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Beschreibung
Comprehensive, authoritative, and unique, The Oxford Guide to Film Studies is the up-to-date critical volume on the theories, debates, and approaches to the study of film. A host of international experts provide an overview of the main disciplinary approaches to film studies, an explanation of the main concepts and methods involved in film analysis, a survey of the main issues and debates in the study of film, and critical discussion of key areas.

The Guide features:

* Comprehensive coverage suitable for any course on cinema or film studies

* Organized into three sections: Approaches; Hollywood and the World; World Cinema

* An emphasis throughout on critical concepts, methods, and debates

* Specially commissioned chapters on such varied topics as film music, the Hollywood Star System, and the idea of national cinema

* Coverage dedicated to important new areas in film studies: gay and lesbian criticism, postcolonial theory, audience studies, post-classical Hollywood cinema, and cultural studies

* Chapters discussing exciting new developments in classical topics, such as Early Hollywood Cinema, Film History, and the avant-garde

* Illustrated throughout, and complete with `readings' designed to demonstrate the variety of theoretical approaches, chapter headings and summaries, guides to further reading, and `highlight' quotes

With its uniquely comprehensive coverage, The Oxford Guide to Film Studies is an indispensable aide and reference source for the student of film and media, and anyone interested in the study of cinema.
Comprehensive, authoritative, and unique, The Oxford Guide to Film Studies is the up-to-date critical volume on the theories, debates, and approaches to the study of film. A host of international experts provide an overview of the main disciplinary approaches to film studies, an explanation of the main concepts and methods involved in film analysis, a survey of the main issues and debates in the study of film, and critical discussion of key areas.

The Guide features:

* Comprehensive coverage suitable for any course on cinema or film studies

* Organized into three sections: Approaches; Hollywood and the World; World Cinema

* An emphasis throughout on critical concepts, methods, and debates

* Specially commissioned chapters on such varied topics as film music, the Hollywood Star System, and the idea of national cinema

* Coverage dedicated to important new areas in film studies: gay and lesbian criticism, postcolonial theory, audience studies, post-classical Hollywood cinema, and cultural studies

* Chapters discussing exciting new developments in classical topics, such as Early Hollywood Cinema, Film History, and the avant-garde

* Illustrated throughout, and complete with `readings' designed to demonstrate the variety of theoretical approaches, chapter headings and summaries, guides to further reading, and `highlight' quotes

With its uniquely comprehensive coverage, The Oxford Guide to Film Studies is an indispensable aide and reference source for the student of film and media, and anyone interested in the study of cinema.
Über den Autor
John Hill is Senior Lecturer at the Department of Media and Performance Studies at the University of Ulster at Coleraine

Pamela Church Gibson is a Senior Lecturer in Contextual and Cultural Studies at the London College of Fashion, a constituent college of the London Institute

CONSULTANT EDITORS:
Richard Dyer is Professor of Film Studies at the University of Warwick

E. Ann Kaplan teaches in the Department of English at the Humanities Institute at Stony Brook, New York

Paul Willemen is Professor, Department of Media Studies, Napier University, Edinburgh
Inhaltsverzeichnis
  • General Introduction
  • PART ONE: CRITICAL APPROACHES
  • 1: Richard Dyer: Introduction to Film Studies
  • STUDYING THE FILM TEXT
  • 2: Robert Phillip Kolker: The Film Text and Film Form
  • 3: Paul McDonald: Film Acting
  • 4: Pamela Church Gibson: Film Costume
  • 5: Claudia Gorbman: Film Music
  • THE FILM TEXT: THEORETICAL DEVELOPMENTS
  • 6: Anthony Easthope: Classic Film Theory and Semiotics
  • 7: Ian Christie: Formalism and Neo-formalism
  • 8: Robert B Ray: Impressionism, Surrealism, and Film Theory
  • 9: Barbara Creed: Film and Psychoanalysis
  • 10: Peter Brunette: Post-Structuralism and Deconstruction
  • 11: John Hill: Film and Postmodernism
  • FILM TEXT AND CONTEXT: GENDER, IDEOLOGY, AND IDENTITIES
  • 12: Chuck Kleinhans: Marxism and Film
  • 13: Patricia White: Feminism and Film
  • 14: Anneke Smelik: Gay and Lesbian Criticism
  • 15: Alexander Doty: Queer Theory
  • 16: Laura Kipnis: Pornography
  • 17: Robyn Wiegman: Race, Ethnicity, and Film
  • 18: Ray Chow: Film and Cultural Identity
  • FILM TEXT AND CONTEXT: CULTURE, HISTORY, AND RECEPTION
  • 19: Dudley Andrew: Film and History
  • 20: Andrew Tudor: Sociology and Film
  • 21: Graeme Turner: Cultural Studies and Film
  • 22: Jostein Gripsrud: Film Audiences
  • 23: Noel King: Hermeneutics, Reception Aesthetics, and Film Interpretation
  • PART TWO: AMERICAN CINEMA AND HOLLYWOOD: CRITICAL APPROACHES.
  • AMERICAN CINEMA: HISTORY, INDUSTRY, AND INTERPRETATION
  • 1: John Belton: American Cinema and Film History
  • 2: Duncan Petrie: History and Cinema Technology
  • 3: Douglas Gomery: Hollywood as Industry
  • 4: Tom Gunning: Early American Film
  • 5: E. Ann Kaplan: Classical Hollywood Film and Melodrama
  • 6: Peter ???: Post-classical Hollywood
  • CRITICAL CONCEPTS
  • 7: Stephen Crofts: Authorship and Hollywood
  • 8: Tom Ryall: Genre and Hollywood
  • 9: Jeremy G. Butler: The Star System and Hollywood
  • POLITICS AND SOCIETY
  • 10: Douglas Kellner: Hollywood Film and Society
  • 11: Albert Moran: Film Policy: Hollywood and Beyond
  • 12: Toby Miller: Hollywood and the World
  • PART THREE: WORLD CINEMA: CRITICAL APPROACHES
  • REDEFINING CINEMA: INTERNATIONAL AND AVANT-GARDE ALTERNATIVES
  • 1: Stephen Crofts: Concepts of National Cinema
  • 2: Murray Smith: Modernism and the Avante-Gardes
  • 3: Ashish Rajadhyaksha: Realism, Modernism, and Post-Colonial
  • REDEFINING CINEMA: OTHER GENRES
  • 4: John Izod and Richard Kilborn: The Documentary Film
  • 5: Michael OPray: The Animated Film
  • EUROPEAN CINEMA
  • 6: Ginette Vincendeau: Iss ues in European Cinema
  • CASE-STUDIES: MOVEMENTS, MOMENTS, AND FILMMAKERS
  • 7: Ian Christie: The Avant-Gardes and European Cinema before 1930
  • 8: Simona Monticelli: Italian Post-War Cinema and Neo-Realism
  • 9: Jill Forbes: The French Nouvelle Vague
  • 10: Ulrike Sieglohr: New German Cinema
  • 11: Daniel Goulding: East-Central European Cinema
  • 12: Armand Mattelart: European Film Policy and the Response to Hollywood
  • 13: Directors and Stars
  • (a) Jean Renoir
  • (b) Ingmar Bergman
  • (c) Chantal Akerman
  • (d) Pedro Almodóvar
  • (e) Luc Besson
  • (f) Brigitte Bardot: A Star Case Study: Ginette Vincendeau
  • ANGLOPHONE NATIONAL CINEMAS
  • CASE-STUDIES
  • 14: Andrew Higson: British Cinema
  • 15: Martin McLoone: Ireland and Cinema
  • 16: Elizabeth Jacka: Australian Cinema
  • 17: Will Straw: Canadian Cinema
  • WORLD CINEMA
  • 18: Wimal Dissanayake: Issues in World Cinema
  • CASE-STUDIES: CINEMAS OF THE WORLD
  • 19: Ashish Rajadhyaksha: Indian Cinema
  • 20: Berenice Reynaud: Chinese Cinema
  • 21(a): Stephen Teo: Hong Kong Cinema: Discovery and Pre-Discovery
  • 21(b): N. K. Leung: China, and 1997
  • 22: Kuan-Hsing Chen: Taiwanese New Cinema
  • 23: Freda Freiberg: Japanese Cinema
  • 24 Zc African Cinema: N. Frank Ukadike
  • 25: Julianne Burton-Carvajal: South American Cinema
  • FILM IN A CHANGING AGE
  • 26: Laura Kipnis: Film and Changing Technologies
  • 27: John Hill: Film and Television
Details
Erscheinungsjahr: 1998
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Theater & Film
Medium: Taschenbuch
Inhalt: Kartoniert / Broschiert
ISBN-13: 9780198711247
ISBN-10: 0198711247
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Hill, John
Gibson, Pamela Church
Redaktion: Hill, John
Gibson, Pamela Church
Hersteller: Oxford University Press
Verantwortliche Person für die EU: Deutsche Bibelgesellschaft, Postfach:81 03 40, D-70567 Stuttgart, vertrieb@dbg.de
Maße: 247 x 189 x 40 mm
Von/Mit: John Hill (u. a.)
Erscheinungsdatum: 05.02.1998
Gewicht: 1,132 kg
Artikel-ID: 121209419