37,30 €
Versandkostenfrei per Post / DHL
Lieferzeit 1-2 Wochen
Predicting the importance of technology and images for the twenty-first century as early as the 1970s, Vilém Flusser warned, “the basic structure of our thinking is about to experience a mutation.” The bewitching images and screens that surround us could lead toward a centrally programmed, totalitarian society—or to another, better one characterized by dialogue and collaboration among humans and new forms of intelligence.
In this book on the idiosyncratic and prescient Czech-Brazilian philosopher, Martha Schwendener explores the profound effect of art on Flusser’s thought. The Society of the Screen reveals how Flusser’s lifelong engagement with experimental practices—from abstract painting and concrete poetry in Brazil to video, cybernetics, and photography in Europe and the United States—as well as his extensive involvement with the São Paulo Biennial informed his belief that we were moving from “history”—a civilization informed by linear writing—into “post-history,” dominated by technical images.
Schwendener documents the importance of Flusser’s correspondence and collaboration with artists like Mira Schendel, Fred Forest, Wen-Ying Tsai, Harun Farocki, Louis Bec, and Karl Gerstner for the evolution of his ideas.
Predicting the importance of technology and images for the twenty-first century as early as the 1970s, Vilém Flusser warned, “the basic structure of our thinking is about to experience a mutation.” The bewitching images and screens that surround us could lead toward a centrally programmed, totalitarian society—or to another, better one characterized by dialogue and collaboration among humans and new forms of intelligence.
In this book on the idiosyncratic and prescient Czech-Brazilian philosopher, Martha Schwendener explores the profound effect of art on Flusser’s thought. The Society of the Screen reveals how Flusser’s lifelong engagement with experimental practices—from abstract painting and concrete poetry in Brazil to video, cybernetics, and photography in Europe and the United States—as well as his extensive involvement with the São Paulo Biennial informed his belief that we were moving from “history”—a civilization informed by linear writing—into “post-history,” dominated by technical images.
Schwendener documents the importance of Flusser’s correspondence and collaboration with artists like Mira Schendel, Fred Forest, Wen-Ying Tsai, Harun Farocki, Louis Bec, and Karl Gerstner for the evolution of his ideas.
1 Land of the Future
2 Cybernetic Feedback and Television Screens
3 Knots, Nodes, and Technical Images
4 Blue Dogs and Bio-Machines
5 Design and Deception
Chamber Music
Acknowledgments
Notes
Index
| Erscheinungsjahr: | 2026 |
|---|---|
| Genre: | Importe, Philosophie |
| Rubrik: | Geisteswissenschaften |
| Medium: | Taschenbuch |
| Inhalt: | Einband - flex.(Paperback) |
| ISBN-13: | 9780262051224 |
| ISBN-10: | 0262051222 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Schwendener, Martha |
| Hersteller: | MIT Press Ltd |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 240 x 157 x 22 mm |
| Von/Mit: | Martha Schwendener |
| Erscheinungsdatum: | 17.03.2026 |
| Gewicht: | 0,812 kg |
Ähnliche Produkte
Lieferzeit 1-2 Werktage
Lieferzeit 4-7 Werktage
Lieferzeit 1-2 Wochen
Lieferzeit 1-2 Werktage
Lieferzeit 1-2 Werktage
Lieferzeit 4-7 Werktage
Lieferzeit 1-2 Werktage
Aktuell nicht verfügbar