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"The Song of Everlasting Sorrow" follows the adventures of Wang Qiyao, a girl born of the crowded, labyrinthine alleys of Shanghai's working-class neighborhoods. Infatuated with the glitz and glamour of 1940s Hollywood, Wang Qiyao seeks fame in the Miss Shanghai beauty pageant, and this fleeting moment of stardom becomes the pinnacle of her life. After the Communist victory, Wang Qiyao continues to indulge in the decadent pleasures of the Shanghai bourgeoisie, secretly playing mahjong during the antirightist campaign and exchanging lovers on the eve of the Cultural Revolution. She reemerges in the 1980s as a purveyor of "old Shanghai," only to become embroiled in a tragedy that echoes the Hollywood noirs of her youth.
"The Song of Everlasting Sorrow" follows the adventures of Wang Qiyao, a girl born of the crowded, labyrinthine alleys of Shanghai's working-class neighborhoods. Infatuated with the glitz and glamour of 1940s Hollywood, Wang Qiyao seeks fame in the Miss Shanghai beauty pageant, and this fleeting moment of stardom becomes the pinnacle of her life. After the Communist victory, Wang Qiyao continues to indulge in the decadent pleasures of the Shanghai bourgeoisie, secretly playing mahjong during the antirightist campaign and exchanging lovers on the eve of the Cultural Revolution. She reemerges in the 1980s as a purveyor of "old Shanghai," only to become embroiled in a tragedy that echoes the Hollywood noirs of her youth.
Michael Berry is associate professor of contemporary Chinese cultural studies at the University of California, Santa Barbara. He is the translator of several novels and the author of Jia Zhangke's Hometown Trilogy, A History of Pain: Trauma in Modern Chinese Literature and Film, and Speaking in Images: Interviews with Contemporary Chinese Filmmakers.
Susan Chan Egan, an independent scholar, is the author of A Latterday Confucian: Reminiscences of William Hung 1893-1980 and coauthor of A Pragmatist and His Free Spirit: The Half-Century Romance of Hu Shi and Edith Clifford Williams.
The Song of Everlasting Sorrow
Afterword, by Michael Berry
| Erscheinungsjahr: | 2008 |
|---|---|
| Genre: | Romane & Erzählungen |
| Rubrik: | Belletristik |
| Medium: | Buch |
| Seiten: | 456 |
| ISBN-13: | 9780231143424 |
| ISBN-10: | 0231143427 |
| Sprache: | Englisch |
| Einband: | Gebunden |
| Autor: | Wang, Anyi |
| Übersetzung: |
Berry, Michael
Egan, Susan Chan |
| Hersteller: | Columbia University Press |
| Maße: | 229 x 164 x 33 mm |
| Von/Mit: | Anyi Wang |
| Erscheinungsdatum: | 22.02.2008 |
| Gewicht: | 0,726 kg |
Michael Berry is associate professor of contemporary Chinese cultural studies at the University of California, Santa Barbara. He is the translator of several novels and the author of Jia Zhangke's Hometown Trilogy, A History of Pain: Trauma in Modern Chinese Literature and Film, and Speaking in Images: Interviews with Contemporary Chinese Filmmakers.
Susan Chan Egan, an independent scholar, is the author of A Latterday Confucian: Reminiscences of William Hung 1893-1980 and coauthor of A Pragmatist and His Free Spirit: The Half-Century Romance of Hu Shi and Edith Clifford Williams.
The Song of Everlasting Sorrow
Afterword, by Michael Berry
| Erscheinungsjahr: | 2008 |
|---|---|
| Genre: | Romane & Erzählungen |
| Rubrik: | Belletristik |
| Medium: | Buch |
| Seiten: | 456 |
| ISBN-13: | 9780231143424 |
| ISBN-10: | 0231143427 |
| Sprache: | Englisch |
| Einband: | Gebunden |
| Autor: | Wang, Anyi |
| Übersetzung: |
Berry, Michael
Egan, Susan Chan |
| Hersteller: | Columbia University Press |
| Maße: | 229 x 164 x 33 mm |
| Von/Mit: | Anyi Wang |
| Erscheinungsdatum: | 22.02.2008 |
| Gewicht: | 0,726 kg |
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