Jane Grant is an award-winning artist. She was co-creator of The Fragmented Orchestra with John Matthias and Nick Ryan, winner of the PRSF New Music Award in 2008. Her artwork Ghost was premiered at ISEA Istanbul 2011. Plasticity, a collaborative work with John Matthias, Kin, and Nick Ryan was at the BFI, onedotzero festival, and Google Campus, London. Grant, alongside Matthias, was commissioned to create the sonic artwork Fathom. Grant has recently been developing artworks in AR and immersive environments resulting in her new work Between Us with Magic Leap. Her current artworks are about desire, astrophysics, and haunting, including How to Disappear Completely.

John Matthias is an award-winning musician and composer and is currently Head of Research at dbs-i, an innovation lab in sound and music. As Associate Professor at The University of Plymouth, UK for 15 years, he was one of 14 PIs on the [...] million EU Marie Curie Project 'Cognovo', which explored

Cognitive Innovation from an interdisciplinary perspective and he has also initiated funded projects with The Wellcome Trust, Arts Council England, EPSRC and The PRS for Music Foundation. He has released seven albums via Accidental, Ninja Tune, Nonclassical, Village Green, Sony and Welfare State. He has collaborated with many artists including Radiohead (The Bends) and Coldcut (Man in a Garage) and has had his music remixed by many artists including Thom Yorke, Matthew Herbert and Jem Finer (The Pogues). In 2008 he won the UK PRS Foundation New Music Award (The 'Turner Prize for Music') with Jane Grant and Nick Ryan for 'The Fragmented Orchestra' which led to the development of The Neurogranular Sampler Audio Unit and the 'Plasticity' sound installation at the BFI and Google Campus Building, London. He has performed Internationally at many venues including The Royal Opera House London, The Centre Georges Pompidou (Paris) and Le Poisson Rouge (New York City) and has contributed music to 12 feature

film scores.

David Prior is a musician and artist. With Architect Frances Crow, he is a partner in liminal, a practice that explores the relationship between sound, listening, and space (liminal.org.uk). Prior is Professor of Music and Sound Art and Director of Research at Falmouth University.

• List of Contributors


• Introduction


• Jane Grant, John Matthias and David Prior


• Space


• 1. Keynote: Witnessing Space


• Andrea Polli


• 2. Danfo


• Emeka Ogboh


• 3. Felt Spaces


• Gernot Böhme


• 4. Sound in Mediated Space


• DooEun Choi


• 5. Inhabiting the Uninhabitable: atmospheres and boundaries as other worlds


• Jane Grant


• Time


• 6. Keynote: Sound and Time


• Christoph Cox


• 7. Now in the Network


• Michael Rofe


• 8. The Inter-human Cortex


• John Matthias


• 9. Space-Time and Integrated Systems


• Pasha Ian Clothier


• 10. Sound and Wonder: Siren, Ethnometric Museum and the sound art theatre of Ray Lee


• Ray Lee


• 11. The Art that is made out of Time


• Stephen Kennedy


• Things


• 12. Keynote: Sound and Thing


• Aden Evens


• 13. Sacrificial Floors and Tables: Making/ Unmaking Sound


• John Richards


• 14. The Unreliable Mediator: Loudspeakers in Sound Art


• David Prior


• 15. A New Materiality: Post Speaker Sound Art


• Fari Bradley


• 16. The Ding in Itself


• John Mowitt


• 17. Sound Art as Locative Narrative


• Emma Whittaker


• Fabric


• 18. Keynote: Sound is Silence


• Greg Hainge


• 19. Woven, torn and stitched: The fabrication of Sound


• Dugal McKinnon


• 20. 'And I listened to the whistlings and patterlings outside': Hearing the Wild Spaces as sound


• Angus Carlyle


• 21. Against a falling Fabric: Neoliberal Acousmatics


• Seth Kim-Cohen


• 22. Sound's Embrace: The Art of Building with Sound


• Frances Crow


• 23. Fukushima: Silences That Count


• Sophie Houdart


• Senses


• 24. Keynote: Sonic Sense: The Meaning of the Invisible


• Salomé Voegelin


• 25. Last Breath, Sensing Life


• Zeynep Bulut


• 26. Soundfullness (pitch black)


• Christof Migone


• 27. Chthonic: 72 hours below Earth day: the sensed, the remembered, the lost and the reconstructed


• Louise K. Wilson


• 28. An Experience of Listening


• Sue Denham and István Winkler


• 29. Intimate Listening


• Mark Paterson


• Relationality


• 30. Keynote: Relationality and Matrixal Listening


• Brandon Labelle


• 31. Composing Fragmented Relations with Materials, Locations and Archives


• Jen Southern and Samuel Thulin


• 32. Sound Art: Hearing in particular


• John Drever


• 33. The Sonic Undercommons: Sound Art in Radical Black Arts Traditions


• Gascia Ouzonian


• 34. The Sonic Color Line and the Listening Ear: Amplifying the Whiteness of Sound Art's


• Historiography


• Jennifer Lyn Stoever


• 35. A Social Sonic Paradigm: Sound Art in Southern Africa


• Tegan Bristow and Joao Orrechia


• 36. State Listening


• UltraRed


• Index