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Beschreibung
'The nation-state is the enemy of the baroque.' This is the point of departure of this radical, even revolutionary, re-examination of the cultural history of the early-modern world. Drawing on sources in six languages, many of them hitherto unavailable to the English-speaking reader, and touching on the visual arts, architecture, music and literature, this study frees the word 'baroque' from being a term of periodisation into being the descriptor for a network of circulation of ideas, words, plants, arts and energies which encompassed the totality of the early-modern world.
This challenging book also forces a reconsideration of many of the prejudices of the Anglophone perception of cultural history and in doing so opens to the reader a world of wonders: the allegorical dramas of Ireland and Belgrade; the arquebusier angels of Cuzco painting; the operas and festival music of Bolivia; the vertiginous architectural fantasies of the Jacobite exiles.
This challenging book also forces a reconsideration of many of the prejudices of the Anglophone perception of cultural history and in doing so opens to the reader a world of wonders: the allegorical dramas of Ireland and Belgrade; the arquebusier angels of Cuzco painting; the operas and festival music of Bolivia; the vertiginous architectural fantasies of the Jacobite exiles.
'The nation-state is the enemy of the baroque.' This is the point of departure of this radical, even revolutionary, re-examination of the cultural history of the early-modern world. Drawing on sources in six languages, many of them hitherto unavailable to the English-speaking reader, and touching on the visual arts, architecture, music and literature, this study frees the word 'baroque' from being a term of periodisation into being the descriptor for a network of circulation of ideas, words, plants, arts and energies which encompassed the totality of the early-modern world.
This challenging book also forces a reconsideration of many of the prejudices of the Anglophone perception of cultural history and in doing so opens to the reader a world of wonders: the allegorical dramas of Ireland and Belgrade; the arquebusier angels of Cuzco painting; the operas and festival music of Bolivia; the vertiginous architectural fantasies of the Jacobite exiles.
This challenging book also forces a reconsideration of many of the prejudices of the Anglophone perception of cultural history and in doing so opens to the reader a world of wonders: the allegorical dramas of Ireland and Belgrade; the arquebusier angels of Cuzco painting; the operas and festival music of Bolivia; the vertiginous architectural fantasies of the Jacobite exiles.
Über den Autor
Peter Davidson is Senior Research Fellow in Renaissance and Baroque Studies at Campion Hall, University of Oxford, and a member of the English Faculty
Inhaltsverzeichnis
Acknowledgments
List of Illustrations
Introduction
1. British Baroque
2. Hybridity; Mestizaje; Cultural bilinguality
3. The Shape of the Baroque World: Learning the Baroque.
Epilogue: Giardini Buonaccorsi, The Opera of S. Francisco Xavier
Bibliography
List of Illustrations
Introduction
1. British Baroque
2. Hybridity; Mestizaje; Cultural bilinguality
3. The Shape of the Baroque World: Learning the Baroque.
Epilogue: Giardini Buonaccorsi, The Opera of S. Francisco Xavier
Bibliography
Details
| Erscheinungsjahr: | 2018 |
|---|---|
| Genre: | Geschichte, Importe |
| Rubrik: | Geisteswissenschaften |
| Medium: | Taschenbuch |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9781526126931 |
| ISBN-10: | 1526126931 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Davidson, Peter |
| Hersteller: | Manchester University Press |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 234 x 156 x 12 mm |
| Von/Mit: | Peter Davidson |
| Erscheinungsdatum: | 08.06.2018 |
| Gewicht: | 0,351 kg |