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Beschreibung
Walter Pater (1839-94) was the foremost Victorian writer on art and on aesthetic experience. His ideas still shape modern assumptions about how art plays on our feelings and intellectual responses. This edition of Pater's complete works was published in 1900-1 in a limited edition of 775 copies. It comprises eight volumes with an additional volume of critical essays first published in The Guardian. The Renaissance, first published as Studies in the Renaissance (1873), is Pater's best known work. These essays on Italian art and the wider question of how the Renaissance may be defined had previously been published as articles, but Pater edited and polished them for this collection. They epitomise what Pater's literary executor called his 'literary grace' and the 'depth and seriousness of his studies'. This version includes the notorious conclusion, withdrawn from the second edition because of the negative attention its homoerotic theme attracted.
Walter Pater (1839-94) was the foremost Victorian writer on art and on aesthetic experience. His ideas still shape modern assumptions about how art plays on our feelings and intellectual responses. This edition of Pater's complete works was published in 1900-1 in a limited edition of 775 copies. It comprises eight volumes with an additional volume of critical essays first published in The Guardian. The Renaissance, first published as Studies in the Renaissance (1873), is Pater's best known work. These essays on Italian art and the wider question of how the Renaissance may be defined had previously been published as articles, but Pater edited and polished them for this collection. They epitomise what Pater's literary executor called his 'literary grace' and the 'depth and seriousness of his studies'. This version includes the notorious conclusion, withdrawn from the second edition because of the negative attention its homoerotic theme attracted.
Über den Autor
Walter Pater (1839-1894), was an English critic, essayist, and humanist who argued that art exists for the sake of its beauty alone, rather than to teach a lesson, create a parallel, or perform another didactic purpose. "Art for art's sake" is a core principle of Aestheticism, the movement he helped found. Pater's exquisite writing style and bold ideas exerted a powerful influence on such writers as Oscar Wilde, Marcel Proust, James Joyce, W. B. Yeats, Paul Valéry, Ezra Pound, T. S. Eliot, and Wallace Stevens and has had lasting influence on the field of art criticism.
Inhaltsverzeichnis
Preface; Two early French stories; Pico della Mirandola; Sandro Botticelli; Luca della Robbia; The Poetry of Michelangelo; Leonardo da Vinci; The school of Giorgione; Joachim du Bellay; Winckelmann; Conclusion.
Details
Erscheinungsjahr: 2011
Genre: Importe
Rubrik: Literaturwissenschaft
Medium: Taschenbuch
ISBN-13: 9781108034234
ISBN-10: 1108034233
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Pater, Walter
Hersteller: Cambridge University Press
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 216 x 140 x 16 mm
Von/Mit: Walter Pater
Erscheinungsdatum: 19.07.2011
Gewicht: 0,377 kg
Artikel-ID: 106850181

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