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The Politics of Opera in Handel's Britain
Taschenbuch von Thomas Mcgeary
Sprache: Englisch

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Beschreibung
Thomas McGeary's book explores the relationship between Italian opera and British partisan politics in the era of George Frideric Handel.
Thomas McGeary's book explores the relationship between Italian opera and British partisan politics in the era of George Frideric Handel.
Über den Autor
Thomas McGeary has written extensively about the reception of Italian opera in eighteenth-century Britain and his editions and translations of Arnold Schoenberg and Harry Partch received ASCAP-Deems Taylor awards. His research has been supported by fellowships from institutions including the Newberry Library/British Academy, the Paul Mellon Centre for British Art and the American Handel Society, and his articles on art, music and literature in eighteenth-century Britain have appeared in, among others, Music and Letters, the Journal of the Royal Musical Association, the Journal of Eighteenth-Century Studies, Early Music, Burlington Magazine and Philological Quarterly.
Inhaltsverzeichnis
1. Introduction; 2. Opera and political allegory: when is it an allegory? When is it political?; 3. Politics in the Royal Academy of Music; 4. The opera house, allegory, and the political opposition; 5. Handel's Second Academy; 6. Rival opera companies and Farinelli at the Court of Madrid; 7. Politics, theatre, and opera in the 1730s; 8. The opera stage as political history; Epilogue; Appendices: 1. Directors of the Royal Academy of Music; 2. Operas of the Royal Academy of Music; 3. Directors of the Opera of the Nobility; 4. Operas of the Opera of the Nobility; 5. Hanoverian celebratory pieces.
Details
Erscheinungsjahr: 2016
Genre: Musik
Rubrik: Kunst & Musik
Thema: Allg. Handbücher & Lexika
Medium: Taschenbuch
Seiten: 422
ISBN-13: 9781316620229
ISBN-10: 1316620220
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Mcgeary, Thomas
Hersteller: Cambridge University Press
Maße: 244 x 170 x 23 mm
Von/Mit: Thomas Mcgeary
Erscheinungsdatum: 23.03.2016
Gewicht: 0,724 kg
preigu-id: 103724330
Über den Autor
Thomas McGeary has written extensively about the reception of Italian opera in eighteenth-century Britain and his editions and translations of Arnold Schoenberg and Harry Partch received ASCAP-Deems Taylor awards. His research has been supported by fellowships from institutions including the Newberry Library/British Academy, the Paul Mellon Centre for British Art and the American Handel Society, and his articles on art, music and literature in eighteenth-century Britain have appeared in, among others, Music and Letters, the Journal of the Royal Musical Association, the Journal of Eighteenth-Century Studies, Early Music, Burlington Magazine and Philological Quarterly.
Inhaltsverzeichnis
1. Introduction; 2. Opera and political allegory: when is it an allegory? When is it political?; 3. Politics in the Royal Academy of Music; 4. The opera house, allegory, and the political opposition; 5. Handel's Second Academy; 6. Rival opera companies and Farinelli at the Court of Madrid; 7. Politics, theatre, and opera in the 1730s; 8. The opera stage as political history; Epilogue; Appendices: 1. Directors of the Royal Academy of Music; 2. Operas of the Royal Academy of Music; 3. Directors of the Opera of the Nobility; 4. Operas of the Opera of the Nobility; 5. Hanoverian celebratory pieces.
Details
Erscheinungsjahr: 2016
Genre: Musik
Rubrik: Kunst & Musik
Thema: Allg. Handbücher & Lexika
Medium: Taschenbuch
Seiten: 422
ISBN-13: 9781316620229
ISBN-10: 1316620220
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Mcgeary, Thomas
Hersteller: Cambridge University Press
Maße: 244 x 170 x 23 mm
Von/Mit: Thomas Mcgeary
Erscheinungsdatum: 23.03.2016
Gewicht: 0,724 kg
preigu-id: 103724330
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