing on the 'and' of the title, it addresses the tangled relations between the terms, practices, ideas, and aims embedded in these compatriot - but often oppositional - arts and acts of time.
Über den Autor
Rebecca Schneider is Professor of Theatre Arts and Performance Studies at Brown University, USA.
Zusammenfassung
An accessible, provocative introduction to the tangled relationship between two seeming opposites, that suggests theatre and history are more interweaved than is often acknowledged
Inhaltsverzeichnis

Series Editors' Preface
1. Theatre And History
2. 'And'
3. 'History'
4. 'Theatre'
5. History and the Theatre Artist
6. The Anti-theatrical Prejudice
7. The Anti-intellectual Prejudice
8. Theatre and the Historian
9. The Problem with Passions
10. The Problem with Archives
11. Whose History is Theatre's History?
12. Of Knives and Blood
Bibliography
Index.

Details
Erscheinungsjahr: 2014
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Theater & Film
Medium: Taschenbuch
Inhalt: Einband - flex.(Paperback)
ISBN-13: 9780230246614
ISBN-10: 0230246613
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Schneider, Rebecca
Hersteller: Macmillan Education
Bloomsbury Publishing PLC
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 178 x 111 x 6 mm
Von/Mit: Rebecca Schneider
Erscheinungsdatum: 02.10.2014
Gewicht: 0,103 kg
Artikel-ID: 121736209