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Cover: 9780123814609 | The Psychology of Music | Diana Deutsch | Taschenbuch | Englisch
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The Psychology of Music
Taschenbuch von Diana Deutsch
Sprache: Englisch

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Beschreibung
The aim of The Psychology of Music is to understand musical phenomena in terms of mental functions--to characterize the ways in which one perceives, remembers, creates, and performs music. Since The Psychology of Music was first published, the field has emerged from an interdisciplinary curiosity into a fully ramified subdiscipline of psychology due to several factors. The opportunity to generate, analyze, and transform sounds by computer is no longer limited to a few researchers with access to large multi-user facilities, but rather is available to individual investigators on a widespread basis. Second, dramatic advances in the field of neuroscience have profoundly influenced thinking about the way that music is processed in the brain. Third, collaborations between psychologists and musicians, which were evolving at the time the book was first written, are now quite common; to a large extent now speaking a common language and agreeing on basic philosophical issues. The Psychology of Music, 3e, has been completely revised to bring the reader the most up-to-date information, additional subject matter, and new contributors to incorporate all of these important variables. This newest edition is approximately 86% changed from the 2e, with three new chapters, 10 chapters by new authors, and all remaining chapters heavily revised. New chapters include Computational Models of Music Cognition and Music and Emotion. International contributors hail from the US, Canada, UK, France, Sweden, Germany, and the Netherlands.
The aim of The Psychology of Music is to understand musical phenomena in terms of mental functions--to characterize the ways in which one perceives, remembers, creates, and performs music. Since The Psychology of Music was first published, the field has emerged from an interdisciplinary curiosity into a fully ramified subdiscipline of psychology due to several factors. The opportunity to generate, analyze, and transform sounds by computer is no longer limited to a few researchers with access to large multi-user facilities, but rather is available to individual investigators on a widespread basis. Second, dramatic advances in the field of neuroscience have profoundly influenced thinking about the way that music is processed in the brain. Third, collaborations between psychologists and musicians, which were evolving at the time the book was first written, are now quite common; to a large extent now speaking a common language and agreeing on basic philosophical issues. The Psychology of Music, 3e, has been completely revised to bring the reader the most up-to-date information, additional subject matter, and new contributors to incorporate all of these important variables. This newest edition is approximately 86% changed from the 2e, with three new chapters, 10 chapters by new authors, and all remaining chapters heavily revised. New chapters include Computational Models of Music Cognition and Music and Emotion. International contributors hail from the US, Canada, UK, France, Sweden, Germany, and the Netherlands.
Inhaltsverzeichnis

1: The Perception of Musical Tones
2: Musical Timbre Perception
3: Perception of Singing
4: Intervals and Scales
5: Absolute Pitch
6: Grouping Mechanisms in Music
7: The Processing of Pitch Combinations
8: Computational Models of Music Cognition
9: Structure and Interpretation of Rhythm in Music
10: Music Performance: Movement and Coordination
11: Musical Development
12: Music and Cognitive Abilities
13: The Biological Foundations of Music: Insights from Congenital Amusia
14: Brain Plasticity Induced by Musical Training
15: Music and Emotion
16: Comparative Music Cognition: Cross-species and Cross-Cultural Studies
17: Psychologists and Musicians: Then and Now

Details
Erscheinungsjahr: 2012
Fachbereich: Theoretische Psychologie
Genre: Importe, Psychologie
Rubrik: Geisteswissenschaften
Medium: Taschenbuch
ISBN-13: 9780123814609
ISBN-10: 012381460X
Sprache: Englisch
Einband: Kartoniert / Broschiert
Redaktion: Deutsch, Diana
Auflage: 3rd edition
Hersteller: Elsevier Science
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 228 x 153 x 35 mm
Von/Mit: Diana Deutsch
Erscheinungsdatum: 13.11.2012
Gewicht: 1,272 kg
Artikel-ID: 124269770
Inhaltsverzeichnis

1: The Perception of Musical Tones
2: Musical Timbre Perception
3: Perception of Singing
4: Intervals and Scales
5: Absolute Pitch
6: Grouping Mechanisms in Music
7: The Processing of Pitch Combinations
8: Computational Models of Music Cognition
9: Structure and Interpretation of Rhythm in Music
10: Music Performance: Movement and Coordination
11: Musical Development
12: Music and Cognitive Abilities
13: The Biological Foundations of Music: Insights from Congenital Amusia
14: Brain Plasticity Induced by Musical Training
15: Music and Emotion
16: Comparative Music Cognition: Cross-species and Cross-Cultural Studies
17: Psychologists and Musicians: Then and Now

Details
Erscheinungsjahr: 2012
Fachbereich: Theoretische Psychologie
Genre: Importe, Psychologie
Rubrik: Geisteswissenschaften
Medium: Taschenbuch
ISBN-13: 9780123814609
ISBN-10: 012381460X
Sprache: Englisch
Einband: Kartoniert / Broschiert
Redaktion: Deutsch, Diana
Auflage: 3rd edition
Hersteller: Elsevier Science
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 228 x 153 x 35 mm
Von/Mit: Diana Deutsch
Erscheinungsdatum: 13.11.2012
Gewicht: 1,272 kg
Artikel-ID: 124269770
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