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- 1. Overview
- David Neumeyer
- PART 1: Film Music : Central Questions
- 2. Music and the Ontology of the Sound Film: The Classical Hollywood System
- James Buhler and David Neumeyer
- 3. Opera and Film
- Marcia Citron
- 4. Visual Representation of Film Sound as Analytical Tool
- Rick Altman
- 5. Film Music from the Perspective of Cognitive Science
- Annabel Cohen
- 6. Composing for Film: Hanns Eisler's Lifelong Film-Music Project
- Peter Schweinhardt and Johannes C. Gall, translated by Oliver Dahin
- 7. Ontological, Formal, and Critical Theories of Film Music and Sound
- James Buhler
- PART 2: Genre and Platform
- 8. Drawing a New Narrative for Cartoon Music
- Daniel Goldmark
- 9. Genre Theory and the Film Musical
- Cari McDonnell
- 10. "The Tunes They are a-Changing": Moments of Historical Rupture and Reconfiguration in the Production and Commerce of Music in Film
- Jeff Smith
- 11. The Compilation Soundtrack from the 1960s to the Present
- Julie Hubbert
- 12. The Origins of Musical Style in Video Games, 1977-1983
- Neil Lerner
- PART 3: Interpretative Theory and Practice
- 13. Classical Music, Virtual Bodies, Narrative Film
- Lawrence Kramer
- 14. Gender, Sexuality, and the Soundtrack
- James Buhler
- 15. Psychoanalysis, Apparatus Theory, and Subjectivity
- James Buhler
- 16. Case Studies: Introduction
- Robynn Stilwell
- 17. (Case Study 1) The Order of Sanctity: Sound, Sight, and Suasion in
- DeMille's The Ten Commandments
- Mitchell Morris
- 18. (Case Study 2) Strange Recognitions and Endless Loops: Music, Media, and Memory in Terry Gilliam's 12 Monkeys
- Julie McQuinn
- PART 4: Contemporary Approaches to Analysis
- 19. Transformational Theory and the Analysis of Film Music
- Scott Murphy
- 20. Listening in Film: Music/Film Temporality, Materiality and Memory
- Marianne Kielian-Gilbert
- 21. Auteurship and Agency in Television Music
- Ronald Rodman
- PART 5: Historical Issues
- 22. When the Music Surges: Melodrama and the Nineteenth-Century
- Theatrical Precedents for Film Music Style and Placement
- Michael Pisani
- 23. Audio-Visual Palimpsests: Resynchronizing Silent Films with "Special" Music
- Julie Brown
- 24. Performance Practices and Music in Early Cinema outside Hollywood
- Kathryn Kalinak
- 25. Performing Prestige: American Cinema Orchestras, 1910-1958
- Nathan Platte
| Erscheinungsjahr: | 2015 |
|---|---|
| Genre: | Importe, Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Musiktheorie & Musiklehre |
| Medium: | Taschenbuch |
| ISBN-13: | 9780190250591 |
| ISBN-10: | 0190250593 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Redaktion: | Neumeyer, David |
| Hersteller: | Oxford University Press |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 244 x 170 x 37 mm |
| Von/Mit: | David Neumeyer |
| Erscheinungsdatum: | 01.04.2015 |
| Gewicht: | 1,183 kg |
- 1. Overview
- David Neumeyer
- PART 1: Film Music : Central Questions
- 2. Music and the Ontology of the Sound Film: The Classical Hollywood System
- James Buhler and David Neumeyer
- 3. Opera and Film
- Marcia Citron
- 4. Visual Representation of Film Sound as Analytical Tool
- Rick Altman
- 5. Film Music from the Perspective of Cognitive Science
- Annabel Cohen
- 6. Composing for Film: Hanns Eisler's Lifelong Film-Music Project
- Peter Schweinhardt and Johannes C. Gall, translated by Oliver Dahin
- 7. Ontological, Formal, and Critical Theories of Film Music and Sound
- James Buhler
- PART 2: Genre and Platform
- 8. Drawing a New Narrative for Cartoon Music
- Daniel Goldmark
- 9. Genre Theory and the Film Musical
- Cari McDonnell
- 10. "The Tunes They are a-Changing": Moments of Historical Rupture and Reconfiguration in the Production and Commerce of Music in Film
- Jeff Smith
- 11. The Compilation Soundtrack from the 1960s to the Present
- Julie Hubbert
- 12. The Origins of Musical Style in Video Games, 1977-1983
- Neil Lerner
- PART 3: Interpretative Theory and Practice
- 13. Classical Music, Virtual Bodies, Narrative Film
- Lawrence Kramer
- 14. Gender, Sexuality, and the Soundtrack
- James Buhler
- 15. Psychoanalysis, Apparatus Theory, and Subjectivity
- James Buhler
- 16. Case Studies: Introduction
- Robynn Stilwell
- 17. (Case Study 1) The Order of Sanctity: Sound, Sight, and Suasion in
- DeMille's The Ten Commandments
- Mitchell Morris
- 18. (Case Study 2) Strange Recognitions and Endless Loops: Music, Media, and Memory in Terry Gilliam's 12 Monkeys
- Julie McQuinn
- PART 4: Contemporary Approaches to Analysis
- 19. Transformational Theory and the Analysis of Film Music
- Scott Murphy
- 20. Listening in Film: Music/Film Temporality, Materiality and Memory
- Marianne Kielian-Gilbert
- 21. Auteurship and Agency in Television Music
- Ronald Rodman
- PART 5: Historical Issues
- 22. When the Music Surges: Melodrama and the Nineteenth-Century
- Theatrical Precedents for Film Music Style and Placement
- Michael Pisani
- 23. Audio-Visual Palimpsests: Resynchronizing Silent Films with "Special" Music
- Julie Brown
- 24. Performance Practices and Music in Early Cinema outside Hollywood
- Kathryn Kalinak
- 25. Performing Prestige: American Cinema Orchestras, 1910-1958
- Nathan Platte
| Erscheinungsjahr: | 2015 |
|---|---|
| Genre: | Importe, Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Musiktheorie & Musiklehre |
| Medium: | Taschenbuch |
| ISBN-13: | 9780190250591 |
| ISBN-10: | 0190250593 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Redaktion: | Neumeyer, David |
| Hersteller: | Oxford University Press |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 244 x 170 x 37 mm |
| Von/Mit: | David Neumeyer |
| Erscheinungsdatum: | 01.04.2015 |
| Gewicht: | 1,183 kg |
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