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The themes of these essays emerge from and deepen discussions started in Voegelin's previous books, Listening to Noise and Silence and Sonic Possible Worlds. Continuing the methodological juxtaposition of phenomenology and logic and writing from close sonic encounters each represents a fragment of listening to a variety of sound works, to music, the acoustic environment and to poetry, to hear their possibilities and develop words for what appears impossible.
As fragments of writing they respond to ideas on geography and migration, bring into play formless subjectivities and trans-objective identities, and practice collectivity and a sonic cosmopolitanism through the hearing of shared volumes. They involve the unheard and the in-between to contribute to current discussions on new materialism, and perform vertical readings to reach the depth of sound.
The themes of these essays emerge from and deepen discussions started in Voegelin's previous books, Listening to Noise and Silence and Sonic Possible Worlds. Continuing the methodological juxtaposition of phenomenology and logic and writing from close sonic encounters each represents a fragment of listening to a variety of sound works, to music, the acoustic environment and to poetry, to hear their possibilities and develop words for what appears impossible.
As fragments of writing they respond to ideas on geography and migration, bring into play formless subjectivities and trans-objective identities, and practice collectivity and a sonic cosmopolitanism through the hearing of shared volumes. They involve the unheard and the in-between to contribute to current discussions on new materialism, and perform vertical readings to reach the depth of sound.
Light Song (A Text Score)
1. Introduction: Writing Fragments
2. The Political Possibility of Sound
3. Hearing Volumes: Architecture, Light and Words
4. Geographies of Sound: Performing Impossible Territories
5. Morality of the Invisible, Ethics of the Inaudible
6. Hearing Subjectivities: Bodies, Forms and Formlessness
7. Sonic Materialism: A Philosophy of Digging
8. Reading Fragments of Listening, Hearing Vertical Lines of Words
Putting on Lipstick (A Text Score)
Index
| Erscheinungsjahr: | 2018 |
|---|---|
| Genre: | Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Musiktheorie & Musiklehre |
| Medium: | Taschenbuch |
| Seiten: | 240 |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9781501312168 |
| ISBN-10: | 1501312162 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Voegelin, Salome |
| Hersteller: | Bloomsbury Publishing Plc |
| Maße: | 226 x 151 x 20 mm |
| Von/Mit: | Salome Voegelin |
| Erscheinungsdatum: | 01.11.2018 |
| Gewicht: | 0,373 kg |
Light Song (A Text Score)
1. Introduction: Writing Fragments
2. The Political Possibility of Sound
3. Hearing Volumes: Architecture, Light and Words
4. Geographies of Sound: Performing Impossible Territories
5. Morality of the Invisible, Ethics of the Inaudible
6. Hearing Subjectivities: Bodies, Forms and Formlessness
7. Sonic Materialism: A Philosophy of Digging
8. Reading Fragments of Listening, Hearing Vertical Lines of Words
Putting on Lipstick (A Text Score)
Index
| Erscheinungsjahr: | 2018 |
|---|---|
| Genre: | Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Musiktheorie & Musiklehre |
| Medium: | Taschenbuch |
| Seiten: | 240 |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9781501312168 |
| ISBN-10: | 1501312162 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Voegelin, Salome |
| Hersteller: | Bloomsbury Publishing Plc |
| Maße: | 226 x 151 x 20 mm |
| Von/Mit: | Salome Voegelin |
| Erscheinungsdatum: | 01.11.2018 |
| Gewicht: | 0,373 kg |
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