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Mitchell Morris is Associate Professor of Musicology at UCLA; among his research interests are Russian & Soviet Music; 20th century American music; opera; gender & sexuality; psychoanalysis; problems of musical ethics; and ecocriticism. In addition to his scholarly work, he is also a frequent collaborator with the Los Angeles Opera.
- Introduction (Stacy Wolf)
- I. Historiography
- 1. Narratives and Values: Stories of the Musical (Mitchell Morris)
- 2. Texts and Authors (Jim Lovensheimer)
- 3. Marian Waltzes while Harold Marches: Musical Styles and Types in the American Musical (Paul Laird)
- 4. Evolution of Dance in the Golden Age of the American "Book Musical" (Liza Gennaro)
- II. Transformations
- 5. Minstrelsy and Theatrical Miscegenation (Thomas L. Riis)
- 6. Toward the First "Golden Age": Tin Pan Alley Songs on Stage and Screen before World War II (Raymond Knapp and Mitchell Morris)
- 7. Integration (Geoffrey Block)
- 8. After the "Golden Age" (Jessica Sternfeld and Elizabeth L. Wollman)
- III. Media
- 9. Theatre (Tamsen Wolff)
- 10. The Filmed Musical: Fissures and Fusions between Stage and Screen (Raymond Knapp and Mitchell Morris)
- 11. The Television Musical: Rodgers and Hammerstein's Cinderella (Robynn J. Stilwell)
- 12. The Animated Film Musical (Susan Smith)
- 13. Broadway on Records: The Evolution of the Original Cast Album (George Reddick)
- IV. Identities
- 14. Race, Ethnicity, Performance (Todd Decker)
- 15. Gender and Sexuality (Stacy Wolf)
- 16. The Politics of Region and Nation in American Musicals (Chase A. Bringardner)
- 17. Class and Culture (David Savran)
- V. Performance
- 18. Putting It Together: The Institutional Structure of the American Musical Theatre (David Sanjek)
- 19. Orchestration and Arrangement: Creating the Broadway Sound (Dominic Symonds)
- 20. "Razzle Dazzle 'Em": Musical Theatre Directors from Abbott to Zaks (Barbara Wallace Grossman)
- 21. What You See: Sets, Costumes, Lights, and Spectacle (Virginia Anderson)
- 22. Acting (John Clum)
- 23. Singing (Mitchell Morris and Raymond Knapp)
- 24. Dance and Choreography (Zachary Dorsey)
- VI. Audiences
- 25. Box Office (Steven Adler)
- 26. Audiences and Critics (Michelle Dvoskin)
- 27. Stars and Fans (Holley Replogle-Wong)
- 28. Knowing Your Audience: Community and High School Musical Theatre Production (Jennifer Chapman)
- 29. Performance, Authenticity, and the Reflexive Idealism of the American Musical (Raymond Knapp)
- Bibliography
| Erscheinungsjahr: | 2013 |
|---|---|
| Genre: | Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Allg. Handbücher & Lexika |
| Medium: | Taschenbuch |
| Inhalt: | Buch |
| ISBN-13: | 9780199987368 |
| ISBN-10: | 019998736X |
| Sprache: | Englisch |
| Ausstattung / Beilage: | Paperback |
| Einband: | Kartoniert / Broschiert |
| Autor: | Knapp, Raymond |
| Komponist: | Raymond Knapp_Mitchell Morris |
| Redaktion: | Wolf, Stacy |
| Hersteller: | Oxford University Press |
| Maße: | 244 x 170 x 26 mm |
| Von/Mit: | Stacy Wolf |
| Erscheinungsdatum: | 01.03.2013 |
| Gewicht: | 0,824 kg |
Mitchell Morris is Associate Professor of Musicology at UCLA; among his research interests are Russian & Soviet Music; 20th century American music; opera; gender & sexuality; psychoanalysis; problems of musical ethics; and ecocriticism. In addition to his scholarly work, he is also a frequent collaborator with the Los Angeles Opera.
- Introduction (Stacy Wolf)
- I. Historiography
- 1. Narratives and Values: Stories of the Musical (Mitchell Morris)
- 2. Texts and Authors (Jim Lovensheimer)
- 3. Marian Waltzes while Harold Marches: Musical Styles and Types in the American Musical (Paul Laird)
- 4. Evolution of Dance in the Golden Age of the American "Book Musical" (Liza Gennaro)
- II. Transformations
- 5. Minstrelsy and Theatrical Miscegenation (Thomas L. Riis)
- 6. Toward the First "Golden Age": Tin Pan Alley Songs on Stage and Screen before World War II (Raymond Knapp and Mitchell Morris)
- 7. Integration (Geoffrey Block)
- 8. After the "Golden Age" (Jessica Sternfeld and Elizabeth L. Wollman)
- III. Media
- 9. Theatre (Tamsen Wolff)
- 10. The Filmed Musical: Fissures and Fusions between Stage and Screen (Raymond Knapp and Mitchell Morris)
- 11. The Television Musical: Rodgers and Hammerstein's Cinderella (Robynn J. Stilwell)
- 12. The Animated Film Musical (Susan Smith)
- 13. Broadway on Records: The Evolution of the Original Cast Album (George Reddick)
- IV. Identities
- 14. Race, Ethnicity, Performance (Todd Decker)
- 15. Gender and Sexuality (Stacy Wolf)
- 16. The Politics of Region and Nation in American Musicals (Chase A. Bringardner)
- 17. Class and Culture (David Savran)
- V. Performance
- 18. Putting It Together: The Institutional Structure of the American Musical Theatre (David Sanjek)
- 19. Orchestration and Arrangement: Creating the Broadway Sound (Dominic Symonds)
- 20. "Razzle Dazzle 'Em": Musical Theatre Directors from Abbott to Zaks (Barbara Wallace Grossman)
- 21. What You See: Sets, Costumes, Lights, and Spectacle (Virginia Anderson)
- 22. Acting (John Clum)
- 23. Singing (Mitchell Morris and Raymond Knapp)
- 24. Dance and Choreography (Zachary Dorsey)
- VI. Audiences
- 25. Box Office (Steven Adler)
- 26. Audiences and Critics (Michelle Dvoskin)
- 27. Stars and Fans (Holley Replogle-Wong)
- 28. Knowing Your Audience: Community and High School Musical Theatre Production (Jennifer Chapman)
- 29. Performance, Authenticity, and the Reflexive Idealism of the American Musical (Raymond Knapp)
- Bibliography
| Erscheinungsjahr: | 2013 |
|---|---|
| Genre: | Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Allg. Handbücher & Lexika |
| Medium: | Taschenbuch |
| Inhalt: | Buch |
| ISBN-13: | 9780199987368 |
| ISBN-10: | 019998736X |
| Sprache: | Englisch |
| Ausstattung / Beilage: | Paperback |
| Einband: | Kartoniert / Broschiert |
| Autor: | Knapp, Raymond |
| Komponist: | Raymond Knapp_Mitchell Morris |
| Redaktion: | Wolf, Stacy |
| Hersteller: | Oxford University Press |
| Maße: | 244 x 170 x 26 mm |
| Von/Mit: | Stacy Wolf |
| Erscheinungsdatum: | 01.03.2013 |
| Gewicht: | 0,824 kg |
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