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The rise of the modern art market in London
1850-1939
Taschenbuch von Anne Helmreich
Sprache: Englisch

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Beschreibung
The first study of how the art market developed in London and made the city the capital of the international trade in art.
The first study of how the art market developed in London and made the city the capital of the international trade in art.
Über den Autor
Pamela Fletcher is Associate Professor of Art History at Bowdoin College. Anne Helmreich is Senior Program Officer at the Getty Foundation
Inhaltsverzeichnis
Introduction. The state of the field - Pamela Fletcher and Anne Helmreich
I. Structures
1. 'Florid-looking speculators in Art and Virtu': the London picture trade c.1850 - Mark Westgarth
2. Shopping for art: the rise of the commercial art gallery, 1850s-90s - Pamela Fletcher
3. The Goupil Gallery at the intersection between London, Continent and Empire - Anne Helmreich
4. Marketing Post-Impressionism: Roger Fry's commercial exhibitions - Anna Greutzner Robins
5. Strategies of display and modes of consumption in London art galleries in the Inter-war years - Andrew Stephenson
II. Intersections
6. The art press and the art market: the art of promotion - Julie F. Codell
7. 'The Call of Commerce': The Studio magazine in the 1920s - Ysanne Holt
8. Decorative politics and direct pictures: Hugh Lane and the global art market, 1900-15 - Morna O'Neill
9. Matthew Smith, the Tate Gallery and the London art market - Alexandra MacGilp
III. Negotiations
10. Millais in the marketplace: the crisis of the late Fifties - Malcolm Warner
11. Branding the vision: William Holman Hunt and the Victorian art market -Brenda Rix
12. Negotiating a reputation: J.M. Whistler, D.G. Rossetti and the art market 1860-1900 - Patricia de Montfort
13. Home from home: some Australasian artists in London 1900-14 -Pamela Gerrish Nunn
Bibliography
Glossary
Index
Über den Autor
Pamela Fletcher is Associate Professor of Art History at Bowdoin College. Anne Helmreich is Senior Program Officer at the Getty Foundation
Inhaltsverzeichnis
Introduction. The state of the field - Pamela Fletcher and Anne Helmreich
I. Structures
1. 'Florid-looking speculators in Art and Virtu': the London picture trade c.1850 - Mark Westgarth
2. Shopping for art: the rise of the commercial art gallery, 1850s-90s - Pamela Fletcher
3. The Goupil Gallery at the intersection between London, Continent and Empire - Anne Helmreich
4. Marketing Post-Impressionism: Roger Fry's commercial exhibitions - Anna Greutzner Robins
5. Strategies of display and modes of consumption in London art galleries in the Inter-war years - Andrew Stephenson
II. Intersections
6. The art press and the art market: the art of promotion - Julie F. Codell
7. 'The Call of Commerce': The Studio magazine in the 1920s - Ysanne Holt
8. Decorative politics and direct pictures: Hugh Lane and the global art market, 1900-15 - Morna O'Neill
9. Matthew Smith, the Tate Gallery and the London art market - Alexandra MacGilp
III. Negotiations
10. Millais in the marketplace: the crisis of the late Fifties - Malcolm Warner
11. Branding the vision: William Holman Hunt and the Victorian art market -Brenda Rix
12. Negotiating a reputation: J.M. Whistler, D.G. Rossetti and the art market 1860-1900 - Patricia de Montfort
13. Home from home: some Australasian artists in London 1900-14 -Pamela Gerrish Nunn
Bibliography
Glossary
Index
Warnhinweis

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