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Cover: 9780190618803 | The Oxford Handbook of Topic Theory | Danuta Mirka | Taschenbuch
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The Oxford Handbook of Topic Theory
Taschenbuch von Danuta Mirka
Sprache: Englisch

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Beschreibung
The concept of musical topics describes the aural cross-references between styles and genres. The Oxford Handbook of Topic Theory grounds this concept in eighteenth-century music theory, aesthetics, and criticism, while also documenting historical reality of individual topics.
The concept of musical topics describes the aural cross-references between styles and genres. The Oxford Handbook of Topic Theory grounds this concept in eighteenth-century music theory, aesthetics, and criticism, while also documenting historical reality of individual topics.
Über den Autor
Danuta Mirka is Reader in Music at the University of Southampton. She is the co-editor, with Kofi Agawu, of Communication in Eighteenth-Century Music. Her books include The Sonoristic Structuralism of Krzysztof Penderecki and Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787-1791, which won the 2011 Wallace Berry Award from the Society for Music Theory.
Inhaltsverzeichnis
  • Introduction

  • Danuta Mirka

  • Section I. Origins and Distinctions

  • Chapter 1. Topics and Opera Buffa

  • Mary Hunter

  • Chapter 2. Symphonies and the Public Display of Topics

  • Elaine Sisman

  • Chapter 3. Topics in Chamber Music

  • Dean Sutcliffe

  • Section II. Contexts, Histories, Sources

  • Chapter 4. Music and Dance in the Ancien Régime

  • Lawrence Zbikowski

  • Chapter 5. Ballroom Dances of the Late Eighteenth Century

  • Eric McKee

  • Chapter 6. Hunt, Military, and Pastoral Topics

  • Andrew Haringer

  • Chapter 7. Turkish and Hungarian-Gypsy Styles

  • Catherine Mayes

  • Chapter 8. The Singing Style

  • Sarah Day-O'Connell

  • Chapter 9. Fantasia and Sensibility

  • Matthew Head

  • Chapter 10. Ombra and Tempesta

  • Clive McClelland

  • Chapter 11. Learned Style and Learned Styles

  • Keith Chapin

  • Chapter 12. The Brilliant Style

  • Roman Ivanovitch

  • Section III. Analysing Topics

  • Chapter 13. Topics and Meter

  • Danuta Mirka

  • Chapter 14. Topics and Harmonic Schemata: A Case from Beethoven

  • Vasili Byros

  • Chapter 15. Topics and Formal Functions: The Case of the Lament

  • William Caplin

  • Chapter 16. Topics and Tonal Processes

  • Joel Galand

  • Chapter 17. Topics and Form in Mozart's String Quintet in E flat major, K. 614/i

  • Kofi Agawu

  • Chapter 18. Topical Figurae: The Double Articulation of Topics

  • Stephen Rumph

  • Chapter 19. The Troping of Topics in Mozart's Instrumental Works

  • Robert Hatten

  • Section IV. Performing Topics

  • Chapter 20. Performing Topics in Mozart's Chamber Music with Piano

  • John Irving

  • Chapter 21. Recognizing Musical Topics vs. Executing Rhetorical Figures

  • Tom Beghin

  • Chapter 22. Eloquent Performance: The Pronuntiatio of Topics

  • Sheila Guymer

  • Section V. Listening to Topics

  • Chapter 23. Amateur Topical Competencies

  • Melanie Lowe

  • Chapter 24. Expectation, Musical Topics, and the Problem of Affective Differentiation

  • Elizabeth Hellmuth Margulis

  • Chapter 25. Listening to Topics in the Nineteenth Century

  • Julian Horton

Details
Erscheinungsjahr: 2016
Genre: Musik
Rubrik: Kunst & Musik
Thema: Musiktheorie & Musiklehre
Medium: Taschenbuch
Seiten: 712
ISBN-13: 9780190618803
ISBN-10: 0190618809
Sprache: Englisch
Einband: Kartoniert / Broschiert
Redaktion: Mirka, Danuta
Hersteller: Oxford University Press, USA
Maße: 244 x 172 x 40 mm
Von/Mit: Danuta Mirka
Erscheinungsdatum: 01.08.2016
Gewicht: 1,129 kg
preigu-id: 120655203
Über den Autor
Danuta Mirka is Reader in Music at the University of Southampton. She is the co-editor, with Kofi Agawu, of Communication in Eighteenth-Century Music. Her books include The Sonoristic Structuralism of Krzysztof Penderecki and Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787-1791, which won the 2011 Wallace Berry Award from the Society for Music Theory.
Inhaltsverzeichnis
  • Introduction

  • Danuta Mirka

  • Section I. Origins and Distinctions

  • Chapter 1. Topics and Opera Buffa

  • Mary Hunter

  • Chapter 2. Symphonies and the Public Display of Topics

  • Elaine Sisman

  • Chapter 3. Topics in Chamber Music

  • Dean Sutcliffe

  • Section II. Contexts, Histories, Sources

  • Chapter 4. Music and Dance in the Ancien Régime

  • Lawrence Zbikowski

  • Chapter 5. Ballroom Dances of the Late Eighteenth Century

  • Eric McKee

  • Chapter 6. Hunt, Military, and Pastoral Topics

  • Andrew Haringer

  • Chapter 7. Turkish and Hungarian-Gypsy Styles

  • Catherine Mayes

  • Chapter 8. The Singing Style

  • Sarah Day-O'Connell

  • Chapter 9. Fantasia and Sensibility

  • Matthew Head

  • Chapter 10. Ombra and Tempesta

  • Clive McClelland

  • Chapter 11. Learned Style and Learned Styles

  • Keith Chapin

  • Chapter 12. The Brilliant Style

  • Roman Ivanovitch

  • Section III. Analysing Topics

  • Chapter 13. Topics and Meter

  • Danuta Mirka

  • Chapter 14. Topics and Harmonic Schemata: A Case from Beethoven

  • Vasili Byros

  • Chapter 15. Topics and Formal Functions: The Case of the Lament

  • William Caplin

  • Chapter 16. Topics and Tonal Processes

  • Joel Galand

  • Chapter 17. Topics and Form in Mozart's String Quintet in E flat major, K. 614/i

  • Kofi Agawu

  • Chapter 18. Topical Figurae: The Double Articulation of Topics

  • Stephen Rumph

  • Chapter 19. The Troping of Topics in Mozart's Instrumental Works

  • Robert Hatten

  • Section IV. Performing Topics

  • Chapter 20. Performing Topics in Mozart's Chamber Music with Piano

  • John Irving

  • Chapter 21. Recognizing Musical Topics vs. Executing Rhetorical Figures

  • Tom Beghin

  • Chapter 22. Eloquent Performance: The Pronuntiatio of Topics

  • Sheila Guymer

  • Section V. Listening to Topics

  • Chapter 23. Amateur Topical Competencies

  • Melanie Lowe

  • Chapter 24. Expectation, Musical Topics, and the Problem of Affective Differentiation

  • Elizabeth Hellmuth Margulis

  • Chapter 25. Listening to Topics in the Nineteenth Century

  • Julian Horton

Details
Erscheinungsjahr: 2016
Genre: Musik
Rubrik: Kunst & Musik
Thema: Musiktheorie & Musiklehre
Medium: Taschenbuch
Seiten: 712
ISBN-13: 9780190618803
ISBN-10: 0190618809
Sprache: Englisch
Einband: Kartoniert / Broschiert
Redaktion: Mirka, Danuta
Hersteller: Oxford University Press, USA
Maße: 244 x 172 x 40 mm
Von/Mit: Danuta Mirka
Erscheinungsdatum: 01.08.2016
Gewicht: 1,129 kg
preigu-id: 120655203
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