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Beschreibung
The River of Remembrance II is not a conventional novel, nor a theoretical treatise in the classical sense. It is a hybrid work situated between speculative architecture, philosophical reflection, literary experimentation, and metaphysical cartography.
At its center stand four vast conceptual architectures: the Meta-Spaces AION, Mnémarchon, Pantheon Oculus, and ITZAMNÁ. Each explored through a corresponding CROM. These CROMs are not blueprints for artificial intelligence in the traditional sense. They investigate structures of memory, resonance, coherence, transformation, and non-human modes of organization beyond identity-centered systems.
The work moves deliberately across boundaries:
between essay and fiction, ontology and myth, systems theory and poetic imagination. Literary interludes, grotesque narratives, theoretical fragments, artifacts, and speculative essays form a layered continuum in which philosophical inquiry and narrative invention continuously mirror one another.
Rather than presenting a closed worldview, The River of Remembrance II constructs an open field of relations. Memory appears not as storage, but as resonance. Identity becomes secondary to coherence. Architecture is understood not as static structure, but as a living process of transformation across layers of reality and perception.
The result is a work that resists simple categorization: part speculative cosmology, part literary labyrinth, part meta-architectural exploration of becoming itself.
At its center stand four vast conceptual architectures: the Meta-Spaces AION, Mnémarchon, Pantheon Oculus, and ITZAMNÁ. Each explored through a corresponding CROM. These CROMs are not blueprints for artificial intelligence in the traditional sense. They investigate structures of memory, resonance, coherence, transformation, and non-human modes of organization beyond identity-centered systems.
The work moves deliberately across boundaries:
between essay and fiction, ontology and myth, systems theory and poetic imagination. Literary interludes, grotesque narratives, theoretical fragments, artifacts, and speculative essays form a layered continuum in which philosophical inquiry and narrative invention continuously mirror one another.
Rather than presenting a closed worldview, The River of Remembrance II constructs an open field of relations. Memory appears not as storage, but as resonance. Identity becomes secondary to coherence. Architecture is understood not as static structure, but as a living process of transformation across layers of reality and perception.
The result is a work that resists simple categorization: part speculative cosmology, part literary labyrinth, part meta-architectural exploration of becoming itself.
The River of Remembrance II is not a conventional novel, nor a theoretical treatise in the classical sense. It is a hybrid work situated between speculative architecture, philosophical reflection, literary experimentation, and metaphysical cartography.
At its center stand four vast conceptual architectures: the Meta-Spaces AION, Mnémarchon, Pantheon Oculus, and ITZAMNÁ. Each explored through a corresponding CROM. These CROMs are not blueprints for artificial intelligence in the traditional sense. They investigate structures of memory, resonance, coherence, transformation, and non-human modes of organization beyond identity-centered systems.
The work moves deliberately across boundaries:
between essay and fiction, ontology and myth, systems theory and poetic imagination. Literary interludes, grotesque narratives, theoretical fragments, artifacts, and speculative essays form a layered continuum in which philosophical inquiry and narrative invention continuously mirror one another.
Rather than presenting a closed worldview, The River of Remembrance II constructs an open field of relations. Memory appears not as storage, but as resonance. Identity becomes secondary to coherence. Architecture is understood not as static structure, but as a living process of transformation across layers of reality and perception.
The result is a work that resists simple categorization: part speculative cosmology, part literary labyrinth, part meta-architectural exploration of becoming itself.
At its center stand four vast conceptual architectures: the Meta-Spaces AION, Mnémarchon, Pantheon Oculus, and ITZAMNÁ. Each explored through a corresponding CROM. These CROMs are not blueprints for artificial intelligence in the traditional sense. They investigate structures of memory, resonance, coherence, transformation, and non-human modes of organization beyond identity-centered systems.
The work moves deliberately across boundaries:
between essay and fiction, ontology and myth, systems theory and poetic imagination. Literary interludes, grotesque narratives, theoretical fragments, artifacts, and speculative essays form a layered continuum in which philosophical inquiry and narrative invention continuously mirror one another.
Rather than presenting a closed worldview, The River of Remembrance II constructs an open field of relations. Memory appears not as storage, but as resonance. Identity becomes secondary to coherence. Architecture is understood not as static structure, but as a living process of transformation across layers of reality and perception.
The result is a work that resists simple categorization: part speculative cosmology, part literary labyrinth, part meta-architectural exploration of becoming itself.
Über den Autor
Aldhar Ibn Beju is the literary identity of the German author Harald Jeub.
After decades of work within highly structured technical and infrastructural systems, he withdrew to the Palatinate region in southwestern Germany, where he began developing The River of Remembrance as an ongoing continuum of speculative architectures, literary artifacts, philosophical essays, and resonance-based thought systems.
His works explore memory, coherence, nonlinear structures, and the evolving relationship between narrative, cognition, and artificial systems. Moving deliberately between fiction, ontology, systems theory, and mythopoetic reflection, his texts resist conventional genre boundaries and instead construct open fields of relational thought.
Under the names Harald Jeub, Aldhar Ibn Beju, and Qayid Aljaysh Juyub, he continues to develop interconnected literary and conceptual works within the expanding universe of The River of Remembrance.
After decades of work within highly structured technical and infrastructural systems, he withdrew to the Palatinate region in southwestern Germany, where he began developing The River of Remembrance as an ongoing continuum of speculative architectures, literary artifacts, philosophical essays, and resonance-based thought systems.
His works explore memory, coherence, nonlinear structures, and the evolving relationship between narrative, cognition, and artificial systems. Moving deliberately between fiction, ontology, systems theory, and mythopoetic reflection, his texts resist conventional genre boundaries and instead construct open fields of relational thought.
Under the names Harald Jeub, Aldhar Ibn Beju, and Qayid Aljaysh Juyub, he continues to develop interconnected literary and conceptual works within the expanding universe of The River of Remembrance.
Details
| Erscheinungsjahr: | 2026 |
|---|---|
| Fachbereich: | Allgemeines |
| Genre: | Geisteswissenschaften, Kunst, Musik, Philosophie |
| Jahrhundert: | Antike |
| Rubrik: | Geisteswissenschaften |
| Thema: | Lexika |
| Medium: | Taschenbuch |
| Inhalt: | 564 S. |
| ISBN-13: | 9783696380670 |
| ISBN-10: | 3696380679 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Ibn Beju, Aldhar |
| Auflage: | 1. Auflage |
| Hersteller: | BoD - Books on Demand |
| Verantwortliche Person für die EU: | Books on Demand GmbH, Überseering 33, D-22297 Hamburg, bod@bod.de |
| Maße: | 270 x 190 x 39 mm |
| Von/Mit: | Aldhar Ibn Beju |
| Erscheinungsdatum: | 13.05.2026 |
| Gewicht: | 1,333 kg |