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The sonnet is one of the oldest and most enduring literary forms of the post-classical world, a meeting place of image and voice, passion and reason, elegy and ode. It is a form that both challenges and liberates the poet.
For this anthology, poet and scholar Phillis Levin has gathered more than 600 sonnets to tell the full story of the sonnet tradition in the English language. She begins with its Italian origins; takes the reader through its multifaceted development from the Elizabethan era to the Romantic and Victorian; demonstrates its popularity as a vehicle of protest among writers of the Harlem Renaissance and poets who served in the First World War; and explores its revival among modern and contemporary poets. In her vibrant introduction, Levin traces this history, discussing characteristic structures and shifting themes and providing illuminating readings of individual sonnets. She includes an appendix on structure, biographical notes, and valuable explanatory notes and indexes. And, through her narrative and wide-ranging selection of sonnets and sonnet sequences, she portrays not only the evolution of the form over half a millennium but also its dynamic possibilities.
The sonnet is one of the oldest and most enduring literary forms of the post-classical world, a meeting place of image and voice, passion and reason, elegy and ode. It is a form that both challenges and liberates the poet.
For this anthology, poet and scholar Phillis Levin has gathered more than 600 sonnets to tell the full story of the sonnet tradition in the English language. She begins with its Italian origins; takes the reader through its multifaceted development from the Elizabethan era to the Romantic and Victorian; demonstrates its popularity as a vehicle of protest among writers of the Harlem Renaissance and poets who served in the First World War; and explores its revival among modern and contemporary poets. In her vibrant introduction, Levin traces this history, discussing characteristic structures and shifting themes and providing illuminating readings of individual sonnets. She includes an appendix on structure, biographical notes, and valuable explanatory notes and indexes. And, through her narrative and wide-ranging selection of sonnets and sonnet sequences, she portrays not only the evolution of the form over half a millennium but also its dynamic possibilities.
Acknowledgments
Introduction
Proem
FRANCESCO PETRARCA (1304-1374):
from Canzoniere, 132
GEOFFREY CHAUCER (1343?-1400):
from Troilus and Criseyde,
Canticus Troili
SIR THOMAS WYATT (1503?-1542)
"The longe love, that in my thought doeth harbar"
"Who so list to hounte I know where is an hynde"
"Farewell, Love, and all thy lawes for ever"
"My galy chargèd with forgetfulnes"
"I find no peace, and all my war is done"
HENRY HOWARD, EARL OF SURREY (1517?-1547)"The soote season, that bud and blome furth bringes"
"Alas, so all thinges nowe doe holde their peace"
"I never saw you, madam, lay apart"
"Love that liveth and reigneth in my thought"
ANNE LOCKE (1533?-1595)
from A Meditation of a Penitent Sinner: Written in maner of a Paraphrase upon the 51 Psalme of David
"Loe prostrate, Lorde, before thy face I lye"
"But render me my wonted joyes againe"
GEORGE GASCOIGNE (1539-1578)
"That self-same tongue which first did thee entreat"
A Sonet written in prayse of the browne beautie
GILES FLETCHER THE ELDER (1549?-1611)
from Licia or Poems of Love
20. "First did I fear, when first my love began"
EDMUND SPENSER (1552?-1599)
from Amoretti
1. "Happy ye leaves when as those lilly hands"
8. "More then most faire, full of the living fire"
18. "The rolling wheele that runneth often round"
22. "This holy season fit to fast and pray"
23. "Penelope for her Ulisses' sake"
30. "My love is lyke to yse, and I to fyre"
37. "What guyle is this, that those her golden tresses"
45. "Leave, lady, in your glasse of christall clene"
67. "Lyke as a huntsman after weary chace"
68. "Most glorious Lord of lyfe that on this day"
71. "I joy to see how in your drawen work"
75. "One day I wrote her name upon the strand"
78. "Lackyng my love I go from place to place"
79. "Men call you fayre, and you doe credit it"
81. "Fayre is my love, when her fayre golden heares"
FULKE GREVILLE, LORD BROOKE (1554-1628)
from Cælica
38. "Cælica, I overnight was finely used"
39. "The nurse-life wheat, within his green husk growing"
100. "In night when colours all to black are cast"
SIR PHILIP SIDNEY (1554-1586)
from The Countess of Pembroke's Arcadia
"My true love hath my hart, and I have his"
from Astrophel and Stella
1. "Loving in truth, and faine in verse my love to show"
3. "Let daintie wits crie on the Sisters nine"
5. "It is most true that eyes are form'd to serve"
31. "With how sad steps, O Moone, thou climb'st the skies"
37."My mouth doth water, and my breast doth swell"
39. "Come sleepe, O sleepe, the certaine knot of peace"
41. "Having this day my horse, my hand, my launce"
47. "What, have I thus betrayed my libertie?"
49. "I on my horse, and Love on me doth trie"
54. "Because I breathe not love to everie one"
63. "O Grammer rules, O now your vertues show"
71. "Who will in fairest booke of Nature know"
73. "Love still a boy, and oft a wanton is"
90. "Stella, thinke not that I by verse seeke fame"
from Certaine Sonnets
"Leave me, O Love, which reachest but to dust"
SIR WALTER RALEGH (1554?-1618)
A vision upon This Conceipt of the Faery Queene
"A secret murder hath been done of late"
To His Son
THOMAS LODGE (1558-1625)
from Phillis: Honoured with Pastorall Sonnets, Elegies, and amorous delights
35. "I hope and feare, I pray and hould my peace"
GEORGE CHAPMAN (1559?-1634)
from A Coronet for his Mistress Philosophy
1. "Muses that sing Love's sensual empery"
HENRY CONSTABLE (1562-1613)
from Diana
"Needs must I leave, and yet needs must I love"
MARK ALEXANDER BOYD (1563-1601)
Sonet ("Fra banc to banc, fra wod to wod, I rin")
SAMUEL DANIEL (1563-1619)
from To Delia
34. "Looke, Delia, how wee steeme the half-blowne Rose"
49. "Care-charmer Sleepe, sonne of the sable Night"
50. "Let others sing of Knights and Palladines"
MICHAEL DRAYTON (1563-1631)
from Idea in Sixtie Three Sonnets
5. "Nothing but No and I, and I and No"
6. "How many paltry, foolish, painted things"
7. "Love, in a Humor, play'd the Prodigall"
15. His Remedie for Love
38. "Sitting alone, Love bids me goe and write"
61. "Since ther's no helpe, Come let us kisse and part"
JOHN DAVIES OF HEREFORD (C. 1563?-1618)
"Some blaze the precious beauties of their loves"
"Although we do not all the good we love"
The author loving these homely meats specially, viz.: cream, pancakes, buttered pippin-pies, &c.
CHARLES BEST (D. 1602)
Of the Moon
WILLIAM SHAKESPEARE (1564-1616)
from Love's Labour's Lost
"Did not the heavenly rhetoric of thine eye"
from Romeo and Juliet
"If I profane with my unworthiest hand"
from Sonnets
1. "From fairest creatures we desire increase"
3. "Look in thy glass, and tell the face thou viewest"
13. "O, that you were yourself, but, love, you are"
18. "Shall I compare thee to a summer's day?"
19. "Devouring Time, blunt thou the lion's paws"
20. "A woman's face, with Nature's own hand painted"
24. "Mine eye hath played the painter and hath stelled"
27. "Weary with toil, I haste me to my bed"
29. "When, in disgrace with Fortune and men's eyes"
53. "What is your substance, whereof are you made"
55. "Not marble nor the gilded monuments"
57. "Being your slave, what should I do but tend"
60. "Like as the waves make towards the pebbled shore"
65. "Since brass, nor stone, nor earth, nor boundless sea"
71. "No longer mourn for me when I am dead"
73. "That time of year thou mayst in me behold"
94. "They that have pow'r to hurt and will do none"
105. "Let not my love be called idolatry"
106. "When in the chronicle of wasted time"
116. "Let me not to the marriage of true minds"
127. "In the old age black was not counted fair"
128. "How oft, when thou, my music, music play'st"
129. "Th' expense of spirit in a waste of shame"
130. "My mistress' eyes are nothing like the sun"
134. "So, now I have confessed that he is thine"
138. "When my love swears that she is made of truth"
141. "In faith, I do not love thee with mine eyes"
144. "Two loves I have, of comfort and despair"
146. "Poor soul, the center of my sinful earth"
147. "My love is as a fever, longing still"
151. "Love is too young to know what conscience is"
JAMES I (1566-1625)
An Epitaph on Sir Philip Sidney
SIR JOHN DAVIES (1569-1626)
from Gullinge Sonnets
5. "Mine Eye, myne eare, my will, my witt, my harte"
"If you would know the love which I you bear"
JOHN DONNE (1572-1631)
La Corona
1. "Deign at my hands this crown of prayer and praise"
2. Annunciation
3. Nativity
4. Temple
5. Crucifying
6. Resurrection
7. Ascension
from Holy Sonnets
1. "Thou hast made me, and shall thy work decay"
5. "I am a little world made cunningly"
6. "This is my play's last scene, here heavens appoint"
7. "At the round earth's imagined corners, blow"
10. "Death be not proud, though some have called thee"
13. "What if this present were the world's last night?"
14. "Batter my heart, three-personed God; for, you"
18. "Show me dear Christ, thy spouse, so bright and clear"
19. "Oh, to vex me, contraries meet in one"
Sonnet. The Token
BEN JONSON (1572?-1637)
A Sonnet to the Noble Lady, the Lady Mary Wroth
LORD HERBERT OF CHERBURY (1583-1648)
"Sonnet to Black It Self"
WILLIAM DRUMMOND OF HAWTHORNDEN (1585-1649)
"I know that all beneath the moon decays"
"Sleep, Silence' child, sweet father of soft rest"
LADY MARY WROTH (1587?-1652?)
from Pamphilia to Amphilanthus
A crowne of Sonetts dedicated to Love
ROBERT HERRICK (1591-1674)
To his mistress objecting to him neither toying nor talking
To his ever-loving God
GEORGE HERBERT (1593-1633)
Two Sonnets Sent to His Mother, New-Year 1609/10
Redemption
Prayer
Love (I)
The Sonne
The H. Scriptures (I)
The H. Scriptures (II)
JOHN MILTON (1608-1674)
O Nightingale!
How Soon Hath Time
To Mr. H. Lawes, On His Airs
On the Detraction Which Followed Upon My Writing Certain Treatises
On the New Forcers of Conscience Under the Long Parliament
To the Lord General Cromwell
On the Late Massacre in Piedmont
"When I consider how my light is spent"
"Methought I saw my late espousèd Saint"
CHARLES COTTON (1630-1687)
Resolution in Four Sonnets, of a Poetical Question Put to Me by a Friend, Concerning Four Rural Sisters
THOMAS GRAY (1716-1771)
On the Death of Mr. Richard West
THOMAS WARTON, THE YOUNGER (1728-1790)
To the River Lodon
ANNA SEWARD (1747-1809)
To Mr. Henry Cary, on the Publication of His Sonnets
CHARLOTTE SMITH (1749-1806)
To the Moon
To Sleep
Written Near a Port on a Dark Evening
WILLIAM BLAKE (1757-1827)
To the Evening Star
ROBERT BURNS (1759-1796)
A Sonnet upon Sonnets
THOMAS RUSSELL (1762-1788)
To the Spider
ELIZABETH COBBOLD (1767-1824)
from Sonnets of Laura
I. Reproach
WILLIAM WORDSWORTH (1770-1850)
"Nuns fret not at their convent's narrow room"
Composed upon Westminster Bridge, September 3, 1802
"The world is too much with us; late and soon"
"It is a beauteous evening, calm and free"
from Sonnets Dedicated to Liberty
To Toussaint L'Ouverture
London, 1802
"It is no Spirit who from heaven hath flown"
"Surprised by joy-impatient as the wind"
from...
| Empfohlen (von): | 18 |
|---|---|
| Erscheinungsjahr: | 2001 |
| Genre: | Importe |
| Rubrik: | Belletristik |
| Medium: | Taschenbuch |
| Inhalt: | Einband - flex.(Paperback) |
| ISBN-13: | 9780140589290 |
| ISBN-10: | 0140589295 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Various |
| Redaktion: | Levin, Phillis |
| Hersteller: | Penguin Publishing Group |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 229 x 152 x 28 mm |
| Von/Mit: | Various |
| Erscheinungsdatum: | 01.11.2001 |
| Gewicht: | 0,759 kg |