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This is the follow-on text from The Twentieth-Century Performance Reader, which has been the key introductory text to all kinds of performance for over 20 years since it was first published in 1996. Contributions from new and emerging practitioners are placed alongside those of long-established individual artists and companies, representing the work of this century's leading practitioners through the voices of over 140 individuals. The contributors in this volume reflect the diverse and eclectic culture of practices that now make up the expanded field of performance, and their stories, reflections and working processes collectively offer a snapshot of contemporary artistic concerns. Many of the pieces have been specially commissioned for this edition and comprise a range of written forms - scholarly, academic, creative, interviews, diary entries, autobiographical, polemical and visual.
Ideal for university students and instructors, this volume's structure and global span invites readers to compare and cross-reference significant approaches outside of the constraints and simplifications of genre, encouraging cross-disciplinary understandings. For those who engage with new, live and innovative approaches to performance and the interplay of radical ideas, The Twenty-First Century Performance Reader is invaluable.
This is the follow-on text from The Twentieth-Century Performance Reader, which has been the key introductory text to all kinds of performance for over 20 years since it was first published in 1996. Contributions from new and emerging practitioners are placed alongside those of long-established individual artists and companies, representing the work of this century's leading practitioners through the voices of over 140 individuals. The contributors in this volume reflect the diverse and eclectic culture of practices that now make up the expanded field of performance, and their stories, reflections and working processes collectively offer a snapshot of contemporary artistic concerns. Many of the pieces have been specially commissioned for this edition and comprise a range of written forms - scholarly, academic, creative, interviews, diary entries, autobiographical, polemical and visual.
Ideal for university students and instructors, this volume's structure and global span invites readers to compare and cross-reference significant approaches outside of the constraints and simplifications of genre, encouraging cross-disciplinary understandings. For those who engage with new, live and innovative approaches to performance and the interplay of radical ideas, The Twenty-First Century Performance Reader is invaluable.
Teresa Brayshaw is Principal Lecturer in Performing Arts at Leeds Beckett University and works freelance as a Feldenkrais teacher, theatre practitioner and personal development coach in a range of international contexts. She co-edited the third edition of The Twentieth-Century Performance Reader.
Anna Fenemore is Associate Professor in Contemporary Theatre and Performance in the School of Performance and Cultural Industries at the University of Leeds. She is also Artistic Director of Manchester-based Pigeon Theatre.
Noel Witts is Emeritus Professor of Performing Arts at Leeds Beckett University, and a Professorial Fellow at Liverpool Hope University. He is the author of Tadeusz Kantor in the Routledge Performance Practitioners series, and co-editor of all three editions of The Twentieth-Century Performance Reader.
Acknowledgements
In Dialogue...
Introduction
- Action Hero
- Mohammad Aghebati
- Patricia Ariza
INTERVIEW - Back to Back Theatre
- Brett Bailey
- Dalia Basiouny
Jérôme Bel
- Blast Theory
- Tammy Brennan
- Tania Bruguera
- Builders Association
- Liu Chengrui
- Padmini Chettur
SOME THOUGHTS FOR THE FUTURE - Constantin Chiriac
- David Chisholm
- Clod Ensemble
María José Contreras
- Augusto Corriere
- Tim Crouch
Dah Theatre
Tess de Quincey
Derevo
- Dood Paard
- Every House Has A Door
- Eleonora Fabião
- Oliver Frlji¿
- Gecko
- GETINTHEBACKOFTHEVAN
- Gibson/Martelli
- Gob Squad
- Heiner Goebbels
AESTHETIC OF ABSENCE: HOW IT ALL BEGAN - Chris Goode
- Shirotama Hitsujiya
- Hotel Pro Forma
- Wendy Houstoun
- Imitating The Dog
- Hiwa K
INTERVIEW - La Fura dels Baus
- Lone Twin
- Silvia Mercuriali
- Monster Truck
- Needcompany
INTERVIEW - New Art Club
- Kira O¿Reilly
- Oblivia
Toshiki Okada
- Ontroerend Goed
- Mike Pearson
- Michael Pinchbeck
- Punchdrunk
- Silviu Purc¿rete
- Quarantine
- Reckless Sleepers
- Ridiculusmus
- Rimini Protokoll
- Farah Saleh
- Peter Sellars
INTERVIEW - Shunt
- Agata Siniarska
- Deepan Sivaraman
- Sleepwalk Collective
- Andy Smith
Socìetas Raffaello Sanzio
- Junnosuke Tada
INTERVIEW - Third Angel
TESTING THE HYPOTHESIS - Ultima Vez
INTERVIEW - Unlimited
AM I DEAD YET? - Sankar Venkateswaran
THEATRE OF THE MIND - Dries Verhoeven
INTERVIEW - Vincent Dance Theatre
THE ART OF NOT LOOKING BACK / MOTHERLAND - Aaron Williamson
DEMONSTRATING THE WORLD ¿ A PUBLIC INTERVENTION PERFORMANCE - Xing Xin
INTERVIEW - Andriy Zholdak
THEORY / LECTURES OF ANDRIY ZHOLDAK
WHAT¿S LOVE GOT TO DO WITH IT? GEMMA AND JAMES AND ACTION HERO
INTERVIEW
ON MAKING THEATRE
INTERVIEW
PERFORMANCE THROUGH THE EGYPTIAN REVOLUTION: STORIES FROM TAHRIR
INTERVIEW
ULRIKE AND EAMON COMPLIANT: ARTISTS¿ STATEMENT
CONFINED: STAGING/IMAGE MOMENTS
INTERVIEW
MARIANNE WEEMS IN CONVERSATION WITH ELEANOR BISHOP
A SELECTION OF ACTIONS
INTERVIEW
THE MEMORY OF REMEMBERING: EXOMOLOGESIS AND EXAGOREUSIS IN THE EXPERIMENT
CLOD ENSEMBLE: PERFORMING MEDICINE
THE BODY OF MEMORY: MARIA JOSE CONTRERAS¿ PERFORMANCE PRACTICES IN THE CHILEAN TRANSITION
A CONJURING ACT IN THE FORM OF AN INTERVIEW
INTERVIEW
SOME THOUGHTS ON THE QUALITY OF ATTENTION
A FUTURE BODY
ENDLESS DEATH SHOW
ABOUT US
FROM ONE MEANING TO ANOTHER
THINGS THAT MUST BE DONE SERIES
INTERVIEW
AN ORGANIC JOURNEY
MAKING THINGS WORSE
THE FIFTH WALL
ON PARTICIPATION
THE CAT TEST
INTERVIEW
PERFORMANCE AS AN INVESTIGATION OF THE WORLD
SOME BODY AND NO BODY: THE BODY OF A PERFORMER
THEATRICALISING CINEMA/SCREENING THEATRE
INTERVIEW
INTERVIEW
INTERVIEW
BUT THE WHORES ALWAYS LOVED ME
HOW WE SET OUT TO MAKE A PIECE ABOUT CONTROVERSIAL WORKS OF ART AND ENDED UP GETTING NAKED AND TALKING ABOUT HOW WE FEEL ABOUT OUR BODIES
THE ART OF KIRA O¿REILLY
TIME STOPPER
INTERVIEW
PERSONAL TRILOGY: THE SMILE OFF YOUR FACE, INTERNAL & GAME OF YOU
BUBBLING TOM
THIS IS A LOVE LETTER
INTERVIEW
WHERE ARE YOUR TRAINING GROUNDS?
A SHOW OF HANDS
"MIDDLES" & "PHYSICS"
A CHAT ABOUT COMEDY
INTERVIEW
INTERVIEW
A PERFORMANCE COLLECTIVE
DO IT TO ME LIKE IN A REAL MOVIE: LECTURE PERFORMANCE
INTERVIEW
LOST IN THE FUNHOUSE, OR ALL YOU NEED TO MAKE A SHOW IS A GIRL AND A MICROPHONE
THIS IS IT: NOTES ON A DEMATERIALISED THEATRE
THE THEATRE IS NOT OUR HOME: A CONVERSATION ABOUT SPACE, STAGE AND AUDIENCE
Index
| Erscheinungsjahr: | 2019 |
|---|---|
| Genre: | Importe, Kunst |
| Rubrik: | Kunst & Musik |
| Medium: | Taschenbuch |
| Inhalt: | Einband - flex.(Paperback) |
| ISBN-13: | 9781138785342 |
| ISBN-10: | 1138785342 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Brayshaw, Teresa |
| Redaktion: |
Brayshaw, Teresa
Fenemore, Anna Witts, Noel |
| Hersteller: | Routledge |
| Verantwortliche Person für die EU: | Produktsicherheitsverantwortliche/r, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 246 x 174 x 35 mm |
| Von/Mit: | Teresa Brayshaw (u. a.) |
| Erscheinungsdatum: | 26.07.2019 |
| Gewicht: | 1,135 kg |
Teresa Brayshaw is Principal Lecturer in Performing Arts at Leeds Beckett University and works freelance as a Feldenkrais teacher, theatre practitioner and personal development coach in a range of international contexts. She co-edited the third edition of The Twentieth-Century Performance Reader.
Anna Fenemore is Associate Professor in Contemporary Theatre and Performance in the School of Performance and Cultural Industries at the University of Leeds. She is also Artistic Director of Manchester-based Pigeon Theatre.
Noel Witts is Emeritus Professor of Performing Arts at Leeds Beckett University, and a Professorial Fellow at Liverpool Hope University. He is the author of Tadeusz Kantor in the Routledge Performance Practitioners series, and co-editor of all three editions of The Twentieth-Century Performance Reader.
Acknowledgements
In Dialogue...
Introduction
- Action Hero
- Mohammad Aghebati
- Patricia Ariza
INTERVIEW - Back to Back Theatre
- Brett Bailey
- Dalia Basiouny
Jérôme Bel
- Blast Theory
- Tammy Brennan
- Tania Bruguera
- Builders Association
- Liu Chengrui
- Padmini Chettur
SOME THOUGHTS FOR THE FUTURE - Constantin Chiriac
- David Chisholm
- Clod Ensemble
María José Contreras
- Augusto Corriere
- Tim Crouch
Dah Theatre
Tess de Quincey
Derevo
- Dood Paard
- Every House Has A Door
- Eleonora Fabião
- Oliver Frlji¿
- Gecko
- GETINTHEBACKOFTHEVAN
- Gibson/Martelli
- Gob Squad
- Heiner Goebbels
AESTHETIC OF ABSENCE: HOW IT ALL BEGAN - Chris Goode
- Shirotama Hitsujiya
- Hotel Pro Forma
- Wendy Houstoun
- Imitating The Dog
- Hiwa K
INTERVIEW - La Fura dels Baus
- Lone Twin
- Silvia Mercuriali
- Monster Truck
- Needcompany
INTERVIEW - New Art Club
- Kira O¿Reilly
- Oblivia
Toshiki Okada
- Ontroerend Goed
- Mike Pearson
- Michael Pinchbeck
- Punchdrunk
- Silviu Purc¿rete
- Quarantine
- Reckless Sleepers
- Ridiculusmus
- Rimini Protokoll
- Farah Saleh
- Peter Sellars
INTERVIEW - Shunt
- Agata Siniarska
- Deepan Sivaraman
- Sleepwalk Collective
- Andy Smith
Socìetas Raffaello Sanzio
- Junnosuke Tada
INTERVIEW - Third Angel
TESTING THE HYPOTHESIS - Ultima Vez
INTERVIEW - Unlimited
AM I DEAD YET? - Sankar Venkateswaran
THEATRE OF THE MIND - Dries Verhoeven
INTERVIEW - Vincent Dance Theatre
THE ART OF NOT LOOKING BACK / MOTHERLAND - Aaron Williamson
DEMONSTRATING THE WORLD ¿ A PUBLIC INTERVENTION PERFORMANCE - Xing Xin
INTERVIEW - Andriy Zholdak
THEORY / LECTURES OF ANDRIY ZHOLDAK
WHAT¿S LOVE GOT TO DO WITH IT? GEMMA AND JAMES AND ACTION HERO
INTERVIEW
ON MAKING THEATRE
INTERVIEW
PERFORMANCE THROUGH THE EGYPTIAN REVOLUTION: STORIES FROM TAHRIR
INTERVIEW
ULRIKE AND EAMON COMPLIANT: ARTISTS¿ STATEMENT
CONFINED: STAGING/IMAGE MOMENTS
INTERVIEW
MARIANNE WEEMS IN CONVERSATION WITH ELEANOR BISHOP
A SELECTION OF ACTIONS
INTERVIEW
THE MEMORY OF REMEMBERING: EXOMOLOGESIS AND EXAGOREUSIS IN THE EXPERIMENT
CLOD ENSEMBLE: PERFORMING MEDICINE
THE BODY OF MEMORY: MARIA JOSE CONTRERAS¿ PERFORMANCE PRACTICES IN THE CHILEAN TRANSITION
A CONJURING ACT IN THE FORM OF AN INTERVIEW
INTERVIEW
SOME THOUGHTS ON THE QUALITY OF ATTENTION
A FUTURE BODY
ENDLESS DEATH SHOW
ABOUT US
FROM ONE MEANING TO ANOTHER
THINGS THAT MUST BE DONE SERIES
INTERVIEW
AN ORGANIC JOURNEY
MAKING THINGS WORSE
THE FIFTH WALL
ON PARTICIPATION
THE CAT TEST
INTERVIEW
PERFORMANCE AS AN INVESTIGATION OF THE WORLD
SOME BODY AND NO BODY: THE BODY OF A PERFORMER
THEATRICALISING CINEMA/SCREENING THEATRE
INTERVIEW
INTERVIEW
INTERVIEW
BUT THE WHORES ALWAYS LOVED ME
HOW WE SET OUT TO MAKE A PIECE ABOUT CONTROVERSIAL WORKS OF ART AND ENDED UP GETTING NAKED AND TALKING ABOUT HOW WE FEEL ABOUT OUR BODIES
THE ART OF KIRA O¿REILLY
TIME STOPPER
INTERVIEW
PERSONAL TRILOGY: THE SMILE OFF YOUR FACE, INTERNAL & GAME OF YOU
BUBBLING TOM
THIS IS A LOVE LETTER
INTERVIEW
WHERE ARE YOUR TRAINING GROUNDS?
A SHOW OF HANDS
"MIDDLES" & "PHYSICS"
A CHAT ABOUT COMEDY
INTERVIEW
INTERVIEW
A PERFORMANCE COLLECTIVE
DO IT TO ME LIKE IN A REAL MOVIE: LECTURE PERFORMANCE
INTERVIEW
LOST IN THE FUNHOUSE, OR ALL YOU NEED TO MAKE A SHOW IS A GIRL AND A MICROPHONE
THIS IS IT: NOTES ON A DEMATERIALISED THEATRE
THE THEATRE IS NOT OUR HOME: A CONVERSATION ABOUT SPACE, STAGE AND AUDIENCE
Index
| Erscheinungsjahr: | 2019 |
|---|---|
| Genre: | Importe, Kunst |
| Rubrik: | Kunst & Musik |
| Medium: | Taschenbuch |
| Inhalt: | Einband - flex.(Paperback) |
| ISBN-13: | 9781138785342 |
| ISBN-10: | 1138785342 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Brayshaw, Teresa |
| Redaktion: |
Brayshaw, Teresa
Fenemore, Anna Witts, Noel |
| Hersteller: | Routledge |
| Verantwortliche Person für die EU: | Produktsicherheitsverantwortliche/r, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 246 x 174 x 35 mm |
| Von/Mit: | Teresa Brayshaw (u. a.) |
| Erscheinungsdatum: | 26.07.2019 |
| Gewicht: | 1,135 kg |
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